Daniel Garber talks with Alanis Obomsawin about Our People will be Healed
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Photos by Jeff Harris
Above the northernmost tip of Lake Winnipeg, Norway House is a Cree First Nation community that works. It has a wonderful school system, local radio station, police, cultural groups, a language renewal program, music, dance and more.
Traditional rituals are preserved, and young people are mentored by elders about their relationship with the land and their history. But — after 150 years under the Indian Act, with broken treaties, disease, death, and poverty; forced assimilation, mass incarceration, cultural genocide, residential schools, widespread discrimination, racism, rape and murder – this is a people that needs to be healed.
Our People Will Be Healed is the name of a new documentary
that premiered at TIFF and is now showing at ImagineNative, Toronto’s Indigenous film festival. It is the work of master director Alanis Obomsawin, Canada’s doyenne of documentary filmmaking, who has recorded the lives and issues of First Nations in fifty films over fifty years.
I talked with Alanis on location at the National Film Board in Toronto during TIFF 17.
Our People will be Healed is playing at the ImagineNative Film Festival in Toronto on Saturday, 21 October 2017 at 3:00 pm at the TIFF Bell Lightbox.
Daniel Garber talks with filmmaker Ingrid Veninger about Porcupine Lake at #TIFF17
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Photos by Jeff Harris
Bea is a pre-teen girl on summer vacation with her parents in Georgian Bay. Her mom lives and works in Toronto, while her dad is running the family gas bar and diner he inherited from his dad. Bea’s parents are at odds about whether to sell or keep the
place and Bea, sensing the discord is prone to panic attacks. So she is relieved to meet a local girl, Kate, who is much tougher – and less chicken — than she is. She teaches Bea the facts of life. But when their friendship intensifies, bad things start to happen at Porcupine Lake.
Porcupine Lake is the latest movie by celebrated Toronto filmmaker Ingrid Veninger, known for her
tender funny and sometimes shocking personal stories. It explores the fragility, naivite and tenacity of young Canadian girls. Porcupine Lake is having it’s World Premier at the Toronto International Film Festival.
I spoke with Ingrid Veninger at CIUT during TIFF.
Porcupine Lake is opening in 2018.
They’re just movies. TIFF 17 Tips plus Blood Honey
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
TIFF — The Toronto International Film Festival — opens next week, and if you’ve never been there, I think it’s a good time to check it out. There are hundreds of movies from all over, many having their world premier, attended by directors and actors. There are feature length films, shorts, animation, documentaries, art films and more. Midnight Madness has late-night screenings of horror, action and the kind of movies that won’t you won’t see at the cineplex. Today I’m going to calm your fears and address your reservations about the film festival. And I’m also going to talk about a Canadian psychological horror/thriller about bees opening today.
How to survive TIFF
Photos by Jeff Harris
Standing in line.
A lot of people don’t want to go to TIFF because they hate standing in long lines. I feel the same way. But if you have a ticket – individual tickets go on sale Monday – you don’t have to stand in line. Just show up on time and you’re guaranteed a seat. But what if you don’t have a ticket? If the movie is sold out you can stand in the rush line, which lets you buy a ticket at the door. If there are less than say 30 people, and it’s a big theatre like the Princess of Wales, you’ll have no
trouble getting in. And standing in line is the best way to meet people. Normally reserved Torontonians open up to the strangers standing beside them during TIFF.
It’s expensive.
This is true (if you didn’t buy ticket packages back in June or July). But don’t give up. They’re trying to attract those fabled “millenials”. So if you’re 25 or younger you can get tickets to world premiers for the price of an ordinary 3-D movie.
It’s hard to get tickets
If you’re not hung up on seeing gala hollywood movies and big stars, there are many tickets still available. Your best bet is to try for a daytime ticket on a weekday. You can look online.
And on the last day, Sunday, Sept 17, they have a free showing of the movie that wins People’s Choice.
What to bring
If you’re seeing many movies, treat it like going on a trip. Be sure to hydrate yourself, bring food and drinks. Because the weather is constantly changing I recommend layers and an umbrella. You might go from blistering heat outside, to
freezing cold inside.
Don’t care about movies but want to feel the excitement
Make your way down to King St W — between University and Spadina — to soak it all in. In the first weekend the street is closed to traffic, so you can stand in line for corporate samples, gawk at celebs or just hang out with the tens of thousands of others who come to show off their stuff. Maybe you’ll be discovered. There’s a carnival atmosphere that’s a lot of fun to soak in.
Next weekend is the best time to check it out.
Blood Honey
Dir: Jeff Kopas
When Jenibel (Shenae Grimes-Beech) was a little girl she lived in a tiny community in Northern Ontario. Reachable only by boat or byplane, it sits among lakes and trees torn straight out of a Tom Thompson painting. But when her disturbed mother committed suicide she was sent away to boarding schoo. And now she’s back at the Hive, as the people who live on the island refer to it. Her family lives in a beautiful old mansion, but
makes most of its money selling their prized honey.
There’s her belligerent brother Neil (Kenneth Mitchell), her deranged Dad (Gil Bellows) and her loving sister Linda, who has Down Syndrome (Krystal Hope Nausbaum). Also on the island are acquisitive land developers, a demented old lady and other assorted locals. They all get together in Jennibel’s living room to sing old favourites by the rinckity piano she still remembers how to play. Things are tense, but at least her childhood friend Bruce is there to keep
her company – in and out of bed.
But things get worse when dad commits suicide by bee. (He throws himself into the honeycombs until swarmed to death.) And in his last breath he makes Jenny promise to sell the island so the family can get a fresh start. Family friend Bert (Don McKellar) is the estate executor — he will enforce the will. But family bickering is rising to a fevered pitch. And—I forget to mention – Jennibel suffers from “waking dreams” where she can see dead people and communicate with her late
Dad and Mom. Is she delusional or psychic? When she begins to suspect the others are all gradually poisoning her with the dreaded red honey harvested on the island, she knows she has to escape from the Hive. But how?
Blood Honey is an over-the-top psychological thriller shot on location in beautiful northern Ontario. The acting and script ranges from very good to not very good at all — sometimes from scene to scene. But it’s never jarring enough to lose interest. It’s more weird and creepy than scary or gory, though there are a few shocking parts. This movie is not believable in any way, but it doesn’t have to be. And there are a few plot turns that I never expected.
Blood Honey opens today in Toronto; check your local listings. And for more information on tiff go to tiff.net for details.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.
Daniel Garber talks with Tarique Qayumi about Black Kite at #TIFF17
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Photos by Jeff Harris
Arian is an Afghan man thrown into a dark prison cell with a murderer. His crime? Flying a kite, forbidden by religious fundamentalist in charge. It seems an easy enough thing to give up… but not for Arian. He was brought up with them, earned a living from them, met his love from them, raised a daughter through them… maybe even lost a war because of them. Kites mean freedom, beauty, fantasy, and escape. Kites are his everything.
Black Kite is a new film having its world premier at the
Toronto International Film Festival. It’s written and directed by Afghan-born Canadian filmmaker Tarique Qayumi. Tarique went back to war-torn Kabul to shoot this moving, fairytale drama even while suicide bombings exploded all around. The film features popular Afghan stars and incorporates lovely animated sequences and period footage woven throughout the film.
I reached Tarique in Vancouver by telephone from CIUT 89.5 FM.
Daniel Garber talks with Stefan Avalos about Strad Style at Hotdocs
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Danny is a violin maker who lives alone in a remote farmhouse in a cornfield somewhere in Ohio. By chance, he hears a rising European virtuoso, Razvan Stoica, online and is entranced by his violin playing. They become virtual friends. So when Razvan expressed his interest in playing on a
legendary violin – created by Stradivarius’ contemporary Giuseppe Guarneri – Danny vows to make him one just like it, and present it to him in time for an upcoming performance in Amsterdam. Has he bitten off more
than he can chew? Or will he succeed, through a combination of hard work, perseverance and an ineffable something he calls Strad Style?
Strad Style is a new, feature-length documentary. It a close-up and intimate look at a reclusive man
dealing with personal problems even as he embarks on a grand venture. Strad Style premiered at Toronto’s Hot Docs Documentary Festival. It is directed by Stefan Avalos, an accomplished L.A. -based filmmaker and features violin maker Danny Houck.
I spoke with Stefan Avalos on location at Hot Docs in May, 2017.
His film, Strad Style, will be released on VOD, SVOD via Gravitas Ventures and on iTunes on November 7, 2017.
Daniel Garber talks with Hirokazu Kore-eda about After the Storm at #TIFF16
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Ryota is a middle-aged man, separated from his wife and son, and estranged from his mother. Once a rising star in Japan’s literary world, his one novel gathers dust in second-hand bookstores. He hasn’t published anything for 15 years. Instead he earns his living at a skeezy detective agency,
taking incriminating photos and selling them back to the victims caught on film. What money he does earn goes not for rent or child support but directly to the racetracks. A death in the family brings all the players in his life — his mother, his ex-wife Kyoko and Shingo his son – together again, in his childhood home. But clouds are gathering as a typhoon approaches. Will they still be talking… after the storm?
After the Storm is the name of the newest film by festival favourite and award-winning filmmaker Kore-eda Hirokazu. He wrote, directed and edited this film, a bittersweet, yet tender look at families, disappointment and loss. This film had its Canadian premier at the Toronto International Film Festival. I spoke to him on location at TIFF16.
Hirokazu Kore-eda’s feature After the Storm is now playing in Toronto.
Photos by Jeff Harris.
Daniel Garber talks with filmmaker Avi Nesher about Past Life at #TIFF16
Hi, this is Daniel Garber at the movies for culturalmining.com and CIUT 89.5 FM.
Sephi and Nana Milch are Israeli sisters in the late 1970s. Sephi is the beautiful one – she’s a student of music and wants to become a composer. Nana is the smart one, an intellectual who writes for a
radical leftist newspaper. They were both raised by strict parents who survived the Holocaust by hiding in a Polish farmer’s house. But on a musical visit to Berlin, Sephi has a strange encounter: a woman shouting that her father is a murderer. A murderer? Her own father? This sends both sisters on a search across two continents to find out what really happened and to confront their
own hidden past. But can they handle the truth of their parents’ past life?
Past Life is the name of a new movie, based on a bestselling memoir. It was written and directed by Israeli filmmaker Avi Nesher. Nesher is a longtime favourite at TIFF, bringing us heady romances like The
Secrets and brilliant period dramas like The Matchmaker (a personal favourite). Nesher is a consumate storyteller. His absorbing films combine intellectual rigour with vivid characters, all placed within stories reminiscent of classic Hollywood movies. This film premiered at the Toronto international film festival. I spoke with Avi Nesher on location at the TIFF Bell Lightbox during TIFF16.
Past Life screens in Toronto at 1:00pm and 4:00pm on Sunday, January 15, 2017. Go to TJFF for details.
Photos of Avi Nesher by Jeff Harris.
Daniel Garber talks with Paul Verhoeven about Elle at #TIFF16
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM
Elle is a hardboiled businesswoman in Paris who co-owns a video game development company. Divorced with a grown son, she’s as ruthless in the boardroom as she is in the bedroom. But her normal life is shattered
when she is violently raped in her own home by a man with a black balaclava covering his face. Instead of telling the police, she takes the matter into her own hands, and vows to track
down her attacker and get revenge. But even as Elle stalks him, he threatens further attacks on her in a deadly game of cat and mouse.
Elle is the latest from filmmaker Paul Verhoeven, known for his playful movies filled with sex, violence, intrigue and war. From his Dutch greats like Soldier of Orange, the Fourth Man and (a personal favourite) Black Book, to his over-the-top Hollywood classics Robocop, Starship Troopers, and Showgirls… they all share his inimitable style.
I spoke with Paul Verhoeven at TIFF in September. Elle opens today in Toronto.
Photos of Paul Verhoeven by Jeff Harris
Daniel Garber talks with We Can’t Make the Same Mistake Twice director Alanis Obomsawin
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Should all children in Canada be treated the same and receive the same quality of social services? Of course they should. Then why are the services provided to aboriginal Canadians
living on reserves underfunded, understaffed, or completely unavailable? A documentary film looks at the years-long struggle to get the government to address this problem. It took the form of a human rights complaint filed by the Child
and Family Caring Society and the Assembly of First Nations.
This challenge was led by Cindy Blackstock.
A new film called We Can’t Make the Same Mistake Twice looks at this challenge and the seemingly endless delays, tactics and subterfuge on the part of the federal government, including spying on Blackstock. The movie is the work of the
doyenne of Canadian documentary filmmaking, Alanis Obomsawin. Working through the National Film Board, Alanis has pioneered exploring and explaining the ongoing history of First Nations in Canada.
We Can’t Make The Same Mistake Twice had its world premier at the Toronto International Film Festival. I spoke with Alanis Obomsawin during TIFF in September, 2016, at NFB’s Toronto studios. Her documentary is now playing at the ImagineNative Film Festival.
Photos by Jeff Harris.
Daniel Garber talks about The Stairs with director Hugh Gibson, Roxanne and Marty at #TIFF16

l to r: Marty, Hugh, Roxanne
Hi, this is Daniel Garber at the movies for culturalmining.com and CIUT 89.5 FM.
Regent Park is a well-known public housing development in Toronto’s east end. Built in the 1940s, it consisted of small houses arranged in quads as well as highrise apartments.
It mainly housed working-class and low-income immigrants. But the buildings started to crumble and conditions grew worse, until recently. Now the older buildings are being
razed and redeveloped. But what about the people who live there?
The Stairs is a new documentary that had it’s world premier at the Toronto International Film Festival. Shot over a five year period by director Hugh Gibson, it looks at the lives of people there, at home and at work. It focuses on the South Riverdale Community
Health Centre and Street Health, a harm reduction clinic aimed at drug users, sex workers, the homeless and others in the neighbourhood. The film concentrates on three social workers there: Marty, Greg and Roxanne. And
I spoke with Marty, Roxanne and Hugh at CIUT. The Stairs opens at the TIFF Bell Lightbox on October 7th.
Photos by Jeff Harris.

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