Daniel Garber talks with Kenneth Feinberg about Playing God at Hot Docs 2017

Posted in Courtroom Drama, Crime, Disaster, documentary, Legal, Morality, Politics, Terrorism, Trial, US by CulturalMining.com on August 7, 2021

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Photos by Jeff Harris.

The world reacted in horror when New York’s twin towers were knocked down. But after the dust settled the question was how to compensate its victims and their families. Enter US Attorney Ken Feinberg, who volunteered to handle that monumental task.

Following this, he went on to handle other disasters, in both the private and public sectors, including the BP oil spill and the shooting at Sandy Hook elementary school. Are the results always fair? How do the victims –  and Feinberg himself — deal with the enormity they face? And is this a case of one man playing God?

Playing God is a new feature length documentary that had its world premier at Toronto’s Hot Docs International documentary festival. It was directed by filmmaker Karin Jurschick and features US attorney Kenneth Feinberg.

I interviewed Kenneth Feinberg on location at Hotdocs in April, 2017.

Daniel Garber talks with Tracey Deer about Beans

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s the summer of 1990.

Tekehentahkhwa or “Beans” for short (Kiawentiio) is a typical, innocent 12-year-old girl who lives near Montréal with her Dad, her ambitious mom, and her little sister. Her biggest worry is getting into a posh private school to guarantee a successful future. But her life is totally changed when the town of Oka tries to grab Mohawk burial grounds to expand a golf course. Protests erupt and her family, being Mohawk, joins in. But when it turns into a blockade and a stand off involving police and the military, it reveals acts of violence and virulent racism she has never witnessed before. Now she has to make a decision: should she toughen up like her dad? Or keep to the straight and narrow like her mom? And how will she emerge from these life-shattering events?

Beans is a fantastic new drama – told from an indigenous point of view – that combines the historical record with a highly personal and intimate coming-of-age story. Since it premiered at TIFF last fall, it has garnered dozens of awards for filmmaker, Tracey Deer who has created a work of personal and national importance.

I spoke with Tracey Deer via Zoom.

Beans is now playing in Toronto and all across Canada, from Victoria to Halifax.  

Daniel Garber talks with Kelly McCormack about her new film Sugar Daddy

Posted in Canada, Coming of Age, Feminism, Music, Politics, Psychology, Sex, Sex Trade, Toronto, Women by CulturalMining.com on April 2, 2021

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Darren is a small town girl with big city ambitions. She left her divorced mom and adoring sister behind for a music career in Toronto. She found a gaggle of artists to hang with and an apartment-mate who has a crush on her. She earns her rent at a catering job. But when, in a Dickensian plot turn,  she’s caught taking home leftover sandwiches —  she finds herself fired, broke, starving, and nearly homeless. What to do? She signs onto a service where she’s paid to go on public dates with much older, much richer men. This solves her money deficit… but what about her career and sense of self worth? Will Darren’s new arrangements lead to success? Or is she doomed to failure as an artist on the payroll of a “sugar daddy”?

Sugar Daddy is a coming-of-age feature about a young woman discovering her self worth, and what her youth, body, and talent will fetch on the open market. The film is written, produced by and starring Toronto-based writer, musician, actor, and artist Kelly McCormack. Kelly has made her mark on stage and screen — you’ve probably seen her as Betty Anne on LetterKenny as well as parts on Ginny and Georgia on Netflix and the upcoming A League of their Own on Amazon. 

I spoke with Kelly via Zoom in Toronto. I previously interviewed her along with Alec Toller in 2014 about her off-beat film Play: the Movie.

Sugar Daddy premiered at the Canadian Film Festival on April 1st, and opens on VOD, beginning April 6th, 2021.

Daniel Garber talks with Rebecca Snow about Pandora’s Box

Posted in Africa, Feminism, Human Rights, India, Politics, Poverty, Protest, Women by CulturalMining.com on March 8, 2021

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s as old as humanity, directly experienced by more than half the population, and indirectly by the rest; is crucial to our existence as a species. And yet it’s treated as a dirty and shameful taboo. It’s omnipresent yet never mentioned in public.

I’m talking about menstruation. And because we never talk about it, women and girls suffer social discrimination and economic hardship, at work and at home, in schools and in prisons. Isn’t it time we open this Pandora’s Box?

Pandora’s Box: Lifting the Lid on Menstruation is a new documentary that delves into its history and culture, and looks at human rights advocates around the world — in India, Kenya, North America and Europe — who are trying to normalize periods and to make them affordable, safe and accessible.  It’s written and directed by Rebecca Snow, an award-winning Canadian filmmaker who specializes in social issue documentaries.

Pandora’s Box premiers on Monday, March 8th, International Women’s Day.

I spoke with Rebecca Snow in Toronto, via ZOOM. (Some of the dialogue is inaudible, due to technical difficulties.)

Dissidents. Films reviewed: The Dissident, The Chicago 10

Posted in Animation, Chicago, documentary, Hippies, History, Politics, Protest, Resistance, Saudi Arabia, War by CulturalMining.com on January 8, 2021

Hi, this is Daniel Garber at the Movies for cultural mining.com and CIUT 89.5 FM.

I’m recording this on Wednesday (January 6th), when the Q Anon army, red-pilled and red-capped, at the behest of a certain, soon-to-be-former President, has just stormed the (widely anticipated but strangely unguarded) Capitol building and many state government buildings, too. Sort of a reverse-coup, an attempt to block regime change? The mob has dispersed and Trump has temporarily been stripped of his Twitter account, a fate worse than impeachment. But if you’re listening to this on Friday morning, things may have changed so much that these comments are already old hat.

Either way, I think it’s as good a time as any to talk about political unrest and dissent. So this week I have two new movies, both documentaries. There are antiwar radicals who disrupt the Democrats in Chicago; and a Saudi journalist who disappears in Istanbul.

The Dissident
Dir: Bryan Fogel

Jamal Khashoggi is a successful journalist born into an illustrious family in Medina, Saudi Arabia. For thirty years he works tirelessly for the government, and is part of the country’s elite. But in a sudden about face, he divorces his wife, and leaving his family behind, relocates in Washington DC. He is hired by The Washington Post to write columns, some of which criticize the Saudi government and its royal family. But in the authoritarian monarchy this is a no-no. He becomes a dissident.

Later, he falls in love with a young Turkish woman — a scholar who speaks Arabic — he met at a conference. He travels to Turkey to meet his fiancee’s family. In order to marry, they need a document from the Saudi consulate in Istanbul, proving he has divorced his first wife. But this is where things get weird; after entering the consulate a year ago, he is never seen again.

After widespread outrage, Turkish detectives are allowed into the building. Based on the evidence they find — in addition to wiretaps, recordings and external video footage — they came to a shocking conclusion: Khashoggi was murdered in cold blood by a hit team of Saudi team of special ops flown in especially for that purpose. He was suffocated in front of a diplomat=, his body dismembered by a pathologist and burned to ashes in a barbecue pit

The Dissident is a detailed documentary — in Arabic, Turkish and English — that traces Khashoggi’s life and death from inisder to dissident to victim. Using new interviews with most of the key players — though no one inside the Kingdom — it solves many of the mysteries dogging his case. It rarely veers from its central topic, Khashoggi and freedom of speech, and stays away from important issues like women’s rights, the war in Yemen, never mind cultural expression and sexual liberation. But the one area the doc does explore is an insider’s look at dissidents across the Arab world. The film is narrated by Omar Abdulaziz, a young Saudi who sought asylum in Canada. He helped guide Khashoggi when he becomes a dissident. And this is where the movie gets really interesting. It explores a government-sponsored troll army that silences dissent on social networks like Twitter — a site used by 80% of Saudis; and the work Omar has done to counter it. While some of the doc is a bit dry, it shines when it digs deep into cyber warfare, political activism and and newly revealed secrets of the Kingdom.

The Chicago 10 (2007)
Wri/Dir: Brett Morgen

It’s the summer of ’68, and the youth of America, the product of the baby boom, is revolting. LBJ has plunged the country into war in Vietnam; civil rights leaders, Malcolm X, Martin Luther King and Robert F Kennedy have been assassinated. People are sitting in, dropping out, fighting back. It’s also an election year, and the DNC (Democratic National Committee) is holding its convention in Chicago. To confront this and to have their voices heard, radical political action youth groups converge on Chicago from across the country. The Yippies, from the east coast, headed by Abbie Hoffman, Jerry Rubin and poet Allen Ginsberg, are humorous, media savvy, sex-positive masters of performance art.

Rennie Davis and Tom Hayden fight against war, poverty and racism. David Dellinger is a long-time anti-war activists. They plan a massive be-in, a festival of life, based in Lincoln Park, full of speeches and music culminating in a march to the Hilton Hotel to confront the Democratic convention. But they are met by riot police, ordered by Mayor Daley, and the national guard who violently attack the largely unarmed peace activists. Loads of people were arrested and injured, and a key few — including Davis, Hoffman, Rubin, Heyden, and Dellinger — are put on trial in 1969 by the feds and charged with conspiracy. For some reason they throw Bobby Seale of the Black Panther Party into the group, when he was only in Chicago for a few hours that summer. And thus begins the lengthy show trial.

The Chicago 10 is an excellently researched documentary on that famous trial and the demonstrations that led to it. The film jumps back and forth, chronologically, between the trial and the summer demos. No cameras were allowed into the courtroom, so the trial scenes are 3-D animated using the actual transcripts, and the voices of actors like Nick Nolte, Leiv Schrieber, Hank Azaria, Roy scheider, Mark Ruffalo,Jeffrey Wright and many others. The voices are occasionally cartoonish, because, well, its a cartoon, but generakky feel like the r eal thing. The demonstations are taken from beautifully restored contemporary footage and news clips, as well as radio recordings, and onstage performamces all done while the trial was actually taking place. (none of the accused were locked away during the trial so they were constantly on the media.

It’s full of revelations. Allen Ginsberg is called in as a witness, and the prosecutor makes him recite his most salacious erotic poems, presumably to shock the jury. There are great news stories, like little kids in Chicago seen playing cops and protesters, instead of cops and robbers, where in this game activists get clubbed by police.

You may have seen the much lauded the Trial of the Chicago 7, Aaron Sorkin’s star-studded take on the story. While the production values and acting are great in that one, Chicago 10 is much more historically accurate than Sorkin’s revisionist drama.

If the topic interests you, Chicago 10 is definitely worth a watch.

The Chicago 10 is now available online, and The Dissident opens today across North America, check your local listings.

This is Daniel Garber at the Movies each Friday morning on CIUT 89.5 fm and on my website culturalmining.com.

Against the Grain. Films reviewed: Judy vs Capitalism, Monkey Beach, The Trial of the Chicago 7

Posted in 1960s, Canada, Depression, documentary, drugs, Ghosts, Indigenous, Magic, Police, Politics, Poverty, Protest, Resistance, Trial, War by CulturalMining.com on October 23, 2020

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Toronto’s Fall Film Festival Season continues with ImagineNative Film + Media Arts Festival, the world’s largets indigenous film festival, and Rendezvous with Madness, the first and largest arts and mental health festival in the world, both running through Sunday, the 25th.

This week I’m talking about three new movies – a doc, a drama and a courtroom pic – about people who go against the grain. There’s a young woman resisting ghosts, another woman fighting anti-abortion activists; and boomers protesting the war in Vietnam.

Judy vs Capitalism

Dir: Mike Holboom

Judy Rebick is a well-known activist and writer in Toronto. As a former Trotskyite revolutionary turned writer and TV commentator, she’s a pro-choice feminist and socialist known for slogans like “Radical is Practical”. She can be seen everywhere, from CBC panels to tent-city protests. A new documentary looking at her life divides it into six stages: Family – her dad was a baseball player quick to pick fights; Weight – she says she has a pair of hips “like two battleships”; Feminism – women’s bodies and the violence they face; Abortion – her hands-on role in legalizing reproductive rights in Canada; Others – her struggles with depression and mental health; and End Notes – her views on various political topics, like the rise of neo-liberalism, the war in Gaza, and as head of NAC, the National Action Committee on the Status of Women.

Did you know she single-handedly fought off a man trying to stab Dr Henry Morgantaler with a pair of garden shears? This film includes footage of that in slow motion. Each section begins with a speech – some mundane talks in lecture halls, others shouted through a bullhorn at a rally. Judy vs Capitalism is directed by artist/filmmaker Mike Holboom in his patented style: clear sound and straightforward narration, combined with avant-garde images: slow motion, high speed, underwater photography, blurred and melting visuals, random faces… basically Holboom’s interpretations of Rebick’s moods, memories, thoughts and ideas rather than the typical clips you might expect in a conventional biography.  Judy vs Capitalism is an experimental look at a Canadian icon.

Monkey Beach

Dir: Loretta Todd (Based on the novel by Eden Robinson)

Lisa (Grace Dove) is a young woman who lives in East Vancouver. She’s been there for the past two years with nothing to show for it but a bad hangover. Till her friend Tab tells her it’s time to go home, back to her family in the Haisla community in Kitimat. So she does. Her family is shocked but delighted to to see her – they weren’t even sure she was still alive. There’s her mom and dad, her little brother Jimmy (Joel Oulette) a swimming champ, and her Uncle Mick (Adam Beach) who told her at an early age to say “f*ck the oppressors!” Then there’s her grandma Ma-Ma-Oo (Tina Lameman) who taught Lisa everything she knows… including things she doesn’t want to know. Like why a little man with red hair keeps appearing. A crow talks to her, and ghosts (people who should be dead) appear to her in real, human form. (Tab, for example, was murdered but she’s still around.) Worst of all are the dreams and premonitions she keeps having – that her brother Jimmy, the swimmer – is going to drown. Are her powers a gift or a curse? Can she ever live normally? And can she keep Jimmy out of the water?

Monkey Beach is a good YA drama filmed in the gorgeous forests and waters of Kitimat in the pacific northwest, with a uniformly good indigenous cast. It incorporates traditional Haisla culture and practices with contemporary, realistic social problems, sprinkled with the supernatural. And it flashes back and forth between the present day and Lisa’s childhood. I like this movie but I can’t help but compare it to the CBC TV series Trickster, which is edgier, faster-moving and more complex. They’re both based on Eden Robinson’s novels – Monkey Beach was her first, showing many of the themes later explored in Son of a Trickster. That said, if you’re a fan of Trickster, you’ll want to see Monkey Beach, too.

The Trial of the Chicago 7

Wri/Dir: Aaron Sorkin

It’s the summer of ‘68 in the USA, and the youth are restless. Robert Kennedy and Martin Luther King had just been killed, with demonstrations springing up across the country. The US is embroiled in an increasingly senseless war in Vietnam and it’s an election year. So droves of young people converge on the Democratic National Convention in Chicago, to have their voices heard. The protests are brutally crushed by police and state troopers. Nixon is elected in November, and the protest leaders, known as the Chicago 7, are arrested and put on trial. The defendants are from the SDS – Students for a Democratic Society, a radical group that sprung out of the labour movement – led by Tom Hayden (Eddie Redmayne) and Rennie Davis (Alex Sharp); the Yippies, founded by Abbie Hoffman (Sacha Baron Cohen) and Jerry Rubin who use performance and pranks to forward their agenda; anti-war activist David Dellinger (John Carroll Lynch);  and Bobby Seale (Yahya Abdul-Mateen II) co-founder of the Black Panther Party, known both for its militant image and progressive social programs. The charge? Conspiracy, even though these group leaders had never met one other.

The Trial of the Chicago 7 is two-hour film that manages to condense hundreds of days of testimony into a few key scenes. This includes a shocking re-enactment of the binding and gagging of Bobby Seale in the courtroom. The script’s pace is fast, the production values excellent, and the acting is superb, especially Baron-Cohen in an unusual funny-serious role, Mark Rylance as their lawyer, William Kunstler, Frank Langella as the unjust judge Julius Hoffman, and Lynch as the veteran pacifist. Women are invisible in this film, except as receptionists, wives-of and one undercover FBI agent. I was glued to the screen the entire time. Still, it leaves me with an uneasy feeling Aaron Sorkin has done some subtle, historic slight of hand. He portrays the anti-war movement as mainly about honouring and saving the lives of American soldiers, not Vietnamese civilians. It buries the aims of the defendants beneath petty squabbles. And somehow he takes a protest aimed squarely at Democratic politicians — the hawks and conservative Democrats in a city and state run by that party — into a Democrats vs Republican division…!

Hmm…

Judy vs Capitalism is at Rendezvous with Madness; Monkey Beach is at ImagineNative, both through Sunday; and The Trial of the Chicago 7 is now streaming on Netflix.

This is Daniel Garber at the Movies each Friday morning on CIUT 89.5 FM and on my website culturalmining.com.

Daniel Garber talks with filmmaker Matthew Rankin about The Twentieth Century

Posted in 1800s, Art, Canada, Fetish, Movies, Politics, Sex by CulturalMining.com on December 27, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Photos by Jeff Harris.

It’s the end of the 19th Century, and Canada is still an Imperial backwater. Sir Wilfrid Laurier says “The 20th Century shall be the century of Canada.”

Dan Beirne, The Twentieth Century, Photo by Jeff Harris

And a young William Lyon Mackenzie King thinks he should be the one to lead it. He visits girls dying of consumption, tends to his blonde-tressed mother, and pines for a heroic, harp-playing Valkyrie. A pity though, he’s quite nuts.

The Twentieth Century is a new, partially animated and highly stylized film about the history of Canada as seen through the deranged eyes of a young Mackenzie King. Powered with the glow of fluorescent light, modernist architecture with actors gliding past on roller skates, it reimagines the country as a den of corruption controlled by evil royalists and their puppets.

The feature is written and directed by Winnipeg-born, avant-garde filmmaker Matthew Rankin.

I spoke with Matthew on location at TIFF19.

The Twentieth Century won the Best Canadian First Feature at TIFF and has been selected for Canada’s Top Tem Films of 2019.  It is now playing in Toronto.

Daniel Garber talks with Toronto filmmaker Erin Berry about Majic, premiering at B.I.T.S.!

Posted in 1950s, 2000s, Conspiracy Theory, Internet, Mental Illness, Movies, Politics, Psychological Thriller, Republican Party, Secrets, US by CulturalMining.com on November 22, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s 2008. Pippa Bernwood is a skeptical Vlogger who posts her views on youtube. She’s there to counter all the crazy conspiracy theories that pop up. She wants truth backed by evidence. But her world is turned upside down when a crazy old man named Anderson approaches her with an outlandish theory… and his theory turns out to be true. Now she’s in a quandary. Go with her gut, or believe the new story? Is it a vast conspiracy involving aliens, the government and secret societies? Or is it all smoke and mirrors, just a bit of birthday party “Majic”?

Majic is also the name of a new film about a secretive project called Majestic 12. It’s a combination mystery, sci-fi and conspiracy- theory thriller, all in one.

Majic is co-written and directed by Toronto-based filmmaker Erin Berry, his third feature, and the first made by his production company, Banned for Life.

I spoke with Erin in studio at CIUT 89.5 FM.

Majic has its Canadian premier Sunday, 4:30 pm at the Royal Cinema at the Blood in the Snow Film Festival.

Birth, Death, Birth. Films reviewed: Dead Dicks, In Safe Hands, The Report

Posted in Adoption, Bipolar, Canada, Family, France, Horror, Politics, Suspense, Suspicion, Terrorism, Torture, US by CulturalMining.com on November 15, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Fall festival season continues in Toronto, with ReelAsian ending tonight and the EU Film Fest still going strong. Coming soon are Blood in the Snow (aka BITS), featuring Canadian Horror and Genre movies, and CineFranco with French language movies, from Canada and around the world.

This week I’m looking at three movies, two about births and two about deaths. We’ve got mysterious rebirths wanted by no one, a newborn infant wanted by everyone, and a horrifying CIA program they want no one to know anything about.

Dead Dicks

Wri/Dir: Chris Bavota, Lee Paula Springer

Becca (Jillian Harris) is a young bartender who works downtown. But much of her time is filled with taking care of her big brother Richie (Heston Horwin). Richie is a depressed artist with anger issues given to playing music full blast while scribbling in his sketchbook. When there parents died he served as the adult in the family, but now the roles are reversed. She’s forced to deal with his angry neighbours and make sure he takes his meds. So when she she is called away from her job by frantic texts, she thinks this is just another one of Richie’s episodes. But it’s not.

She arrives to see an apartment in disarray, with a huge mouldy patch formed above his bed, and Richie wandering around naked, in a daze. His brain feels fuzzy he says. Turns out he killed himself just a few minutes before. And almost immediately expelled, fully grown, through a hole in the wall. But the dead body he left behind is still there, hanging in the closet. And another one in the bathtub, and another one in the kitchen. Living Richie is surrounded by all the dead Dicks from his repeated suicide attempts. He’s experimenting, he says.

But that leaves Richie and Becka with a pile of dead Dicks to get rid of, a mysterious birth canal on his wall and an angry neighbour (Matt Keyes) who could get them arrested by threatening to call the cops. What is causing all these rebirths? What does it mean? And what are the unanticipated consequences?

Dead Dicks is a bizarre, low budget film, part horror, part mystery, part comedy. The film does not encourage death by suicide. Rather, It deals with issues of family and mental illness, within a weird fantasy setting. It manages to be grotesque and gruesome, with very few special effects, and an absurd humorous streak running through it.

In Safe Hands (Pupille)

Dir: Jeanne Herry

It’s present-day Brest, in French Brittany.

A young woman arrives at a hospital in labour. She’s a college student and says the pregnancy is the result of a one-night stand, and says she doesn’t want the baby. This starts a dozen gears spinning into action, notifying dozens of doctors, nurses, psychiatrists, midwives, social workers, foster parents, and adoption agencies. And little Theo, the baby, is the centre of attention. He is transferred to an incubator, with lots of faces peering down at him. But can his lack of contact with his birth mother damage him for life? Or will a concerted effort place this baby into safe loving hands?

In Safe Hands is mainly a dramatization of the process of birth and adoption, but there are a few interestingside plots along the way. Jean (Gilles Lellouche) is a married dad who takes care ofhis own daughter and two troubled foster boys who takes care of Theo as he awaits adoption. Karine (Sandine Kiberlain) works for the adoption and fostering program and has a thing for Jean… but will an affair upset the adoption process? Alice Langlois (Élodie Bouchez) is single and works describing action at live plays for the visually impaired. She applied for adoption when she was attached. A social worker is concerned both for the privacy of the birth mother and of the baby who might one day wish to get in contact with her. And many, many others, all centred around a wordless, Yodalike baby who seems to take everything in. It was interesting from a parenting and adoption point of view, exposing all the hidden parts of the mechanism of adoption, but isn’t very satisfying as a dramatic or romantic movie, more just as an educational docudrama, as acted by famous French movie stars.

The Report

Wri/Dir: Scott Z. Burns

It’s post 9-11 Washington, DC.

Dan Jones (Adam Driver) is a young college grad appointed to a group to write a bipartisan internal report on the CIA for the Senate Intelligence Committee. The committee is headed b Sen. Diane Feinstein (Annette Bening). Dan is locked up in a dark basement in a nameless bureaucratic and told to find out what the CIA has done since 9/11. It turns out their practices, supposedly enacted to stop terrorism, were immoral, illegal and of no value whatsoever for intelligence. Specifically, he uncovers the practice of “enhanced interrogation techniques,” a policy previously known as torture and banned by the Geneva Convention.

They were under the direction of two psychologists, James Mitchell and John Bruce Jessen (Douglas Hodge and T Ryder Smith) working on contract with no experience in interrogation. They stripped prisoners naked, chained them to walls, waterboarded them and nailed them – live – into wooden coffins, covering their skin with crawling insects. The torture yielded no intel, yet was repeated for many years in blacksites around the world.

Dan outlines these heinous war crimes in a long report to the committee, shocking senators by its findings. But instead of offering support and investgating their own lawbreakers, the CIA initiates a coverup, threatening Dan himself with jail time if he releases his findings. And the CIA sends operatives to spy on the Senate itself in order to coverup the findings. Will Dan Jones’s report ever see the light of day? And will the war criminals be punished?

The Report is a good political drama about the illegal use of torture by the CIA, but a thriller it’s not. It incorporates elements of All the President’s Men, and is nicely shot with lots of fluorescent lights and stark, brutalist architecture. Driver is great as the persistent policy geek, with an understated Bening as a veteran Senator. Warning: there are a few highly disturbing reenactments of the torture itself, which are extremely hard to watch. Much more common are the reenactments of the culprits – John Yoo, Jose Rodrigues, John Brennan (Ted Levine), Cheney, and the psychologists – war criminals who leave a very bad taste in one’s mouth.

I liked this one.

Dead Dicks will be playing at Blood in the Snow, In Safe Hands at Cinefranco, and The Report at the Tiff Bell Lightbox all starting one week from today.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks with Yaron Zilberman and Yehuda Nahari Levi about Incitement at #TIFF19

Posted in 1990s, Docudrama, Israel, Palestine, Politics, Psychological Thriller, Religion by CulturalMining.com on September 20, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Photos by Jeff Harris.

In September, 1994, Israeli Prime Minister Yitzhak Rabin and PLO Chairman Yasser Arafat sign an historic peace treaty between Israel and Palestine. On November 4, 1995 he is assassinated by an Israeli at a peace rally in Tel Aviv. Was it a lone wolf terrorist? A deranged fanatic? Or a young man given widespread support at the highest levels, urging him – and those like him – to commit murder?

Incitement is an enthralling, bold and deeply disturbing new docudrama that traces the steps of a law student leading to his shocking crime. It’s directed and co-written by Yaron Zilberman previously known for his gentle drama A Late Quartet; and stars Yehuda Nahari Halevi in a crucial performance as the assassin Yigal Amir.

Incitement had its world premier at TIFF19 and is opening soon in Toronto.

I spoke with Yaron and Yehuda on location at TIFF.

%d bloggers like this: