Is reality just an illusion? Films reviewed: Petite Maman, Doctor Strange in the Multiverse of Madness, Stanleyville

Posted in Comics, Depression, Family, Fantasy, France, Games, Horror, Reality, Super Villains, Super-heroes, Supernatural, Time Travel by CulturalMining.com on May 7, 2022

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Spring festival season is on now, with Hot Docs, entering its final weekend with tons of great documentaries still playing. Check it out while you still can.

But this week, I’m looking at three new movies, where reality, time and space are just illusions. There’s a magical doctor trapped in a parallel universe; a disillusioned office worker caught up in a deadly reality show; and a little girl who encounters another little girl in the woods… who is actually her own mother.

Petite Maman

Dir: Céline Sciamma

Nelly (Joséphine Sanz) is a little French girl who is visiting her grandmother’s house with her parents. It’s where her mother grew up. But grand-mere isn’t there anymore. She died recently in a nursing home.  Rather, they’re there to go over old possessions and letters and to spend a night there before they close it up for good. But the family is in a crisis with her parents not getting along. And Nelly’s mom (Nina Meurisse) flees the house without even saying goodbye to her. Meanwhile, Nelly explores the house and the woods behind it where she encounters another little girl named Marion (played by her twin sister, Gabrielle Sanz). They play in a fort she built in an old tree. She follows her home to a house that looks exactly like grand-mère’s… except it’s prettier, with a warm glow all about it. And there she meets grande-mère, alive again, when she was still her mother’s age. That would make Marion her mother when she is just a girl, going through another crisis of her own. Can this new understanding of her mother’s past help hold her family together?

Petite Maman is a very simple, very short story, which is at the same time, quite moving and sentimental. It’s all about memory, loss and mother-daughter relationships. Although there’s a magical, time-travel element to it, this is no Harry Potter — it doesn’t dwell on the supernatural, that’s just a matter-of-fact element of a child’s life. Petite Maman is a wonderfully understated drama — cute but not cutesy, sentimental but never treacly — that leaves you feeling warm inside.  I saw this last year at TIFF, and I put it on my best 10 movies of the year list in January, so I’m really glad it’s finally being released.

This is a tiny, perfect movie.

Doctor Strange in the Multiverse of Madness

Dir: Sam Raimi 

Doctor Stephen Strange (Benedict Cumberbatch) is a former medical doctor who has changed his practice from surgeon to sorcerer. He lives in an enormous mansion in New York City. He is friends with Wong (Benedict Wong) and another doctor Christine (Rachel McAdams) who is the love of his life, but also a love lost. She couldn’t stand his hubris and self-centred nature. And he is forced to confront his rival Baron Mordo (Chiwetel Ejiofor). But when he dabbles with the dark arts, the universe is turned into chaos and he finds himself in another universe. 

There he encounters the Scarlett Witch (Elizabeth Olsen) who dreams each night of a suburban housewife named Wanda. She wants to rule the world so she can return to this lost life. But the one person with the power to transcend parallel universes is a naive young girl in sneakers and a bluejean jacket named America (Xochitl Gomez). She wants to return to her own universe so she can see her two moms again. Doctor Strange rescues her just in time and they end up hurling through dimensions and realities, before landing on a topsy-turvy New York where green means stop and red means go. Can Doctor Strange fight the witch, break the spells, and make the multiple universes all safe again? 

Doctor Strange in the Multiverse of Madness is the latest instalment in a seemingly endless number of movies and TV shows. While I recognized the parade of various minor superheroes and villains as they appeared in different guises, I have to say I don’t quite get it. What is the point of this movie and why should I care? It’s directed by horror great Sam Raimi, so I was expecting some chiller-thriller elements, but I wasn’t ever scared, not even a tiny bit. It’s much too tame for that. It is fun to watch: there’s a cool psychedelic sequence in the middle along with a brilliant house of mirrors and some old -school Hong Kong kung-fu mid-air battles that I liked, but in general, I found the movie not great… just good enough.

Stanleyville

Dir: Maxwell McCabe-Lokos

Maria (Susanne Wuest) is a woman who works at a pointless office job in a high-rise tower. One day she is disturbed by an omen — a noble bird flying in the sky that crashes into her office window. Though married with a teenaged daughter and a full-time career, she gives it all top in an instant. She empties her pocketbook, including money, phone and credit cards and wanders aimlessly into a shopping mall. There she encounters a geeky man with glasses, named Homunculus (Julian Richings) who tells her matter of factly, that she’s been chosen from 100s of millions of people to participate in a contest with four others. The winner gets an orange-coloured SUV (in which she has no interest), but more than that she can find her true self. In an abandoned warehouse called The Pavilion the five contestants are given tasks to complete, with one winner declared at the end of each round, recorded on a large blackboard. 

Her ridiculously-named fellow contestants are Manny Jumpcannon (Adam Brown), a fearful snivelling man in a leopard-print shirt;  Felicie Arkady (Cara Ricketts) a conniving woman who will stop at nothing for a free SUV; Bofill Pacreas (George Tchortov) a muscle-headed obsessive body-building; and Andrew Frisbee, Jr (Christian Serritiello) an insufferable corporate executive with daddy issues.  Their tasks start as simple as blowing up a balloon, but gradually become more and more difficult, some of which threaten their lives. And deprived of cel phones, their only contact with the outside world is an electrified conch shell that  Maria somehow rigged up. As the alpha-types fight each other, possibly to death, only Maria seeks to get in touch with her inner self. Will they ever leave the pavilion? Will somebody win? Or is it all just an illusion?

Stanleyville is a mystical, comedy/horror movie, with echoes of Lord of the Flies, Squid Game, and other life-or-death dystopian survival stories. But this one is intentionally absurd, quirky and ridiculous. The characters all play to stereotypes but in a humorous way. So if you’re looking for something completely different, you might enjoy Stanleyville.

I did.

Petite Maman, Doctor Strange and the Multiverse of Madness, and Stanleyville all open this weekend in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Saturday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Experiences. Films reviewed: The Painted Bird, Avengers: S.T.A.T.I.O.N., Martin Eden

Posted in 1900s, 1940s, Class, Comics, Coming of Age, Czech Republic, Games, Holocaust, Italy, Poland, Super-heroes, WWII by CulturalMining.com on November 20, 2020

https://danielgarber.files.wordpress.com/2020/11/garber-november-20-20-review.mp3Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Fall film festival season continues in Toronto with the EU Film Festival. This week I’m looking at two European historical dramas vs one Hollywood “experience”. There’s a working-class writer in pre-WWI Italy, a wandering kid in WWII Europe, and superheroes in a 2020 suburban shopping mall.

The Painted Bird

Wri/Dir: Václav Marhoul  (Based on the novel by Jerzy Kosinski

It’s WWII in Eastern Europe. Joska (Petr Kotlár) is a quiet, little boy living in a wooden house in the woods with his grandmother. He was sent there by his parents to escape the Nazis. His dark features suggest he may be Jewish or Roma. But when she dies and her house burns down he’s left all alone. So he sets out on his own. His 4-year trek takes him across fields, over frozen rivers, into tiny villages and small cities. He meets a cruel witch, a lusty bird catcher,  a violent miller, a lascivious farmer’s daughter, vengeful soldiers, and a hideous churchgoer. He’s a witness – and often the victim — of gut-wrenching horror, animal killing, bestiality, pedophilia, torture, flogging, indescribable cruelty and mass murder. As he approaches maturity, can Joska survive this time of death and destruction?

The Painted Bird, based on Polish writer Jerzy Kosinski’s novel, is a stunning work of art shot in black and white. It’s like the scariest fairytale ever because it’s based on actual recollections of the war. The characters all speak a “pan-Slavic” language, not native to anyone but understandable to the Poles, Russians, Ukrainians, and Czechs in the movie, without placing blame on any one group. The film was shot in sequence over a few years, adding a sense of reality as Petr Kotlár matures. There are actors like Harvey Keitel, Julian Sands, Barry Pepper, Stellan Skarsgard, and Udo Kier in what may be his best performance ever as the cruel miller. Like I said, it’s a great movie but so shocking and disturbing it’s difficult to watch. To give you an idea, it starts with local bullies beating up Joska and setting his little white puppy on fire. That’s just the first scene of a three-hour movie. I saw it at TIFF at a private screening last year and by the time it was over, only 5 or 6 people were still watching. The Painted Bird is an engrossing, stunning film, with explicit sex and violence that is also a hard film to watch.

Avengers: S.T.A.T.I.O.N.

What would you do if you were invited to join Ironman, Captain America, Black Panther and Hulk to join in their fight against the bad guys? Would you scream and run away? say Yessir! Sign me up! or maybe just yawn in boredom? Well if you’re in group number two, you’ll probably like the Avengers: S.T.A.T.I.O.N. It’s definitely not a movie, its not an exhibition, it’s not a theme park, it’s not a video game, it’s what’s known as an experience. You enter the site, you’re inducted into this army, and you can view the costumes, props weapons, and gadgets – either replicas or the ones actually used in their movies, all beautifully lit up. You can also play games. In one you stand in front of a giant video screen and watch yourself become Ironman. Then you move your hands and arms around to kill all the silvery people running or flying in your direction. In another game you’re asked to choose a little device with your favourite hero’s logo – I grabbed one at random and unwittingly turned into Scarlett Johansen!

Toronto’s Avengers S.T.A.T.I.O.N. is one of four versions touring the world. This one came direct from Bangalore. It’s Covid-resistant, equipped with mandatory masks, hand sanitizers, online booking, physical spacing, high power ventilation and two story ceilings. They’re operating at 1/10th capacity so no crowds. You’re handed a stylus to access what used to be touch screens. I felt safe there. Is it any good? I’m not a Marvel fanatic so seeing a genuine Captain America shield from a movie doesn’t do it for me. And I was turned off by the blatant militaristic tone of the whole thing. Should 5-year-olds be called “recruits” and encouraged to kill people on orders from attendants dressed in uniforms? Some of the games are about matching weapons with the fighters that use them. It’s all kill, kill, kill. But…

At the same time, what can I say? I love blowing things up and shooting fire from my bare hands! It really is fun. That’s what gaming is. So if you’re a Marvel fan, and you don’t mind forking out 30 bucks, I think you might like this. 

Martin Eden

Dir: Pietro Marcello (Based on the novel by Jack London)

It’s the turn of the previous century. Martin Eden (Luca Marinelli) is a sailor and self-taught poet from Naples. He’s been travelling at sea since he was eleven, and is now a confident yound man. So he’s quick to rescue a lad being attacked by a tough longshoreman at the docks. In gratitude the teen takes him home to meet his family. Martin is hesitant to set foot inside the Orsini’s fancy home. But when he sees his sister, Elena (Jessica Cressy), a beautiful, young woman with blonde hair and an elegant manner, it’s love at first sight. She is educated and an accomplished piano player. She is impressed by Martin’s bravery and good looks. Problem is, she’s from a bourgeois family while he is working class. But he’s willing to learn. He spends all his money on books in a quest to become a professional writer. Luckily, when his brother-in-law kicks him out – get a job! – he is taken in by a single mom in the outskirts of town. You can pay me rent once you’re a successful writer, she tells him. Problem is, his work is constantly rejected by publishers. He needs a mentor. He is taken under the wing of an accomplished but depressed writer named Russ Brisenden (Carlo Cecchi). Will he ever be published and can he and Elena ever be together?  

Martin Eden is a fantastic novelistic movie about a young man trying to make it as a writer. Based on the Jack London novel, it’s transplanted from America to Italy, and although it takes place before WWI, interestingly, the look of the movie —  clothes and cars – is post-WWII. Sounds strange, but it works really well.

Eden is part hero, part anti-hero, an idealist who is led astray by Social Darwinist ideologies – the individual above all – that were popular at the time. Marinelli’s portrayal of Martin Eden is perfect, and the whole movie has a classic feel to it while also relevant to the here and now.

I really liked this historical drama.

Avengers: S.T.A.T.I.O.N. opens today at Toronto’s Yorkdale Mall and runs through Jan 31; The Painted Bird is screening on Monday, November 23 at Toronto’s EU film festival; and Martin Eden is now playing at the virtual TIFF Bell Lightbox.

This is Daniel Garber at the Movies each Friday morning on CIUT 89.5 FM and on my website culturalmining.com.

%d bloggers like this: