More Hot Docs! Films reviewed: Dark Blossom, Who We Are: A Chronicle of Racism in America, The Big, Scary “S” Word

Posted in 1700s, 1800s, 1900s, Denmark, documentary, Goth, History, LGBT, Protest, Racism, Slavery, Socialism, US by CulturalMining.com on May 7, 2021

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Hot Docs — Canada’s International Documentary Festival — continues through the weekend with  tons of great movies online. Free tickets each day for students and seniors. I plan to binge watch documentaries this weekend before it’s over.

Here are a few I want to see:

Four Seasons in a Day – a novel look at the ferry across the border between Northern Ireland and the Irish Republic; 7 Years of Lukas Graham — about the eponymous Danish band; Gaucho Americano — about real cowboys from Chile working in the Western US; and Archipelago — a stunning animated look at an imaginary animated island in Quebec.

But this week I’m talking about three more docs at hotdocs, all directed by women, two of which offer a new take on American history. There’s the dark past and present of American racism; the brighter side of 200 years of populist, home-grown American socialism, and — for something completely different — a look at three dark goths in sunny, rural Denmark.

Dark Blossom

Wri/Dir: Frigge Fri 

Josephine is a young woman who lives in a small town in Northern Jutland, Denmark. She hates sports, and rejects the H&M conformity of her high school classmates. She prefers to wear black, accentuated with theatrical makeup, wigs and a pierced septum. If you haven’t guessed yet, she’s a brooding goth. Luckily, Jose is not completely alone. She’s best friends with two guys: Jay, whose parents are devout christians but who prefers big hair and dark fantasies; and fashion-obsessed Nightmare, who knows choice curse words in Punjabi (from his father’s side) but can’t find a boyfriend. They give each other home-made tattoos, and go out on adventures in the grassy fields. They’re totally into roadkill, boiling dead weasels to make jewelry from their bones. Together they form a tight 3-goth posse. 

But things start to fray when Jose meets a guy she really likes. And when she moves to Copenhagen to live with him, Nightmare takes this as a personal slight. Will the three best friends ever get back together, or is this a permanent shift? And will Jose trade in her animal skulls for Hello Kitty dolls?

Dark Blossom is a highly personal look at three young non-conformists in rural Denmark as they express their fragile feelings of friendships in their art fashion and music.

Who We Are: A Chronicle of Racism in America

Dir: Emily Kunstler & Sarah Kunstler (whose father was the famous civil rights lawyer William Kunstler)

Can a country be both good and bad? Cana country founded on slavery be a bastion of freedom and liberty? So asks Jeffery Robinson, a director of the ACLU in a lecture he gave in New York City on Juneteenth (June 19th) in 2018 to mark the emancipation of enslaved people in the US. This lecture interspersed with vintage photos and personal interviews — looks at the history of slavery and racism and the dominant role it holds in the country. And like the toppling down of old statues, this iconoclast exposes some of the worst aspects hidden in plain sight. Did you know the third verse of the Star Spangled Banner celebrates the capture and killing of escaped slaves? They sing it for you, on stage. Andrew Jackson, whose face greets you on each $20 bill — and whom ex-president Trump says he adores — was a major advocate of the slave trade who proudly owned 150 human beings. A large part of the US economy, both the North and the South, was based on the trade of cotton, tobacco and rice, all of which were produced mainly by slave labour. And that’s just before the US Civil War. 

The film looks at the rise of the Ku Klux Klan, massacres of black neighbourhoods, widespread lynching, segregation, the Jim Crow laws, widespread incarceration and police violence. It covers how ingrained anti-black racism is in the foundations of sectors you might not ever think about, including the financial system, real estate, education, insurance, and government.

This is all told by Robinson himself in a personal way: he grew up in a manly white neighbourhood in Memphis, Tennessee, during the beginning of integration and the implementation of civil rights there. So we see him revisit and talk about his own past, what has improved and what remains the same. Who We Are is an excellent and meticulously researched look at the history of racism and white supremacy within the US, covering hundreds of years in just two short hours.

The Big, Scary “S” Word

Dir: Yael Bridge

With its two-party system, its entrenched political views, and its relative lack of class mobility, the US is considered one of the most conservative, developed countries in the world. But what is often forgotten is the longstanding streak of leftist populism and socialism throughout its history. And with the explosive rise in popularity of politicians like Bernie Sanders and AOC, and movements like the Democratic Socialists, the “S” word no longer holds the negative connotations it once did. This movie  digs up some really unusual facts that will suppose almost everyone who watches it. Did you know it was the republican party who originally espoused socialist ideals after the civil war? And that Karl Marx wrote regular columns in American newspapers? He was intrigued by the socialism in the US long before he write his books. It looks at the cooperative communities that sprung up in the mid 1800s in places like Wisconsin; and the non-commercial Bank of North Dakota that saved the farmers there from losing their land and homes.

The film looks at a huge range of topics eloquently explained by dozens famous talking head like Cornell West and Naomi Klein, as it covers centuries of American history. It also follows some people making history now, like Lee Carter a former Marine turned state politician after he was screwed by his private employer, and Stephanie Price an Oklahoma public school teacher forced to take on a second job just to raise her son (she joined in the statewide teachers strike).

If you’re into history, and not the kind they teach you in high school, check out the Big Scary “S” Word; it’s punchy, fast moving, well-edited, highly informative and most of all, entertaining.

Dark Blossom, Who We Are: A Chronicle of Racism in America, The Big, Scary “S” Word, are all playing at Hot Docs now through May 9th.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Experiences. Films reviewed: The Painted Bird, Avengers: S.T.A.T.I.O.N., Martin Eden

Posted in 1900s, 1940s, Class, Comics, Coming of Age, Czech Republic, Games, Holocaust, Italy, Poland, Super-heroes, WWII by CulturalMining.com on November 20, 2020

https://danielgarber.files.wordpress.com/2020/11/garber-november-20-20-review.mp3Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Fall film festival season continues in Toronto with the EU Film Festival. This week I’m looking at two European historical dramas vs one Hollywood “experience”. There’s a working-class writer in pre-WWI Italy, a wandering kid in WWII Europe, and superheroes in a 2020 suburban shopping mall.

The Painted Bird

Wri/Dir: Václav Marhoul  (Based on the novel by Jerzy Kosinski

It’s WWII in Eastern Europe. Joska (Petr Kotlár) is a quiet, little boy living in a wooden house in the woods with his grandmother. He was sent there by his parents to escape the Nazis. His dark features suggest he may be Jewish or Roma. But when she dies and her house burns down he’s left all alone. So he sets out on his own. His 4-year trek takes him across fields, over frozen rivers, into tiny villages and small cities. He meets a cruel witch, a lusty bird catcher,  a violent miller, a lascivious farmer’s daughter, vengeful soldiers, and a hideous churchgoer. He’s a witness – and often the victim — of gut-wrenching horror, animal killing, bestiality, pedophilia, torture, flogging, indescribable cruelty and mass murder. As he approaches maturity, can Joska survive this time of death and destruction?

The Painted Bird, based on Polish writer Jerzy Kosinski’s novel, is a stunning work of art shot in black and white. It’s like the scariest fairytale ever because it’s based on actual recollections of the war. The characters all speak a “pan-Slavic” language, not native to anyone but understandable to the Poles, Russians, Ukrainians, and Czechs in the movie, without placing blame on any one group. The film was shot in sequence over a few years, adding a sense of reality as Petr Kotlár matures. There are actors like Harvey Keitel, Julian Sands, Barry Pepper, Stellan Skarsgard, and Udo Kier in what may be his best performance ever as the cruel miller. Like I said, it’s a great movie but so shocking and disturbing it’s difficult to watch. To give you an idea, it starts with local bullies beating up Joska and setting his little white puppy on fire. That’s just the first scene of a three-hour movie. I saw it at TIFF at a private screening last year and by the time it was over, only 5 or 6 people were still watching. The Painted Bird is an engrossing, stunning film, with explicit sex and violence that is also a hard film to watch.

Avengers: S.T.A.T.I.O.N.

What would you do if you were invited to join Ironman, Captain America, Black Panther and Hulk to join in their fight against the bad guys? Would you scream and run away? say Yessir! Sign me up! or maybe just yawn in boredom? Well if you’re in group number two, you’ll probably like the Avengers: S.T.A.T.I.O.N. It’s definitely not a movie, its not an exhibition, it’s not a theme park, it’s not a video game, it’s what’s known as an experience. You enter the site, you’re inducted into this army, and you can view the costumes, props weapons, and gadgets – either replicas or the ones actually used in their movies, all beautifully lit up. You can also play games. In one you stand in front of a giant video screen and watch yourself become Ironman. Then you move your hands and arms around to kill all the silvery people running or flying in your direction. In another game you’re asked to choose a little device with your favourite hero’s logo – I grabbed one at random and unwittingly turned into Scarlett Johansen!

Toronto’s Avengers S.T.A.T.I.O.N. is one of four versions touring the world. This one came direct from Bangalore. It’s Covid-resistant, equipped with mandatory masks, hand sanitizers, online booking, physical spacing, high power ventilation and two story ceilings. They’re operating at 1/10th capacity so no crowds. You’re handed a stylus to access what used to be touch screens. I felt safe there. Is it any good? I’m not a Marvel fanatic so seeing a genuine Captain America shield from a movie doesn’t do it for me. And I was turned off by the blatant militaristic tone of the whole thing. Should 5-year-olds be called “recruits” and encouraged to kill people on orders from attendants dressed in uniforms? Some of the games are about matching weapons with the fighters that use them. It’s all kill, kill, kill. But…

At the same time, what can I say? I love blowing things up and shooting fire from my bare hands! It really is fun. That’s what gaming is. So if you’re a Marvel fan, and you don’t mind forking out 30 bucks, I think you might like this. 

Martin Eden

Dir: Pietro Marcello (Based on the novel by Jack London)

It’s the turn of the previous century. Martin Eden (Luca Marinelli) is a sailor and self-taught poet from Naples. He’s been travelling at sea since he was eleven, and is now a confident yound man. So he’s quick to rescue a lad being attacked by a tough longshoreman at the docks. In gratitude the teen takes him home to meet his family. Martin is hesitant to set foot inside the Orsini’s fancy home. But when he sees his sister, Elena (Jessica Cressy), a beautiful, young woman with blonde hair and an elegant manner, it’s love at first sight. She is educated and an accomplished piano player. She is impressed by Martin’s bravery and good looks. Problem is, she’s from a bourgeois family while he is working class. But he’s willing to learn. He spends all his money on books in a quest to become a professional writer. Luckily, when his brother-in-law kicks him out – get a job! – he is taken in by a single mom in the outskirts of town. You can pay me rent once you’re a successful writer, she tells him. Problem is, his work is constantly rejected by publishers. He needs a mentor. He is taken under the wing of an accomplished but depressed writer named Russ Brisenden (Carlo Cecchi). Will he ever be published and can he and Elena ever be together?  

Martin Eden is a fantastic novelistic movie about a young man trying to make it as a writer. Based on the Jack London novel, it’s transplanted from America to Italy, and although it takes place before WWI, interestingly, the look of the movie —  clothes and cars – is post-WWII. Sounds strange, but it works really well.

Eden is part hero, part anti-hero, an idealist who is led astray by Social Darwinist ideologies – the individual above all – that were popular at the time. Marinelli’s portrayal of Martin Eden is perfect, and the whole movie has a classic feel to it while also relevant to the here and now.

I really liked this historical drama.

Avengers: S.T.A.T.I.O.N. opens today at Toronto’s Yorkdale Mall and runs through Jan 31; The Painted Bird is screening on Monday, November 23 at Toronto’s EU film festival; and Martin Eden is now playing at the virtual TIFF Bell Lightbox.

This is Daniel Garber at the Movies each Friday morning on CIUT 89.5 FM and on my website culturalmining.com.

Daniel Garber talks with Trevor Cameron about his new documentary Shadow of Dumont at ImagineNative

Posted in 1900s, Canada, Cree, documentary, Guns, Indigenous, Métis, War by CulturalMining.com on October 23, 2020

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Trevor Cameron is a Toronto-based writer who has always wanted to make a film about his ancestors… and one in particular. Gabriel Dumont the famed Métis leader who fought in the Battle of Batoche in the Northwest Rebellion (also a famed translator, buffalo hunter, war hero and storyteller). But Trevor didn’t know much about him. Where did he come from, where did he go after the rebellion, what did he do with his life and what became of him?

To answers these question, he got in a camper van and headed out west, to follow in Dumont’s footsteps more than a century later. And he documented his journey on film. The result? A light-hearted road movie about one man discovering his past called Shadow of Dumont.

Shadow of Dumont was written and directed by Trevor Cameron, the award-winning screenwriter, director, and roller-derby champ, known for his work on TV shows like Wapos Bay and Guardians: Evolution. Trevor Cameron’s new documentary Shadow of Dumont premiered at the ImagineNative Film + Media Arts Festival in Toronto.

I spoke with Trevor via Zoom.

Canadian Film Day! Movies reviewed: The Decline, The Grey Fox

Posted in 1900s, Canada, Conspiracy Theory, Crime, Quebec, Romance, Snow, Thriller, Trains, violence, Western, Wilderness by CulturalMining.com on April 23, 2020

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s spring film festival season in Toronto, but all the theatres are closed… or are they? It’s actually possible to enjoy new movies without ever leaving your home. Images Film Festival went digital this year for the first time, showing art as moving images, not projected on a screen or in an art gallery, but transferred onto your home device. They live-streamed, both movies and dialogues with the artists. National Canadian Film Day (April 22) continues through the week in virtual cinemas throughout the country. This lets you support your local theatres and enjoy new and classic Canadian films. So this week I’m looking at two Canadian movies to celebrate National Film Day. There’s a fugitive looking for love in the Rockies, and a survivalist looking for refuge in Northern Quebec.

The Decline (Jusqu’au déclin)

Dir: Patrice Laliberté

Antoine (Guillaume Laurin) is a happily married man with a young daughter in Montreal. They’re survivalists, intent on preparing for an unknown, unpredictable apocalypse. He knows something terrible is coming he; just doesn’t know what form it will take. So he diligently studies lessons on youtube, and practices late night escapes with his family, just in case. He’s thrilled when a legendary survivalist named Alain (Réal Bossé) invites him up north to visit his compound, and study under the master.

Alain’s estate is everything he hoped for. There’s a geodesic greenhouse, huge storage lockers, and a cosy wooden cabin to sleep in. The forest is bountiful, filled with deer and rabbits – more meat than they could eat. Alain is recruiting the best and the brightest to join him in his utopia. But secrecy and security are top priorities; mustn’t let the unbelievers – or the government – know about this vast hideaway. It would ruin their paradise. So he and the other trainees gladly give up their cel phones and cars. Up here travel is done on foot or by skidoo.

And it’s not just Antoine and Alain. There are others, both first timers, like Rachel (Marie-Evelyne Lessard) a hard-ass army vet; and devotees like Dave (Marc Beaupré) an arrogant douche with a hint of bloodlust in his manner. The snowy woods have paths and roads heading in all directions to confuse outsiders. And there are active snares and booby traps to catch animals (and maybe people). This elite crew trains as hard at hunting and trapping as they do at shooting and self defense. But when the lessons turn to explosive devices, something goes wrong and a member is badly hurt. If they go to a hospital will that reveal their plans? But they can’t just let a person die… can they? Which is more important – safety or secrecy? The group splits up, and the two opposing sides soon find themselves in an all-out war. Who will survive – the newbies or the hardliners?

The Decline is a good, taut action/thriller set in northern Quebec. It’s exciting and surprising. It’s shot in the winter, in stark snowy forests where they have to fight each other but also icy rivers and steep rocky hillsides. Man vs Man (and women) and Man vs Nature. And it shows how things that look fun and exciting on conspiracy-theory websites can prove to be much more sinister in real life. Ths film seems particularly appropriate in the midst of a pandemic.

The Grey Fox

DIr: Phillip Borsos

Bill Miner (Richard Farnsworth) is a pioneer of sorts in the old west. He robs the famed Pony Express and makes his fortune stealing from stage coaches. He is known as the “Gentleman Bandit” taking the loot without firing a shot. But eventually the law catches up to him and he’s locked away in San Quentin. He emerges decades later, older, wiser and grey. But has he learned his lesson? He gets work picking oysters in Washington State, but it just isn’t his style. So he makes his way north on horseback to British Columbia. And on the way he catches his first movie, Thomas Edison’s 12 minute smash hit: The Great Train Robbery! He hires Shorty (Wayne Robson) as a henchman and looks up an old prison buddy named Jack (Ken Pogue) in Kamloops. His goal? To become Canada’s first train robber.

He bides his time, settling into an ordinary life in smalltown BC. There he makes two unexpected friends. Sgt Fernie (Timothy Webber) is a Dudley Do-right Provincial policeman who likes and respects this newcomer. And then there’s Kate (Jackie Burroughs). She’s a feminist firebrand, ahead of her time. She’s middle-aged, unmarried, alone – and loving it. No man is keeping her down. She works as a professional photographer. They meet by chance when he hears her listening to opera music on a hillside. Sparks fly and they become lovers… but will he ever reveal his secret past? Meanwhile, the dreaded Pinkerton private detectives have crossed the border looking for him. Can Bill Miner pull of his final heist? Does Sgt Fernie know his friend’s a robber? Will the Pinkerton’s catch him? And can he and Kate stay together?

The Grey Fox is a classic Canadian movie from the early 80s shot on location in the Canadian Rockies, complete with real steam engines and horses before stunning mountain sunsets. Farnsworth and the much-missed Jackie Burroughs make for an atypical, sweet couple. It’s based on a true story, but The Grey Fox’s nostalgic feel comes not from evoking the old west but rather by harkening back to a gentler and more idealistic 1980s Canada.

The Decline is streaming on Netflix. You can watch The Grey Fox on your TV, computer, phone or device until April 30, in a virtual cinema benefitting independent theatres from Charlottetown to Victoria including Toronto’s Revue Cinema. Go to filmmovement.com/virtual-cinema for more information.  

This is Daniel Garber at the Movies each Friday morning on CIUT 89.5 FM and on my website culturalmining.com.

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