Around the World. Films reviewed: Memoria, Downton Abbey: A New Era, Confessions of Felix Krull

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Toronto’s spring film festival season is on its way, with ReelAbilities Film Fest starting on Monday through June 10, bringing films by and about people with disabilities and deaf people. There’s a comedy night, workshops, panels and lots of films. This is a hybrid festival, with both digital and in-person events. And Inside-Out is just around the corner , starting on May 26th, featuring world premiers of films with 2SLGBTQ+ themes, actors and filmmakers. And tickets are going fast.

But this week I’m taking you around the world with new movies from the UK, Germany and Thailand There’s an aristocratic family on the Riviera looking at a villa, an ambitious young man in Paris seeking his fortune, and a woman in Colombia looking for an explanation to a strange noise she thinks she heard.

Memoria

Wri/Dir: Apichatpong Weerasathakul 

Jessica Holland (Tilda Swinton) is a middle-aged Scottish professional living in Bogota, Colombia. She’s helping out her married sister, Karen, who is in hospital after being struck by a mysterious ailment. But one night, she is awakened by a loud BOOM!, a noise that no one notices except her. So she decides to investigate. She is referred to a young man named Hernán Bedoya (Juan Pablo Urrego) who is a sound engineer in a recording studio. Hernan says he can locate and synthesize the exact sound she remembers based on her description alone. Sparks fly, and it seems like their professional relationship may turn personal. Jessica knows what the sound she heard was but not what it means, and she needs to learn more. So she leaves Hernan and travels inland toward Medellin. On the way she meets an older man (Elkin Díaz) who lives in an isolated cabin and does nothing all day except scaling fish. He’s not just off the grid, he avoids it like the plague, won’t go near a radio, TV or cellphone — the noise is too much for him. You see, he’s blessed or cursed with a unique ability: he hears every story from the beginning of time just by touching a stone where it took place. And what’s his name? Hernán Bedoya!

Memoria is a hauntingly beautiful art-house film about storytelling,  mysticism and perception. Like all of Apichatpong’s movies (I interviewed him here in 2015) it’s not mainstream, so don’t go expecting a Hollywood fantasy. Scenes are long and pensive, often with no dialogue or camera movement for long stretches, and it’s full of mundane hospital rooms, and institutional hallways. But despite the mundane images and slow pace, it is still fascinating, with exquisite cinematography, amazing soundscapes, and terrific acting — Tilda Swinton, of course but many others you’ve never seen before. With lots of strange unexplained scenes you can just enjoy, even if you don’t understand them all. Apichatpong is a Thai master-director, and this is his first film outside his country with much of the dialogue in Spanish, but it doesn’t matter, it fits so clearly within his work.

What a lovely film Memoria is.

Downton Abbey: A New Era

Dir:  Simon Curtis

It’s 1930 in Yorkshire England, and the aristocratic Crawley family, along with their many relatives, inlays and servants, are celebrating the marriage of a daughter to their former chauffeur., bridging the gap between upstairs and downstairs for the first time. Aside from the wedding, two other big changes occur at Downton Abbey, their manor: the family matriarch Violet (Maggie Smith) discovers she has inherited a villa in the south of France, possibly from the estate of a long-lost lover; and a producer wants to use their home as a location for a film he’s shooting — and even really rich people need money to keep the house in a good state. So half the family travels to the French Riviera to investigate their possible new property, while the other half stays home while a movie is being shot in their hallowed hallways. 

But there are complications. It’s revealed that Violet may have had an affair there and her son, now the patriarch of Downton Abbey, may have been illegitimate! Meanwhile, the film they’re shooting has to turn into a talkie, halfway through. This is fine for the dashing male lead who speaks “Received Pronunciation”, but not for the beautiful female star with her shrill, working class accent. (Exactly like in Singin’ in the Rain). And many of the family and the staff are involved in clandestine love affairs on their own. What new changes are afoot at Downton Abbey?

Downton Abbey: A New Era is an anodyne soap opera that feels like two TV episodes linked loosely together and projected onto the silver screen. While the previous movie version of Downton Abbey (which I liked) was cinematic — with a royal visit, assassins, intrigue and and a passionate love affair — this one seems to exist only for  diehard fans can catch up on all their favourite characters. It’s very predictable with few surprises. At the same time, the acting is great (including Imelda Staunton, Dominic West, Tuppence Middleton, and too  many others to mention) the dialogue is smooth, the stately home setting is fun, and the characters enjoyable. If you’re a fan of the TV series (personally,  I hated it) I’m sure you’ll find lots to enjoy in this latest instalment. Otherwise, it’s just a comfortable, if uneventful, 90 minutes.

Confessions of Felix Krull

Co-Wri/Dir: Detlev Buck

Based on the novel by Thomas Mann 

It’s 1900 at a grande hotel in Paris. Felix Krull (Jannis Niewöhner) is a handsome, charming, and eloquent young man with great ambitions. But he is not a guest in the hotel, he’s the elevator Boy. Though raised in a middle class family in Rhineland, he was left penniless and fatherless when the family wine business went bankrupt. So — after avoiding the draft, with the help of a beautiful woman named Zaza (Liv Lisa Fries), his only true love — he makes his way to Paris to seek his fortune. But though beautiful on the outside, the hotel is a den of corruption and inequity, though and through. Worst of all is Stanko, the Maitre d’with his hand in everyone’s pocket. He’s a combination pimp, extortionist, blackmailer and thug, who arranges trysts for all the young employees, male and female, to meet the rich and powerful guests carnally, keeping a large percentage for himself. And though Felix (now known as Armand the elevator boy) resists at first, he soon recognizes this side work as the only way to rise up in status.

He has secret affairs with a number of people simultaniously, including Madame Houpflé, a lonely woman married to an Alsatian toilet mogul, who pays him with her seemingly endless supply of pearl necklaces. He also meets a French Marquis, a Scottish Lord, an eccentric professor, and various other members of the upper crust.  But though he becomes increasingly rich and well-dressed, can material wealth ever help him rise within the rigid class system? Or is he trapped in his class? Can he hold into his morals? And when Zaza reappears in Paris beside the same Marquis… things get complicated.

Confessions of Felix Krull is a wonderful adaptation of Thomas Mann’s unfinished coming-of-age-novel. When I was a teenager, I carried a hardcover copy of that book as I travelled across Europe, so I’m thrilled to see it on the big screen as a big budget movie. Most of the story is told by Felix to the Marquis, as part confession, and part con job — or so it seems. But Felix is not an immoral criminal;  he is the most just and upright character in the story. All the actors, but especially, David Kross (Krabat, The Reader) as the Marquis, Liv Lisa Fries (Babylon Berlin) as Zaza, and newcomer Jannis Niewöhner, are just so much fun to watch. It’s an historical period piece about a long-gone world, but still feels so fresh, never turgid. I recommend this one.

And it’s playing as part of the Goethe Films series called The Art of the Con.

Memento just opened in Toronto at the TIFF Bell Lightbox; Confessions of Felix Krull is playing one night only, on May 19th, also at TIFF; and Downton Abbey a New Era, opens next week in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Saturday morning, on CIUT 89.5 FM and on my website, culturalmining.com

More Hot Docs! Films reviewed: Dark Blossom, Who We Are: A Chronicle of Racism in America, The Big, Scary “S” Word

Posted in 1700s, 1800s, 1900s, Denmark, documentary, Goth, History, LGBT, Protest, Racism, Slavery, Socialism, US by CulturalMining.com on May 7, 2021

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Hot Docs — Canada’s International Documentary Festival — continues through the weekend with  tons of great movies online. Free tickets each day for students and seniors. I plan to binge watch documentaries this weekend before it’s over.

Here are a few I want to see:

Four Seasons in a Day – a novel look at the ferry across the border between Northern Ireland and the Irish Republic; 7 Years of Lukas Graham — about the eponymous Danish band; Gaucho Americano — about real cowboys from Chile working in the Western US; and Archipelago — a stunning animated look at an imaginary animated island in Quebec.

But this week I’m talking about three more docs at hotdocs, all directed by women, two of which offer a new take on American history. There’s the dark past and present of American racism; the brighter side of 200 years of populist, home-grown American socialism, and — for something completely different — a look at three dark goths in sunny, rural Denmark.

Dark Blossom

Wri/Dir: Frigge Fri 

Josephine is a young woman who lives in a small town in Northern Jutland, Denmark. She hates sports, and rejects the H&M conformity of her high school classmates. She prefers to wear black, accentuated with theatrical makeup, wigs and a pierced septum. If you haven’t guessed yet, she’s a brooding goth. Luckily, Jose is not completely alone. She’s best friends with two guys: Jay, whose parents are devout christians but who prefers big hair and dark fantasies; and fashion-obsessed Nightmare, who knows choice curse words in Punjabi (from his father’s side) but can’t find a boyfriend. They give each other home-made tattoos, and go out on adventures in the grassy fields. They’re totally into roadkill, boiling dead weasels to make jewelry from their bones. Together they form a tight 3-goth posse. 

But things start to fray when Jose meets a guy she really likes. And when she moves to Copenhagen to live with him, Nightmare takes this as a personal slight. Will the three best friends ever get back together, or is this a permanent shift? And will Jose trade in her animal skulls for Hello Kitty dolls?

Dark Blossom is a highly personal look at three young non-conformists in rural Denmark as they express their fragile feelings of friendships in their art fashion and music.

Who We Are: A Chronicle of Racism in America

Dir: Emily Kunstler & Sarah Kunstler (whose father was the famous civil rights lawyer William Kunstler)

Can a country be both good and bad? Cana country founded on slavery be a bastion of freedom and liberty? So asks Jeffery Robinson, a director of the ACLU in a lecture he gave in New York City on Juneteenth (June 19th) in 2018 to mark the emancipation of enslaved people in the US. This lecture interspersed with vintage photos and personal interviews — looks at the history of slavery and racism and the dominant role it holds in the country. And like the toppling down of old statues, this iconoclast exposes some of the worst aspects hidden in plain sight. Did you know the third verse of the Star Spangled Banner celebrates the capture and killing of escaped slaves? They sing it for you, on stage. Andrew Jackson, whose face greets you on each $20 bill — and whom ex-president Trump says he adores — was a major advocate of the slave trade who proudly owned 150 human beings. A large part of the US economy, both the North and the South, was based on the trade of cotton, tobacco and rice, all of which were produced mainly by slave labour. And that’s just before the US Civil War. 

The film looks at the rise of the Ku Klux Klan, massacres of black neighbourhoods, widespread lynching, segregation, the Jim Crow laws, widespread incarceration and police violence. It covers how ingrained anti-black racism is in the foundations of sectors you might not ever think about, including the financial system, real estate, education, insurance, and government.

This is all told by Robinson himself in a personal way: he grew up in a manly white neighbourhood in Memphis, Tennessee, during the beginning of integration and the implementation of civil rights there. So we see him revisit and talk about his own past, what has improved and what remains the same. Who We Are is an excellent and meticulously researched look at the history of racism and white supremacy within the US, covering hundreds of years in just two short hours.

The Big, Scary “S” Word

Dir: Yael Bridge

With its two-party system, its entrenched political views, and its relative lack of class mobility, the US is considered one of the most conservative, developed countries in the world. But what is often forgotten is the longstanding streak of leftist populism and socialism throughout its history. And with the explosive rise in popularity of politicians like Bernie Sanders and AOC, and movements like the Democratic Socialists, the “S” word no longer holds the negative connotations it once did. This movie  digs up some really unusual facts that will suppose almost everyone who watches it. Did you know it was the republican party who originally espoused socialist ideals after the civil war? And that Karl Marx wrote regular columns in American newspapers? He was intrigued by the socialism in the US long before he write his books. It looks at the cooperative communities that sprung up in the mid 1800s in places like Wisconsin; and the non-commercial Bank of North Dakota that saved the farmers there from losing their land and homes.

The film looks at a huge range of topics eloquently explained by dozens famous talking head like Cornell West and Naomi Klein, as it covers centuries of American history. It also follows some people making history now, like Lee Carter a former Marine turned state politician after he was screwed by his private employer, and Stephanie Price an Oklahoma public school teacher forced to take on a second job just to raise her son (she joined in the statewide teachers strike).

If you’re into history, and not the kind they teach you in high school, check out the Big Scary “S” Word; it’s punchy, fast moving, well-edited, highly informative and most of all, entertaining.

Dark Blossom, Who We Are: A Chronicle of Racism in America, The Big, Scary “S” Word, are all playing at Hot Docs now through May 9th.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Experiences. Films reviewed: The Painted Bird, Avengers: S.T.A.T.I.O.N., Martin Eden

Posted in 1900s, 1940s, Class, Comics, Coming of Age, Czech Republic, Games, Holocaust, Italy, Poland, Super-heroes, WWII by CulturalMining.com on November 20, 2020

https://danielgarber.files.wordpress.com/2020/11/garber-november-20-20-review.mp3Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Fall film festival season continues in Toronto with the EU Film Festival. This week I’m looking at two European historical dramas vs one Hollywood “experience”. There’s a working-class writer in pre-WWI Italy, a wandering kid in WWII Europe, and superheroes in a 2020 suburban shopping mall.

The Painted Bird

Wri/Dir: Václav Marhoul  (Based on the novel by Jerzy Kosinski

It’s WWII in Eastern Europe. Joska (Petr Kotlár) is a quiet, little boy living in a wooden house in the woods with his grandmother. He was sent there by his parents to escape the Nazis. His dark features suggest he may be Jewish or Roma. But when she dies and her house burns down he’s left all alone. So he sets out on his own. His 4-year trek takes him across fields, over frozen rivers, into tiny villages and small cities. He meets a cruel witch, a lusty bird catcher,  a violent miller, a lascivious farmer’s daughter, vengeful soldiers, and a hideous churchgoer. He’s a witness – and often the victim — of gut-wrenching horror, animal killing, bestiality, pedophilia, torture, flogging, indescribable cruelty and mass murder. As he approaches maturity, can Joska survive this time of death and destruction?

The Painted Bird, based on Polish writer Jerzy Kosinski’s novel, is a stunning work of art shot in black and white. It’s like the scariest fairytale ever because it’s based on actual recollections of the war. The characters all speak a “pan-Slavic” language, not native to anyone but understandable to the Poles, Russians, Ukrainians, and Czechs in the movie, without placing blame on any one group. The film was shot in sequence over a few years, adding a sense of reality as Petr Kotlár matures. There are actors like Harvey Keitel, Julian Sands, Barry Pepper, Stellan Skarsgard, and Udo Kier in what may be his best performance ever as the cruel miller. Like I said, it’s a great movie but so shocking and disturbing it’s difficult to watch. To give you an idea, it starts with local bullies beating up Joska and setting his little white puppy on fire. That’s just the first scene of a three-hour movie. I saw it at TIFF at a private screening last year and by the time it was over, only 5 or 6 people were still watching. The Painted Bird is an engrossing, stunning film, with explicit sex and violence that is also a hard film to watch.

Avengers: S.T.A.T.I.O.N.

What would you do if you were invited to join Ironman, Captain America, Black Panther and Hulk to join in their fight against the bad guys? Would you scream and run away? say Yessir! Sign me up! or maybe just yawn in boredom? Well if you’re in group number two, you’ll probably like the Avengers: S.T.A.T.I.O.N. It’s definitely not a movie, its not an exhibition, it’s not a theme park, it’s not a video game, it’s what’s known as an experience. You enter the site, you’re inducted into this army, and you can view the costumes, props weapons, and gadgets – either replicas or the ones actually used in their movies, all beautifully lit up. You can also play games. In one you stand in front of a giant video screen and watch yourself become Ironman. Then you move your hands and arms around to kill all the silvery people running or flying in your direction. In another game you’re asked to choose a little device with your favourite hero’s logo – I grabbed one at random and unwittingly turned into Scarlett Johansen!

Toronto’s Avengers S.T.A.T.I.O.N. is one of four versions touring the world. This one came direct from Bangalore. It’s Covid-resistant, equipped with mandatory masks, hand sanitizers, online booking, physical spacing, high power ventilation and two story ceilings. They’re operating at 1/10th capacity so no crowds. You’re handed a stylus to access what used to be touch screens. I felt safe there. Is it any good? I’m not a Marvel fanatic so seeing a genuine Captain America shield from a movie doesn’t do it for me. And I was turned off by the blatant militaristic tone of the whole thing. Should 5-year-olds be called “recruits” and encouraged to kill people on orders from attendants dressed in uniforms? Some of the games are about matching weapons with the fighters that use them. It’s all kill, kill, kill. But…

At the same time, what can I say? I love blowing things up and shooting fire from my bare hands! It really is fun. That’s what gaming is. So if you’re a Marvel fan, and you don’t mind forking out 30 bucks, I think you might like this. 

Martin Eden

Dir: Pietro Marcello (Based on the novel by Jack London)

It’s the turn of the previous century. Martin Eden (Luca Marinelli) is a sailor and self-taught poet from Naples. He’s been travelling at sea since he was eleven, and is now a confident yound man. So he’s quick to rescue a lad being attacked by a tough longshoreman at the docks. In gratitude the teen takes him home to meet his family. Martin is hesitant to set foot inside the Orsini’s fancy home. But when he sees his sister, Elena (Jessica Cressy), a beautiful, young woman with blonde hair and an elegant manner, it’s love at first sight. She is educated and an accomplished piano player. She is impressed by Martin’s bravery and good looks. Problem is, she’s from a bourgeois family while he is working class. But he’s willing to learn. He spends all his money on books in a quest to become a professional writer. Luckily, when his brother-in-law kicks him out – get a job! – he is taken in by a single mom in the outskirts of town. You can pay me rent once you’re a successful writer, she tells him. Problem is, his work is constantly rejected by publishers. He needs a mentor. He is taken under the wing of an accomplished but depressed writer named Russ Brisenden (Carlo Cecchi). Will he ever be published and can he and Elena ever be together?  

Martin Eden is a fantastic novelistic movie about a young man trying to make it as a writer. Based on the Jack London novel, it’s transplanted from America to Italy, and although it takes place before WWI, interestingly, the look of the movie —  clothes and cars – is post-WWII. Sounds strange, but it works really well.

Eden is part hero, part anti-hero, an idealist who is led astray by Social Darwinist ideologies – the individual above all – that were popular at the time. Marinelli’s portrayal of Martin Eden is perfect, and the whole movie has a classic feel to it while also relevant to the here and now.

I really liked this historical drama.

Avengers: S.T.A.T.I.O.N. opens today at Toronto’s Yorkdale Mall and runs through Jan 31; The Painted Bird is screening on Monday, November 23 at Toronto’s EU film festival; and Martin Eden is now playing at the virtual TIFF Bell Lightbox.

This is Daniel Garber at the Movies each Friday morning on CIUT 89.5 FM and on my website culturalmining.com.

Daniel Garber talks with Trevor Cameron about his new documentary Shadow of Dumont at ImagineNative

Posted in 1900s, Canada, Cree, documentary, Guns, Indigenous, Métis, War by CulturalMining.com on October 23, 2020

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Trevor Cameron is a Toronto-based writer who has always wanted to make a film about his ancestors… and one in particular. Gabriel Dumont the famed Métis leader who fought in the Battle of Batoche in the Northwest Rebellion (also a famed translator, buffalo hunter, war hero and storyteller). But Trevor didn’t know much about him. Where did he come from, where did he go after the rebellion, what did he do with his life and what became of him?

To answers these question, he got in a camper van and headed out west, to follow in Dumont’s footsteps more than a century later. And he documented his journey on film. The result? A light-hearted road movie about one man discovering his past called Shadow of Dumont.

Shadow of Dumont was written and directed by Trevor Cameron, the award-winning screenwriter, director, and roller-derby champ, known for his work on TV shows like Wapos Bay and Guardians: Evolution. Trevor Cameron’s new documentary Shadow of Dumont premiered at the ImagineNative Film + Media Arts Festival in Toronto.

I spoke with Trevor via Zoom.

Canadian Film Day! Movies reviewed: The Decline, The Grey Fox

Posted in 1900s, Canada, Conspiracy Theory, Crime, Quebec, Romance, Snow, Thriller, Trains, violence, Western, Wilderness by CulturalMining.com on April 23, 2020

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s spring film festival season in Toronto, but all the theatres are closed… or are they? It’s actually possible to enjoy new movies without ever leaving your home. Images Film Festival went digital this year for the first time, showing art as moving images, not projected on a screen or in an art gallery, but transferred onto your home device. They live-streamed, both movies and dialogues with the artists. National Canadian Film Day (April 22) continues through the week in virtual cinemas throughout the country. This lets you support your local theatres and enjoy new and classic Canadian films. So this week I’m looking at two Canadian movies to celebrate National Film Day. There’s a fugitive looking for love in the Rockies, and a survivalist looking for refuge in Northern Quebec.

The Decline (Jusqu’au déclin)

Dir: Patrice Laliberté

Antoine (Guillaume Laurin) is a happily married man with a young daughter in Montreal. They’re survivalists, intent on preparing for an unknown, unpredictable apocalypse. He knows something terrible is coming he; just doesn’t know what form it will take. So he diligently studies lessons on youtube, and practices late night escapes with his family, just in case. He’s thrilled when a legendary survivalist named Alain (Réal Bossé) invites him up north to visit his compound, and study under the master.

Alain’s estate is everything he hoped for. There’s a geodesic greenhouse, huge storage lockers, and a cosy wooden cabin to sleep in. The forest is bountiful, filled with deer and rabbits – more meat than they could eat. Alain is recruiting the best and the brightest to join him in his utopia. But secrecy and security are top priorities; mustn’t let the unbelievers – or the government – know about this vast hideaway. It would ruin their paradise. So he and the other trainees gladly give up their cel phones and cars. Up here travel is done on foot or by skidoo.

And it’s not just Antoine and Alain. There are others, both first timers, like Rachel (Marie-Evelyne Lessard) a hard-ass army vet; and devotees like Dave (Marc Beaupré) an arrogant douche with a hint of bloodlust in his manner. The snowy woods have paths and roads heading in all directions to confuse outsiders. And there are active snares and booby traps to catch animals (and maybe people). This elite crew trains as hard at hunting and trapping as they do at shooting and self defense. But when the lessons turn to explosive devices, something goes wrong and a member is badly hurt. If they go to a hospital will that reveal their plans? But they can’t just let a person die… can they? Which is more important – safety or secrecy? The group splits up, and the two opposing sides soon find themselves in an all-out war. Who will survive – the newbies or the hardliners?

The Decline is a good, taut action/thriller set in northern Quebec. It’s exciting and surprising. It’s shot in the winter, in stark snowy forests where they have to fight each other but also icy rivers and steep rocky hillsides. Man vs Man (and women) and Man vs Nature. And it shows how things that look fun and exciting on conspiracy-theory websites can prove to be much more sinister in real life. Ths film seems particularly appropriate in the midst of a pandemic.

The Grey Fox

DIr: Phillip Borsos

Bill Miner (Richard Farnsworth) is a pioneer of sorts in the old west. He robs the famed Pony Express and makes his fortune stealing from stage coaches. He is known as the “Gentleman Bandit” taking the loot without firing a shot. But eventually the law catches up to him and he’s locked away in San Quentin. He emerges decades later, older, wiser and grey. But has he learned his lesson? He gets work picking oysters in Washington State, but it just isn’t his style. So he makes his way north on horseback to British Columbia. And on the way he catches his first movie, Thomas Edison’s 12 minute smash hit: The Great Train Robbery! He hires Shorty (Wayne Robson) as a henchman and looks up an old prison buddy named Jack (Ken Pogue) in Kamloops. His goal? To become Canada’s first train robber.

He bides his time, settling into an ordinary life in smalltown BC. There he makes two unexpected friends. Sgt Fernie (Timothy Webber) is a Dudley Do-right Provincial policeman who likes and respects this newcomer. And then there’s Kate (Jackie Burroughs). She’s a feminist firebrand, ahead of her time. She’s middle-aged, unmarried, alone – and loving it. No man is keeping her down. She works as a professional photographer. They meet by chance when he hears her listening to opera music on a hillside. Sparks fly and they become lovers… but will he ever reveal his secret past? Meanwhile, the dreaded Pinkerton private detectives have crossed the border looking for him. Can Bill Miner pull of his final heist? Does Sgt Fernie know his friend’s a robber? Will the Pinkerton’s catch him? And can he and Kate stay together?

The Grey Fox is a classic Canadian movie from the early 80s shot on location in the Canadian Rockies, complete with real steam engines and horses before stunning mountain sunsets. Farnsworth and the much-missed Jackie Burroughs make for an atypical, sweet couple. It’s based on a true story, but The Grey Fox’s nostalgic feel comes not from evoking the old west but rather by harkening back to a gentler and more idealistic 1980s Canada.

The Decline is streaming on Netflix. You can watch The Grey Fox on your TV, computer, phone or device until April 30, in a virtual cinema benefitting independent theatres from Charlottetown to Victoria including Toronto’s Revue Cinema. Go to filmmovement.com/virtual-cinema for more information.  

This is Daniel Garber at the Movies each Friday morning on CIUT 89.5 FM and on my website culturalmining.com.

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