Daniel Garber talks with filmmaker Emma Seligman about Shiva Baby
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Danielle is a woman living the high life in New York City. She’s young, pretty and smart, finishing her BA and looking for work. In the meantime she’s shacking up in a Soho flat with a very generous, older boyfriend named Max in a pecuniary relationship. He thinks he’s paying her way through law school. But her delicate web of lies and deceptions threatens to unravel when she finds herself at a party she doesn’t want to attend. Well, not exactly a party, it’s a shiva, a Jewish, post-funeral get-together with family and friends of the deceased. And who shows up? Maya, her former best friend from high school with whom she once had a relationship; and Max, the guy she’s sleeping with now. Add an intrusive mother, an oblivious father, some nosy relatives telling cringe-worthy stories, some awful coincidences, and a few key embarrassing accidents, and there you have it: 
Danielle’s shiva from hell.
Shiva Baby is a dark comedy that adds a new twist to the classic screwball genre. It deals with family, sex work, secrets and lies, romance, eating disorders, hidden pasts and uncomfortable presents, It’s written and directed by Toronto-born, NY-based filmmaker Emma Seligman. Shiva Baby is her first feature.
I spoke with Emma in Toronto from my home via ZOOM.
Shiva Baby screened at TIFF20, SXSW and is currently playing at Toronto’s LGBT Inside Out Film Festival.
Light on their feet. Dykes in the Street, We are the Radical Monarchs, Gordon Lightfoot: If You Could Read My Mind, Diamantino
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Spring festival season continues in Toronto with Inside Out LGBT Film Festival. It premiers queer movies and docs from around the world. This week I’m talking about films at InsideOut and some general releases.There’s a musician who’s a light foot, a soccer player who is light on his feet, and some women marching in solidarity, boots on the ground.
Inside Out LGBT Film Festival
Inside Out opened last night and runs for the next 10 days. It features some major releases, like the Elton John Biopic Rocketman, Mindy Kaling’s Late Night, and the latest chapters in Armistead Maupin’s amazing serial Tales of the City.
I’m not allowed to talk about any of those films yet, but let me tell you about a couple of great new docs on radical lesbians.
Dykes in the Street
Dir: Almerinda Travassos
…looks at the evolution of the dyke march in Toronto over the past 35 years. It started in 1981 with 300 women matching down Yonge and Bay streets organized by Lesbians Aganst the Right. This informative documentary combines talking heads with historical footage from the period. It talks to women who were there then and at subsequent marches ten, fifteen and thirty-five years later, as it becomes more inclusive and diverse.
Another radical lesbian documentary is shot in Oakland California:
We Are the Radical Monarchs
Dir: Linda Goldstein Knowlton
…tells about a new alternative to scouts and girl guides. Founded by Anayvette Martinez and Marilyn Hollinquest the Radical Monarchs go camping, learn fun songs and chants and earn badges. But they also wear berets reminiscent of the Black Panther Party, and learn about social justice activism and black and brown history in Oakland. There’s even a Black Lives Matter badge! Adorable kids working for a good cause.
These are just a few of the dozens of great movies playing at InsideOut.
Diamantino
Wri/Dir: Gabriel Abrantes, Daniel Schmidt
Diamantino (Carloto Cotta) is a Portuguese soccer player at the top of his game. Like no other player, he can weave his way through a crowded field as if he’s all alone. His secret power? he sees other players as enormous fluffy pink dogs frolicking in the grass. That’s the source of his success. Diamantino is fit, popular and incredibly rich. He owns a mansion and a yacht. He’s also naïve, gullible and very stupid. Which makes him vulnerable to adversaries and villains alike.
When he first encouters refugees he is so upset he decides to adopt a teenaged boy from Africa who loves soccer. What he doesn’t realize is the “teenaged refugee” is actually the much older Aisha (Cleo Tavares) a gorgeous, lesbian secret agent. She is working undercover to find evidence of fraud and corruption in Diamantino’s many businesses.
Diamantino also has twin sisters, Sonia and Natasha (Anabela and Margarida Moreira), the real villains. They depend on their brother to finance their lavish lifestyle and don’t want to lose it… so they start spying on the spy. Something seems suspicious about that boy. Throw in some right-wing nationalists who want Diamantino to endorse their 
cause, and an evil scientist named Dr Lamborghini (Carla Maciel) – who drives a Lamborghini! – and you can see all the obstacles our hero has to face. Can Diamantino survive a cruel world and remain a soccer great?
Diamantino is a bizarre and fantastical comedy, an explosion of pastel eye-candy across the screen. It’s told in an exaggerated storybook style, but deals with important issues. I can’t keep calling every movie “like nothing you’ve ever seen” but it’s safe to say this one really is.
I liked this one a lot.
Gordon Lightfoot: If You Could Read My Mind
Wri/Dir: Martha Kehoe, Joan Tosoni
Like many Canadians I’ve heard of Gordon Lightfoot and vaguely familiar with some of his songs. But before watching this documentary I knew little about his life. Originally from Orillia Ontario, he worked his way through the folk scene in Toronto’s Yorkville and NY City’s Greenwich Village. He studied music in LA and 
learned to compose and arrange at an early stage, and began writing his poetic lyrics even earlier. His widely covered songs range from traditional folk melodies, to country and western, pop, rock and even the long neglected ballad genre. (The Wreck of the Edmund Fitzgerald – a six-and-a-half minute retelling of a shipwreck the year before, became an unexpected smash hit in the 1970s.)
This movie fills in a lot of gaps about his music, his career, personal problems (like alcoholism) and the meaning behind many of his lyrics. It shows him composing, recording and performing his hits, giving an inside perspective rarely seen. My only criticism is it didn’t need the overwrought ass-kissery, celebrity musicians gushing about how great Lightfoot is. (He knows it, and we know it – it feels like a eulogy, and he’s very much alive.) Luckily, that only takes up about 10-15 minutes. The rest of the documentary is 
outstanding, with unequalled visual and sound research. They found a recording of him singing in the church choir as a teenager, and footage of him chatting with Alex Trebec in the 1960s. There are countless family photos and films and period shots of Toronto streets meticulously covering sixty years. Just amazing. And all his best songs and performances spread out from beginning to end, getting better and better as it goes.
I went in expecting nothing, and was blown away by this great music doc.
Gordon Lightfoot and Diamantino both open today in Toronto at Hot Docs cinema and theTiff Bell Lightbox, respectively. Check your local listings. Dykes in the Street and We are the Radical Monarchs are two of many fine movies at Inside Out over the next 10 days.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.
Big plans. Films reviewed: Octavio is Dead, American Animals, Hearts Beat Loud
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
It’s Pride weekend in Toronto, so this week I’m looking at three indie movies, two of which fall somewhere with in the LGBTQ2 spectrum – can you guess which two? I’ve got four Kentucky fratboys with a secret plan; a Brooklyn daughter and dad forming a band; and a young woman in Hamilton… dressed like a man!
Octavio is Dead
Wri/Dir: Sook-yin Lee
Tyler (Sarah Gadon: Indignation) is a young woman who lives with her shrewish single mom (Rosanna Arquette) in suburban Toronto. But a knock on their door changes everything. It seems her father Octavio, a latino poet and teacher she never met has died. And he left her his condo and all his possessions. So she heads out to Hamilton to try to find out he was, exactly.
What she finds there is surprising. His flat is an Old Curiosity Shop, filled with persian rugs, oil paintings, tapestries and floor-to-ceiling shelves full of books. (She loves books.) There’s a sunroom with withering plants and eccentric neighbours all around. And strangest of all, Octavio himself, or at least his ghost, appears every so often to proffer advice. Later, she sees a young man in a hoodie who has some connection to her dad. She follows him to a burlesque club but is barred from entering: Men Only!
So she cuts off her hair, puts on one of Octavio’s suits and tries again. This time she meets the young man and he opens up to her. Apostolis (Dimitris Kitsos), is a poet who learned about art and literature at Octavio’s knee. He also knew him… intimately. Apostolis likes posing in bathtubs dressed in a toga. He also seems to like Tyler – a lot – and she likes him, too. The problem is he desires her thinking she’s Octavio’s son, while she’s attracted to him as a woman to a man. What to do?
Octavio is Dead is a quirky, indie movie by Sook-yin Lee, best known for CBC’s DNTO, Definitely Not The Opera. This film is also not an opera, but it is full of classical themes projected against a grittty, downtown Hamilton. Cross-dressing Riley feels more Shakespearean than non-binary queer, but the performances — especially laid back Kitsos and intense Gadon — are pleasing to watch.
American Animals
Wri/Dir: Bart Layton
It’s Lexington, Kentucky in 2004. Spencer (Barry Keoghan) is at university studying art, when he notices something strange at Transylvania University. No, not vampires, this is a actual place. A library there holds priceless artworks – like Audubon’s famous bird paintings – in the form of rare books. And these volumes – worth over 10 million dollars – are watched over by a single librarian (Ann Down). He tells this to a friend Warren, (Evan Peters) and a scheme begins to hatch. Warren’s at school on a sports scholarship but is bored by college life. He wants to do 
something big, something exciting.
His plan is simple: We enter the library disguised as old men, disable the librarian, open the glass case, take out the books and walk straight out the basement door without anyone knowing what we did! The perfect heist.
But they also need a driver and a lookout. So they enlist two friends they can trust: Eric (Jared Abrahamson) a contrarian 
genius; and Chas (Blake Jenner) a jock / entrepreneur whose also a great driver. Together they just might pull it off.
American Animals is a story of simple plans gone astray and their potential moral consequences. It’s a true story, and the real people involved – the four guys plus the librarian – bring a real-life element as they narrate the story, documentary-style. This stylish true crime drama has some thrilling parts, but it’s mainly good for the characters and the
LA Times: American Animals actors and real counterparts
actors that portray them. Barry Keoghan (Dunkirk, Killing of a Sacred Deer) is great as a bored art student, and Canadian Jared Abrahamson (Hello Destroyer, Hollow in the Land, Sweet Virginia) who normally plays angry young men is unrecognizeable as the fuzzy-bearded smart kid. And at times the real people interviewed are even more fascinating than the actors who play them.
Hearts Beat Loud
Dir: Brett Haley
Frank (Nick Offerman) is a former musician who lives in Red Hook, a waterside Brooklyn neighbourhood, with his daughter Sam (Kiersey Clemons). Frank owns a record store, while Sam is preparing for college: she leaves for UCLA in the fall. For Sam, everything’s coming up roses. She’s going to be a doctor, and 
meets a pretty young artist Rose (Sasha Lane). Is it true love?
For Frank, on the other hand, times are tough. He’s a musician who has raised his biracial daughter alone since his wife 
(and former band mate) died in an accident. Now he’s closing his record store and his eccentric lounge singer mom (Blythe Danner) has been arrested for shoplifting. And he’s getting mixed signals from his landlady/prospective girlfriend Leslie (Toni Collette) Is she just a friend… or something more?
The one thing he still has is his jam sessions with Sam. And a particularly good one yields some potential hit singles. When he posts them online, they start picking up listeners. Will the record store be saved? Can Sam take a year off to 
record and tour with her two-member band? Or will she leave the band, her family and her girlfriend to go to UCLA?
Hearts Beat Loud – which is also the name of one of their songs – is a sweet and gentle story of family and first love. Offerman is believable as a midlife crisis dad trying to hold on to his authenticity, and Kiersey Clemons is wonderful as Sam. She performs her own music, and luckily, she’s really good at it… since about a third of the movie is about people making music.
This film leaves you with a warm feeling inside.
Octavio is Dead, American Animals, and Hearts Beat Loud all open today in Toronto; check your local listings.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.
Daniel Garber talks with director Sarah Fodey about The Fruit Machine at Inside Out
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Canada finished WWII riding high as the fourth biggest military power in the world. Then came the Cold War and the red scare it inspired — a widespread panic about communist infiltration.
They look just like you and me, and might be hiding in plain sight... In the ensuing crackdown, another group was also labeled insidious, morally corrupt, and unpatriotic.
Who were these potential spies? And how could they be detected?
These “spies” were actually just ordinary lesbian, gay or bisexual Canadians, “detected” using a device the RCMP jokingly named the fruit machine. Suspects were locked in rooms, interrogated, forced to confess and expose friends and lovers. They were fired from their jobs, humiliated and ostracized.
A new documentary called The Fruit Machine looks at this terrible period and the effect it had on generations of Canadians. It tells about a dark side of history: over half a century of relentless persecution of gays and lesbians in the civil service and military.
The films was written, directed and produced by Sarah Fodey for TVO Docs. It has its world premier today at 4 pm at Toronto’s Inside Out LGBT film festival.
I spoke to Sarah about The Fruit Machine by telephone at CIUT 89.5 FM.
Unrequited Lust. Films reviewed: On Chesil Beach, Hurley, M/M
Hi, this is Daniel Garber at the Movies for culturalmining.com.
Inside out, Toronto’s LGBT film fest is on now, premiering movies from around the world, from Thailand to South Africa and showcasing innovative short films by new directors.
Unrequited love is a common theme, but what about unrequited lust? This week I’m looking at three movies — two dramas and a doc. There’s a honeymoon couple whose marital bliss isn’t; a racing car driver with a need for speed, and a guy in Berlin who lusts after a lookalike… in a coma.
On Chesil Beach
Dir: Dominic Cooke, based on Ian McEwan’s novel
It’s England in 1962. Florence (Saorise Ronan) is a confident musician who leads a string quintet in Oxford. She comes from an uptight, stuck up, and upper class Tory family. Edward (Billie Howle) is a country bumpkin from a rural home a bus ride away. He’s emotionally raw and quick to anger. He can’t tell a baguette from a croissant but can identify a bird just from its call.
He comes from an eccentric family, with pre-raphaelite twin sisters, a kindly father, and an artist mother suffering 
from a brain injury. She can’t remember new names and takes off her clothes in public. Florence and Edward meet at random at a nuclear disarmament meeting (CND) and it’s love at first sight. She loves his realness and disdain for money and social conventions. And he is stricken by her beauty, her musical skills, and most of all her kindness – she can even pull his mother out of her shell. They marry.
But the honeymoon at a second rate hotel on a pebble-strewn beach starts bad and gets worse. The closer they get to the marital bed, the farther they get from sex. And after a disastrous attempt, they flee the bedroom for the rocky beach. Can true love rescue an awful honeymoon? Or will this be the end?
On Chesil Beach is a moving look at relationships, and a bit of a tear jerker, too. Though the beach scenes are at its centre, the film flashes back in time to reveal crucial secrets — and into a possible future — as the two lovers have it out. While not a perfect movie, I’ve seen it twice now and I liked it better the second time… which is a good sign.
Hurley
Wri/Dir Derek Dodge
Daytona, Florida is the site of a renowned race car competition, where teams speed along a circuit keeping their cars running for 24 hours without stopping. The drivers too have to continue functioning at high speeds negotiating perilous turns while fighting 
exhaustion. Even a momentary break in concentration could lead to a crash.
Machismo rules, and winners flaunt their masculinity and sense of cool. It’s a world filled with photo-ops beside bikini-clad penthouse models, aboard expansive yachts. It’s also a big-money professional sport, whose champions land lucrative endorsements, prize money, sponsorships and cushy positions at car dealerships. Image is everything.
The kings of Daytona have long been the Brumos Porsche team, who drove to victory in the 1970s under Peter Gregg. He was arrogant and successful. He was later joined by Hurley Haywood, a shy but highly skilled racer. Together they were known as Batman and Robin. Eventually Haywood headed the team himself in Daytona and La Mans, chalking up countless wins. This new documentary chronicals Haywood’s career and his personal life.
So why is a movie about race cars playing at Inside Out?
SPOILER ALERT!
Because Hurley Haywood is the first race car champ to publicly come out as gay… which makes this film a historic record.
Hurley is a squeaky-clean documentary about the famous race car driver, and is mainly of interest to fans of that sport, whom, I am told, are legion. I’m not one of them, but could still appreciate the cool cars and vintage pics. I felt like I was playing with hot wheels again.
M/M
Wri/Dir: Drew Lint
Matthieu (Antoine Lahaie) is a Montrealer living in a small apartment in Berlin. During the day he works as a lifeguard at a local swimming pool (or does he?). At night he’s clubbing to flashing lights and dark shadows. And then 
there are his dreams – realistic visions of interactions with stone statues and human flesh. (He rarely meets living people.)
One day he encounter Matthias (Nicolas Maxim Endlicher) online and follows him into the swimming pool showers. Matthias has a thin moustache, a buzz cut and a perfectly 
symmetrical body and face. The words Sodom and Gomorrah are tattooed on his torso. He works as a fashion model and poses for a digital sculpture created using a 3-D printer. Matthieu is infatuated with Matthias, mimics his style, and stalks him to his apartment window. It’s a minimalist palace of white walls, blown-up black and white photos and a chin-up bar. Matthieu longs to meet him, but there’s no real connection. But when Matthias falls into a coma after a crash, Matthieu — like Patricia Highsmith’s Tom Ripley — moves into his home and takes over his life. Soon he has a parade of sex 
partners visiting him who thinks he’s the other guy. But what will happen to Matthew when Matthias comes home? And how far will one M go to duplicate, or replace, the other M?
M/M is a highly stylized, dreamlike and surreal look at superficial relationships and the dangers they pose. This Berlin is inhabited only by gay fashion plates in their twenties, posing against shiny white surfaces or pausing for sexual release in washrooms or saunas. Most dialogue is disjointed telephone conversations 
or short texts sent on gay dating sites; and the sex scenes fall somewhere between MMA and interpretive dance.
The story is intentionally ambiguous, so you never know if you’re seeing dreams, fantasies or actual events, nor even which M is dreaming what. Still, this dazzling art-house fest of image and music manages to hold together.
This is the best movie I’ve seen at Inside Out, but if you miss it there, it opens commercially on June 1.
On Chesil Beach opens today in Toronto; check your local listings. Hurley and M/M are both playing at the Inside Out Film Fest.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.
Daniel Garber talks with director Jac Gares about her new film Free CeCe! at Inside Out
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
In June, 2011 in St. Paul Minnesota, an African-American woman and her friends were taunted by a group of white supremacists they encountered on the street. A white woman assaulted her, cutting her face, followed by a violent attack by a white man. The situation escalated when the woman under attack pulled out a scissors to defend herself. The man ended up dead, the woman charged with murder. Her name is CeCe McDonald and she’s a 
transgendered black woman whose story has captured the interest of activists around the world.
Free CeCe! is a new documentary that tells her story. It’s about the violence, injustice and incarceration faced by transgender people of colour. It is directed by Jacqueline “Jac” Gares an award-winning TV director and filmmaker. Free CeCe! is her first documentary feature film, and it’s having its Canadian premier at Toronto’s Inside Out Film Festival on Sunday, May 28th.
I spoke with Jac in studio at CIUT 89.5 FM via telephone to New York City.
Lifestyles? Films reviewed: My Wonderful West Berlin, The Lavender Scare, Baywatch
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Inside Out is Toronto’s LGBT film festival showing dramas, comedies, documentaries and short films from around the world. There are events, free screenings and a chance to talk to the filmmakers and stars at most screenings.
This week I’m looking at two historical Inside Out documentaries about gay life and repression in two cities, Washington, D.C. and Berlin; and an action/comedy about straight life on a California beach.
My Wonderful West Berlin (Mein wunderbares West-Berlin)
Wri/Dir: Jochen Hick
After WWII, a defeated Germany was divided into East and West, its bombed-out former capital, Berlin, into Soviet and Western zones. But the pre-war laws still applied
. Paragraph 175 — an anti-gay section of the German criminal code passed by the Nazis in 1935 — made many homosexual acts illegal. But gays and lesbians flocked there – Berlin represented freedom, counterculture and revolution. And when the Berlin wall went 
up in the early 1960s Berlin served as a beacon located entirely within East Germany.
The districts of Shöneberg (and later Kreutzberg) became the centres of queer counterculture. The movie follows the changing city from the 1950s to the 1990s. There’s the well-known drag shows and sex clubs, but also a vibrant theatre scene, and a city filled with gay artists, writers, 
musicians and filmmakers (including Fassbinder and Rosa von Praunheim). There were gay squatters who set up home inside abandoned buildings. In the 1960s groups of men formed “Male Communes”, living spaces where pairing-off into heterosexual-style marriages was considered bourgeois. Cooking, cleaning and sex were all shared. But could Marxist thought coexist with gay sex?
The movie covers the subculture of the 1950s, the leftist counterculture of the 60s, through the punk movement, the AIDS crisis, and the end of the Cold War. Filmmakers played a crucial war in establishing gay culture. The Berlin Film Festival (where this film recently premiered) is the first major film festival to have a gay film prize, the Teddy Awards. My Wonderful West Berlin is a fantastic guide to Berlin’s history, illustrated with contemporary and historical interviews with the people who lived through it. It also includes eye-popping photos and footage of everything from safe-sex porn to Taxi Zum Klo. An excellent look at a complex city.
The Lavender Scare
Dir: Josh Howard
In the 1930s Washington, D.C. attracted educated people from across America to follow their ambitions and live openly gay or lesbian lives. WWII brought 
together men and women across the country with a new same-sex comradery. And the Kinsey Report (1948) estimated that close to a quarter of all men have had some same-sex experience. This all came to a sudden halt in the early 1950s. Politicians (like 
Senator Joe McCarthy) claimed communists were lurking in every dark alley. Party members, fellow travellers, socialists and liberals were purged en masse from government jobs and blacklisted for a decade. This Red Scares was followed by the lesser known “Lavender Scare”, an anti-gay purge that started in
the 1950s but that lasted for 40 years. Civil servants were spied on by police and J Edgar Hoover’s FBI. Anyone seen in “suspect” bars, observed as having habits different from the mainstream or even “gay” patterns of speech, was interrogated and forced to name names. Each person accused of being gay, lesbian or bi had to name five other suspects, who were also arrested. The excuse was that LGBT people were vulnerable to blackmail — since homosexual acts were illegal, and therefore prone to act as spies for the Soviet Union. But in fact, there 
was not a single proven incident of LGBT government employees blackmailed into becoming traitors. Instead, thousands of people lost their jobs, had passports revoked, with many driven to suicide.
This movie follows mainly white, middle-class, educated professionals in Washington — navy brass, diplomats, post office workers, both men and women — and how the Lavender Scare changed their lives. The film takes a mainstream, middle-of-the-road look at LGBT politics. It covers an early gay and lesbian advocacy group known as the Mattachine Society, and the founder of its DC branch Frank Kameny. At protests, he ordered men to wear suits and ties and women dresses, to demonstrate that they were just like “ordinary” people. (Trans not welcome here.) The Lavender Scare is a mainstream, suitable-for-television look at US government persecution of gays and lesbians and the effect it had on their lives. It’s lavishly illustrated with snapshots and period footage.
Baywatch
Dir: Seth Gordon
Mitch (played by wrestler-turned-actor Dwayne Johnson, aka The Rock) is a huge, egotistical lifeguard adored by everyone on the beach. Along with two women, CJ and Stephanie (Kelly Rohrbach, Ilfenesh Hadera), the Baywatch team save lives on a daily basis. They also function as an 
unofficial police force, patrolling the waves for drug pushers and petty thieves. Today’s the day they choose three new rookies out of the hundreds who apply. This year’s choice? Summer (Alexandra Daddario), an athletic young woman, Ronnie (Jon Bass), an 
out-of-shape computer geek, and Brody. Brody (Zac Efron) is a former olympic swimmer with pop-idol good looks, who rides a vintage motorcycle. He’s also impulsive, brash and selfish, and prone to excess drinking.
Brody and Mitch do not get along.
Then bad things start happening. Dead bodies wash up on shore along with packets of a designer drug. And there’s a new dog in town, Victoria, a rich and ruthless villain (Priyanka Chopra). Is she somehow connected to these crimes? Can the lifeguards stop corruption at City Hall? And can the Baywatch team just learn to get along?
Baywatch is an action/comedy based on the hit 90s TV show. 
There are a few inside references to the original version, along with chase scenes, rescues and shootouts. But let’s be real; this movie is really about boobs and dicks on the beach. Virtually every scene involves close ups of unzipped one-piece swim suits. And the penis jokes never end. I’m not exaggerating. There’s one scene involving Ronnie’s erection stuck in a wooden lounge chair that lasted for 5-10 minutes.
Is Baywatch funny? Not very. Is it exciting? Not really. Is it surprising. Not at all. Men get all the punchlines, while women provide the scenery. But did I hate it? No. How could I? It’s just like sitting on a beach, watching all the people walk past.
Baywatch opens today in Toronto; check your local listings. The Lavender Scare and My Wonderful West Berlin are playing at the Inside Out Film Festival. Go to insideout.ca for tickets and showtimes.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com
Daniel Garber speaks with Kristin Archibald about I Love You Both
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Krystal and Donny (Kristin and Doug Archibald) are twenty-something twins. They are closer than close: they live together, share secret codes, and text each other whenever they’re apart. Sometimes they even crawl into the other’s bedroom for comfort. And they need it — with their dead-end jobs and horrible relationships.
But at a mutual birthday party a new face enters the picture. Andy (Lucas Neff) is the 
nicest guy either of them have ever met. And both straight Krystal and gay Donny are head-over-heels in love. But who’s the third wheel here? And which one does he love? The answer may surprise you.
I Love You Both is the name of a new first film, having its international premier at Toronto’s Inside-Out Festival. The award-winning movie explores bisexuality, kinship and twinship. It was made by a real-life brother and sister: Kristin and Doug Archibald.
I spoke with Kristin at CIUT in Toronto.
Human commodities. Films reviewed: Teenage Mutant Ninja Turtles: Out of the Shadows, I Promise you Anarchy, Burn Burn Burn
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM..
Do you ever feel like your body is just a list of things to be bought, sold or traded? This week I’m looking at movies about people forced to treat bodies as commodities. There are skate punks in Mexico trying to sell human blood, two women in the UK trying to scatter human ashes… and mutant turtles in Manhattan trying to live like human beings.
Teenage Mutant Ninja Turtles: Out of the Shadows
Dir: Dave Green
Donatello, Micheleangelo, Raphael and Leonardo – Donny, Mike, Raf and Leo for short – are giant CGI turtles who speak like California surfers from the 1980s. They live in Manhattan in a hidden laboratory with their friend April (Megan Fox) and their sensei, a giant rat. Their lair serves as home base in their relentless battle against crime and evil. And in their free time they jump around the city’s rooftops, catching basketball games and eating pizza. But always hidden from view: humans might 
mistake them for monsters or freaks. Now they are fighting an evil villain named Shredder who escaped from prison along with sidekicks Be Bop and Rock Steady. The bad guys plan to assemble an Arc Capacitor made from three parts hidden around the world. If they succeed they will enslave civilization. But not if the turtles can stop them.
I heard this movie was awful, worse than terrible, so I saw it with zero expectations. And you know what? I kinda liked it – simple story, good 3-D special effects, lots of explosions and chase scenes with people falling out of planes without parachutes. Cowabunga! On the negative side, the lines aren’t very clever and it’s hard to reconcile the fuzzy CGI models with the real live people standing beside them. The strangest thing: for a movie aimed at kids, it doesn’t have any young characters — not a single (non-turtle) actor younger than thirty in the entire film.
I Promise you Anarchy (Te prometo anarquía)
Wri/Dir: Julio Hernández Cordón
Miguel and Johnny (Diego Calva Hernández and Eduardo Eliseo Martinez) have been friends, almost brothers, since they were kids. Miguel is solidly middle class from the suburbs, while Johnny is downtown and not as rich. They travel around Mexico City on long boards with a group of pals. They skate free style, do tricks, read Thrasher, smoke a bit of grass, maybe slam some poetry. Johnny likes skating naked around deserted Jai Alai 
courts. And once everyone has gone home Miguel and Johnny retreat to a giant steel vat, for some afterhours groping. Johnny might have a girlfriend named Adri, but he’s chill with sexing it up with Miguel.
Their biggest wish is to build a huge skate park downtown, but that takes money. Miguel has found a way to earn quick cash: selling their blood to clinics. It’s organized by Gabriel, an actor at the Churubusco Studios, who pimps their blood to unknown destinations. With the promise of a huge peso payout, they’re asked to bring 50 donors to their favourite hangout. They round up everyone they know — all their friends, acquaintances, even casual strangers. 
But things go terribly wrong when sleazy criminals enter the picture. Can Miguel and Johnny stay together despite the chaos and mayhem?
I enjoyed this low-budget look at skaters in Mexico City. Good soundtrack, unusual locations. At times it feels almost like a documentary about life on the street – are they all actoirs or just people playing themselves?. The story doesn’t seem completely real, but that doesn’t matter. There are some amazing long takes of skaters just gliding through central plazas, in V formation… like migrating birds.
Burn Burn Burn
Dir: Chanya Button
Seph, Alex and Dan are the fast friends in London. Seph (Laura Carmichael) has flouncy blond hair and a clever mind, but is forced to work as nanny and personal assistant. She’s dating James, a well-meaning but douchey guy who is a financial trader in central London. Alex (Chloe Pirrie) has a stark haircut and a tightly-lipped mouth. She doesn’t like talking about herself. She’s in a long-term relationship with a woman. Dan, the third friend, (Jack Farthing) is the life of the party, given to practical jokes and staying up all night.
The three friends are back together again, at yet another party. 
This time it’s Dan’s wake. He died suddenly, age 29, struck down by cancer. He’s gone but not forgotten. And he leaves Alex and Seph with a final task: to scatter his ashes at four crucial places around the British Isles. At first, they brush off Dan’s wish. Then Seph loses her job and Alex — after OD-ing on scotch eggs, a uniquely British malady — catches her lover with another woman in flagrente delecto. They decide to pack it in and head for the road.
They drive through ancient ruins and natural landmarks in England, Wales and Scotland, carefully following Dan’s painstaking directions and explanations. He accompanies them with a video he made before he died. On the way they encounter a pagan wicker man festival, nightclubs from Dan’s childhood and a number of unexpected sites. And the two of them are forced to reveal hidden secrets and confront buried truths
I liked this one — it’s and quirky and funny road movie. The 
main characters are acerbic not smarmy. While the story may be formulaic, the odd people they meet on the way are fun and original: a bearded hippy, a neurotic tour guide, a runaway housewife, even Al’s own mum. With humour, nice scenery, food for thought, and even a few tears, Burn Burn Burn is a well-made grand tour.
Teenage Mutant Ninja Turtles opens today in Toronto; check your local listings. Burn Burn Burn and I Promise You Anarchy are both playing at Toronto’s Inside Out LGBT Film Festival. Go to insideout.ca for showtimes.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com
Crafty Women. Films reviewed: Hevn, Love & Friendship, The Intervention
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
In movies, tricksters or con artists are usually played by men. But this week I’m going to talk about movies where women are the sneaky ones. There’s a scheming widow in England’s stately mansions, a mysterious visitor to Norway’s wild west… and a couples’ reunion in the deep south.
Love & Friendship
Dir: Whit Stillman, Based on the novella Lady Susan by Jane Austen
Lady Susan (Kate Beckinsale) is a ravishing woman in 19th Century England. She has beautiful auburn curls and a plunging neckline. She’s also very intelligent – she could charm the cufflinks off a shirtsleeve. Men are like putty in her hands. She’s also morally lax. Marriage is a contract for the hoi polloi – for the priveged it should be thought of as a stepping stone. Lady Susan loves her landed gentry lifestyle, but after the death of her husband Vernon, she has no land, no home… and no income. Luckily she still has 
ample friends and in-laws with money to burn. But when word of her extramarital dalliances reaches the wife of her host, she is forced to flee and come up with a new plan. She sends her grieving daughter Frederica (Morfydd Clark) off to boarding school and starts the gears aturning.
In addition to her secret bedmate, Lady Susan is being wooed by two men. One is Sir James (Tom Bennett), a rich landowner who smiles a lot and is dumb as a post. The other is young and handsome Reginald DeCourcy (Xavier Samuel) in whose home 
she is now a guest. He has been warned about her wily ways and is initially resistant to her friendship. But he learns to love her witty repartee and complex verbal jousting. Though she never says so, Lady Susan hopes to marry him and secure her — and her daughter’s — financial status. But her plans start to crumble.
Frederica is kicked out of boarding school because Lady Susan never paid tuition. Lady Lucy Manwaring suspects adultery involving her husband and tries to expose it. And her best friend 
Alicia (Chloe Sevigny) can help her with her schemes in London but only if her much older husband (Stephen Fry) is kept out of the loop. Can Lady Susan win her man, restore her status, keep her secret lover and get the money she wants and needs?
Love & Friendship is a Jane Austen novel re-imagined as a wonderfully witty screwball comedy. Director Whit Stillman took the unfinished story and added his own touches. He introduces each character – and there are many — with their names and brief descriptions appearing on the screen. The acting is good across the board, the costumes, music and settings (shot near Dublin) are all delightful. I liked this one a lot.
Hevn
Dir: Kjersti Steinsbø
Andrea (Siren Jørgensen) is a soft-spoken travel writer with a short boyish haircut. She arrives in a small town in western Norway in the middle of the night, unannounced. Why is she there? She works for a famous travel magazine and wants to interview Morten (Frode Winther) the local hotelier. So the scruffy bartender, Bimbo (Anders Baasmo Christiansen) promises to introduce her to him in the morning.
This is a small town where everyone knows everyone else. And it’s a beauty. Rows of wooden houses line one side of a
pristine green fjord, and stark mountains dominate the other side. And Morten’s white hotel overlooks it all.
The next day the blond and athletic Morten welcomes Andrea and offers her a suite in the empty hotel. And his wife Nina, noticing Andrea came without a suitcase, offers her 
open access to all her clothes.
Andrea is clearly uncomfortable with all the nice things being offered. So uncomfortable that she runs to the bathroom to puke. She hasn’t told them why she’s really there. She’s not a travel writer, her real name is Rebekka, and she’s there to get revenge… through entrapment.
She visited the town with her much younger sister when she was just a teenager. And Morten did something then that led to her sister’s suicide. She wants him to suffer for what he 
did… but did he actually do it? Is he still assaulting young women? And will she be discovered before she carries out her goal?
The movie is called Hevn (means revenge in Norwegian) but this is no Valhalla; its a festering pit of deceit and treachery. ‘s a not-bad psychological thriller. The Nordic scenery is breathtaking and the cast is attractive, but the story is not that gripping. We can understand Andrea’s struggle and feel her passion and fear, but we never learn anything about her backstory. It’s as if she lives only for revenge for her sister’s suicide. The film wavers between Big Issue and psychological thriller, without ever deciding which one it wants to be. This movie is OK, but not great.
The Intervention
Dir: Clea DuVall
Four couples, old friends all, are having a reunion. They meet up in a huge house amidst the Spanish moss of a Carolina plantation. It’s a surprise party of sorts. The surprise is they’re there not to celebrate but to break up a marriage. Ruby and Peter (Cobie Smulders and Vincent Piazza) have careers and kids. But their friends all think it’s a sham – they don’t love each other anymore so why are they still together. So Jessie (Ruby’s sister) and Annie another friend plan to hold a secret intervention to tell that couple to face the music. But look who’s talking! Annie (Melanie Lynskey) is a heavy drinker and refuses to commit to her fiancé. Jessie (Clea DuVall) is in a longterm relationship with her girlfriend but they have yet to move intogether, still don’t live together. And the newly single Jack arrives with another surprise: Lola (Alia Shawkat), a 22 year old loose cannon he picked up at a music festival. Lola is openly bisexual, and ready to jump into bed with anyone who strikes her fancy. Will the intervention succeed or fail? And will any of the couples survive this fraught-filled get-together?
The Intervention is a light and likeable relationship dramedy. By light I mean there’s nothing remarkable about the story. It succeeds on the strength of the excellent comic acting of three women: DuVall, Shawkatt and most of all Lynskey.
Hevn and Love & Friendship both open today: check your local listings. The Intervention — which will be released later this summer — is premiering at Toronto’s Inside-Out LGBT film fest. The festival is on now and for the next 10 days. Go to: insideout.ca for showtimes.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.
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