Daniel Garber talks with Jeff Harris about #TIFF22
Hi, this is Daniel Garber at the Movies for Cultural Mining and CIUT 89.5 FM.
Photos by Jeff Harris.
TIFF is now finished, and the stars are long gone, but the movies live on. I spoke with Jeff Harris about this year’s festival: the changes — good and bad — the movies, the celebrities and their fans, audience reactions, standing ovations, prize winners, Oscar bait, sleepers, clunkers, and more.
A massive crowd turned up for the premiere of My Policeman starring Harry Styles. A sea of cell phones tried to catch a glimpse of rock star.
In Part One, we talk about these movies:
- In Conversation With Taylor Swift
- Gutsy (TV series)
- Sidney
- My Policeman (pictured)
- Triangle Of Sadness
Some Weird Al super-fans showed up to the Midnight Madness premiere of Weird: The Al Yankovic Story. One arrived with a homemade puppet of Al – who has become perhaps the most recognizable (or funniest) accordion player in the world.
In Part Two, we discuss:
- Catherine Called Birdy
- The Son
- The Fabelmans
- Aristotle & Dante Discover Secrets…
- Good Night Oppy
- Brother
- Bones Of Crows
- The Colour Of Ink
- Ever Deadly
- Weird: The Al Yankovic Story (pictured)
- Bros
- The Whale
- The Banshees Of Inisherin
I spoke with Jeff Harris in person after TIFF22.
Daniel Garber talks with Sean Garrity and Jonas Chernick about The End of Sex at #TIFF22
Hi, this is Daniel Garber at the Movies for culturalmining.comand CIUT 89.5 FM.
Photos by Jeff Harris.
Josh and Emma (Emily Hampshire) are a happily-married couple with two daughters they adore. They are sending them off to winter camp for a week, which means this will be their first time alone in a decade, free to do whatever they want. What do they want? Sex of course. But after their first try they realize they’ve both forgotten how to do anything sexual other than faking orgasms.
So they decide to spice things up a bit. But this puts them both under a lot of 
pressure… what if it doesnt work? Could the end of sex mean the end of marriage?
The End of Sex is a comic romp about men, women; thruples, swingers and kink, along with love, fidelity, and possible adultery. It lays bare the worst sexual insecurities and anxieties of suburban life .
The film is directed by the prolific, award winning filmmaker Sean Garrity and written by and starring his frequent collaborator the equally formidable and prize-winning Jonas Chernick (The Last Mark, James vs His Future Self, A Swingers’ Weekend).
I spoke with Sean and Jonas on site at TIFF22.
The End of Sex had its World Premiere at TIFF, and will be released later this year.
I previously interviewed Sean Garrity in 2012, and again, with Jonas Chernick, in 2016.
Daniel Garber talks with Sam Soko and Lauren deFilippo at #TIFF22 about their new doc Free Money
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Photos of Lauren DeFilippo a
nd Sam Soko by Jeff Harris.
Kogutu is a poor, east African village in Kenya. Some of the villagers have kids who can’t afford schooling, while others have a bleak future ahead of them. Various foreign NGOs have come and gone over the years, leaving poverty and disappointment in their wake. But the latest one tries a different tact: They’re offering a monthly stipend paid to all adult members of the village for over a decade, to see if this transforms their lives. But what’s the catch? And what do they mean by “free money”?
Free Money is a new documentary that looks at the effects of 
UBI, Universal Basic Income, on the people who receive it, and those who don’t. The film was made over many years tracing changes in the villagers, concentrating on the lives of three villagers. The film is directed by two award-winning 
documentarians. Lauren DeFilippo’s film acclaimed doc Ailey played theatrically in Toronto and across North America. and Nairobi-based Sam Soko’s film Softie was a big hit at Toronto’s Hot Docs International documentary film fest.
Free Money had its world premiere at TIFF.
I spoke with Lauren and Sam on-site at #TIFF22.
Indigenous films at TIFF22. Movies reviewed: Ever Deadly, We Are Still Here
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
TIFF, the Toronto International Film Festival is back again with guns ablazin’, after a two-year hiatus. Yes, TIFF didn’t actually stop over the past two years — there were some great films online in 2020 and some in-person shows during last-year’s hybrid version, but very few people were in actual attendance. No celebs, no parties, no volunteers, no lineups, and no red 
carpets. When the anti-piracy laws popped up on your home screen, there was no crowd there to say Grrrrr. You couldn’t turn to the stranger sitting beside you and ask what did you think of this movie. It felt more like a simulacrum than an actual event.
Well, this year it’s on again,
They’re sticking a toe in the water to see how it feels. It’s called the TIFF Experience (whatever that means) and you can experience it right now, if you go down to King Street West in Toronto, between Peter and University. Even if you’re not up to going indoors yet, they’re showing outdoor screenings of 
classic movies. On stage, there are free concerts, and there are always sponsors handing out free samples to munch on, street performers, people dressed up, fans waiting to photograph arriving celebrities, the whole kit and kaboodle. This is pre-recorded so I can’t promise that’s what it will be but that’s prediction. It’s actually fun. That’s just on this weekend, so if you’re in Toronto, you should drop by.
This week I’m talking about two new movies playing at TIFF, both on indigenous peoples in the two antipodes. There’s throat singing in the far north and a new telling of history, far, far south of the equator.
But first here are a few other TIFF movies I can’t wait to see.
MOVIES AT TIFF
Chevalier (Stephen Williams) is about a little-known Guadaloupe-born composer in Paris during Mozart’s era. I want see it because it stars Kelvin Harrison Jr, one of the best new actors around who creates an entirely new character for each movie he’s in to the point he’s virtually unrecognizable.
Steven Spielberg has a world premier at TIFF with The Fablemans, his first autobiographical movie. Why do I want to see it? I’m just really curious to see what he did.
Women Talking is based on a book by Mirriam Toews about a Mennonite-type colony. It stars Rooney Mara, Claire Foy, Jessie Buckley, Sheila McCarthy, Frances McDormand, but I really want to see it because it’s directed by Sarah Polley.
The Kingdom Exodus is about a weird Danish hospital. It’s a 
TV show, something I rarely bother to watch at TIFF, and I know nothing about it, but the reason I want to see it is it’s directed by Lars von Trier, and I’ll watch anything he makes, no matter how painful.
And finally I hope to catch The Hotel, about a bunch of Chinese people stranded in a hotel in Thailand during 2020’s Spring Festival, just as the pandemic lockdown hit. I want to see it because it’s directed by Wang Xiaoshuai, who is an under-appreciated but skilled and thoughtful filmmaker.
Ever Deadly
Dir:Tanya Tagaq and Chelsea McMullan
Tanya Tagaq is an Inuit throat singer and performance artist from Nunavut. Ever Deadly documents a performance accompanied by musicians and singers. It’s experimental, avant-garde music interspersed with stories and poems recited as part of the concert. Throat singing is a traditional Inuit art form, but she also experiments with it, in a unique, highly sexual, sensual, visceral, animalistic and at times even supernatural voice. If you’ve seen her before you’ll know what I mean. The film is also about her family’s history, and that of Canada. Her nomadic grandparents were forcibly relocated to a barren arctic area, with nowhere to hunt or fish, in order to 
claim sovereignty of the land along the northwest passage. Chelsea McMullan also includes stunning scenes of the stark arctic landscape, polar bears, migrating birds, aurora borealis. And not just the visuals but also the sounds like the unique squeaking crunch of walking on pebbles on a beach. There are vintage footage and photos contrasting lawmakers in parliament with Inuit kids gleefully eating bloody raw seal meat. And grotesque, highly-sexualized animated drawings.
If you’ve ever seen Tagaq perform you’ll know exactly why you should see this, but if you haven’t, it’s time for you to experience it.
We Are Still Here
Dir: (Various)
At the height of the British Empire maps were coloured pink on every continent, showing both colonies and the so-called Dominions, areas, like Canada, Australia and New Zealand that were settled by Europeans who make up most of their populations. But these places weren’t empty when the British arrived.
This film rewrites the history of Australia, New Zealand and the South Pacific as seen from an indigenous point of view. It’s made by eight filmmakers, four each from Australia and Aotearoa, and it consists of a number of scenes set in the past, present and future. The first British ships appear on the horizon to a mother and daughter catching fish. A settler lost in the bush demands an aboriginal guide show him the way back to his town. A Maori village debates whether to go to war against settlers, ending in a Haka war dance. And a soldier in the trenches of Gallipoli, has an unusual conversation with his enemy, a Turkish soldier. There’s also a dystopian view if the future, and a number set in the present day, including a clandestine graffiti artist and a young protestor. One of the 
most moving ones is about an ordinary guy, a tradesman, just trying to buy a bottle of wine from a grog shop (liquor store), who is stopped each time by an abusive cop because he’s indigenous, and it’s Northern Territory where, apparently, it’s legal to routinely treat some people as second-class citizens.
I shy away from reviewing short films because they’re too short and there are too many of them. But We Are Still Here functions as a feature film, telling all the stories not as individual short films, but interwoven into a common coherent thread, jumping back and forth between then and now. It’s nicely done and relevant, very moving, and made by indigenous filmmakers. And it helps restore parts of history that have up to now been erased.
We are Still Here and Ever Deadly are both playing at TIFF; Festival Street is open all weekend.
This is Daniel Garber at the Movies, each Saturday morning, on CIUT 89.5 FM and on my website, culturalmining.com
Daniel Garber talks with Gail Maurice about Rosie at #TIFF22
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Photos by Jeff Harris.
It’s the 1980s in a working-class neighbourhood of Montréal. Fred is an artist whose day job is working at a sex boutique. Adopted as a child, she ran away from home at 16 and never 
looked back. Now she’s best friends with Flo and Mo, two gay streetwalkers who make up her current family. But she’s thrown for a loop when a social worker shows up at her door with a six-year-old girl, who says Fred is her closest living relative. What??
She tries to explain she’s close to eviction, living hand-to-mouth, she’s a Francophone while Rosie only speaks English, and knows absolutely nothing about raising a child. But who can resist a cutie-pie like Rosie?
ROSIE is a new, feel-good comedy/drama about life on the edge in 1980s Montreal. It deals with chosen families, 
marginalized groups, homelessness, and indigenous and queer people in urban settings. (Both Rosie and Fred were adopted as indigenous kids into white families)
The film is directed by actor and filmmaker Gail Maurice. It may be her first feature, but you’ve probably seen her unforgettable roles on TV shows like Trickster, and in movies like Night Raiders.
I spoke to Gail in Toronto via ZOOM.
ROSIE is having its World Premiere at #TIFF22 on Sept. 9th.
Daniel Garber talks with Kevin Hegge about TRAMPS!
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Photo by Jeff Harris.
It’s the late 1970s in a Covent Garden, London nightclub with an exclusive policy. To get in you have to look amazing in some way. An older man in blue jeans gets turned away at the door. The man is Mick Jagger, the place is Bowie Night at the Blitz Club 
and the doorman and organizer is Steve Strange. And so a new movement, born out of the ashes of punk, is dubbed the New Romantics by the mainstream press. But who were these tramps, really?
Tramps! Is a new documentary that looks in depth at East London in the early 1980s, along with the art, fashion, film, 
music, hats, makeup, hair, magazines, sexualities, aesthetics and lifestyles that grew out of it. It’s a stunningly beautiful kaleidoscope of colour, a collection of period photos and footage combined with new interviews with the main players. And it talks about the celebrities who emerged from it, like Boy George, Leigh Bowery, Derek Jarman, Phillip Sallon, Judy Blame, and many others.
Tramps is the work of award-winning Toronto filmmaker Kevin Hegge, whom I last interviewed on this show back in 2012 about his documentary She Said Boom: The Story of Fifth Column.
I spoke with Kevin Hegge in Toronto, via Zoom.
Tramps! is premiering in Toronto at the Inside Out film festival on May 31st, 7 pm, at the TIFF Bell Lightbox.
Daniel Garber talks with filmmaker Chase Joynt about Framing Agnes at Hot Docs
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Photos by Jeff Harris.
It’s the late 1950s in Los Angeles. While the world’s attention is on Christina Jorgensen, the charismatic transgendered celebrity who flew back from Copenhagen as a new woman, a much quieter clinic at UCLA was also conducting treatment and surgery of transgendered patients. And into this office stepped a young woman 
named Agnes who said despite being a cis male she grew breasts spontaneously upon reaching puberty — a celebrated case. But later Agnes admitted she made it all up so she would qualify for gender reassignment surgery. Why did Agnes have to lie to get much-needed treatment?
Framing Agnes is a new and unusual documentary based on newly uncovered medical files that look at Agnes and her other unsung contemporaries from that era. Made in the style of a 1950s talk show, it includes reenactments, off-screen conversations, period footage as seen 
through a present-day filter. Using trans actors, it meticilously presents interviews as “real”, immediately followed by footage showing that they’re only acting. It deals with hot topics, ranging from gender, sexuality and identity, to trans youth, and visibility vs invisibility. This first feature is the work of prize-winning writer and filmmaker Chase Joynt, who co-directed No Ordinary Man, about jazz musician Billy Tipton, and co-authored You Only Live Twice with Toronto artist Mike Holboom.
I spoke with Chase Joynt in Chicago, via Zoom.
Framing Agnes is premiering in Toronto at Hot Docs on Sunday, May 1, 8:30pm at the TIFF Bell Lightbox.
Daniel Garber talks with Jeff Harris about Oscars 22!
Oscar interview
(Interview continued)
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Photo of Jeff Harris by Jeff Harris.
Yes, it’s Oscar time again, but are you ready for more pomp circumstance, the swimming pools and movie stars, the red carpets and fancy clothes?
Or are you just going to give it a miss?
Either way, you’ll hear all about after this year’s awards this weekend, on Sunday, March 27th.
Did you notice anything different this year? Have you seen any of the movies yet? Do you want to see them? How many could be considered Oscar Bait?
Well to answer some of these questions, to look at the nominations, and to give you a taste of what’s to come, I’m going to join today’s guest in a discussion about the Oscars. Jeff Harris is a Toronto-based photographer, former photo editor at Maclean’s, and is continuing a twenty five year art project of self portraits taken each day. You may also know him for taking the pics that accompany my interviews each year at Hot Docs and TIFF (which he has been covering since 2002).
Jeff Harris is back again for the fifth year as resident cinephile to add his voice to our annual Oscar rundown.
I spoke with Jeff via Zoom.
The Oscars air on March 27, 2022.
Daniel Garber talks with Jeff Harris about #TIFF21!
(Short version)
(Extended version)
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Photo by Jeff Harris.
TIFF is the one of the world’s biggest film festivals, where independent filmmakers from around the world show their latest work young actors give breakaway performances, and forgotten names try for their come-backs. Celebrities, publicist, the press and autograph seekers live in a weird symbiotic relationship. And movie lovers have a chance to see the best new movies of the year before they are released. But what’s it like during a pandemic when people are still tiptoeing around? How is TIFF right now? What is working, what isn’t? What’s surprising, and what movies are good, bad, or indifferent?
Well to answer some of these questions — and many more — I’m discussing this year’s festival with a long-time collaborator, marking his fifth time on this show.
Jeff Harris is an award-winning photographer and a freelance journalist who for 20 years has been covering TIFF for Macleans and The Walrus.
I spoke with Jeff in Toronto, in person.
Daniel Garber speaks with Jeff Harris about the Oscars
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Photo by Jeff Harris.
Yes, it’s Oscar time again, albeit a few months late, and selected from a much smaller pool since most movie theatres have been closed for a year now, and distributors are sitting on their big-ticket blockbusters.
But hey, however you slice it, it’s still the Oscars. What are the biggest changes this year? Are the Oscars a tired warhorse that should be put out pasture? Or is it an always fresh and always surprising look at the past year’s best movies?
Well to answer some of these questions, to look at the nominations, and to give you a taste of what’s to come, I’m going to join today’s guest in a discussion about the Oscars. Jeff Harris is a Toronto-based photographer, former Photo editor at Maclean’s, and is continuing a twenty-year long art project of self portraits taken each day. You may also know him since he takes the photos that accompany my interviews at Hot Docs and TIFF. Most recently he completed a music video for Toronto musician Regina Gently released later this month.
I spoke with Jeff Harris on April 13th, 2021 via Zoom.
The Academy Awards will be broadcast on April 25th.
My predictions:
Best Picture: Nomadland ✓
Best Director: Chloe Zhao ✓
Best Actress: Frances McDormand ✓
Best Actor: Riz Ahmed Anthony Hopkins X
Best Supporting Actress: Youn Yuh-jung ✓
Best Supporting Actor: Daniel Kaluuya ✓
Best International Film: Quo Vadis, Aida? Another Round X
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