Daniel Garber talks with Kitty Green about her new documentary Ukraine is Not a Brothel

Posted in Breasts, Cultural Mining, documentary, Feminism, France, Hotdocs, Protest, Resistance, Sex Trade, Ukraine, Uncategorized, Women by CulturalMining.com on May 9, 2014

Kitty Green at CIUT 89.5 FMHi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.

Ukraine is at the top of the news. Beginning in November last year, Euromaidan street protests drove President Yanukovych out of office Kitty Green 2and out of the country. Soon after, Russia took control of Crimea, with sites in Eastern Ukraine facing further unrest. But long before any of this, a different form of protest, one you could call unique, was taking root in that country. The group is called Sasha Shevchenko (right) and Inna Shevchenko (left) from "Ukraine is Not a Brothel". Photograph by Ozan Kose.Femen. It’s a self-proclaimed feminist protest group. What’s unusual is the form of their protests: to oppose the oppression and sexual exploitation of Ukrainian women… they expose their slogan-covered breasts for the cameras!

A great new documentary that played at Toronto’s Hot Docs gives an inside view of the Femen protestors and exposes their contradictions. The film is called UKRAINE IS NOT A BROTHEL and I spoke with its Australian director, Kitty Green, on April 29th, 2014 in Toronto. Kitty talks about protests in Ukraine, the sex trade, feminism, Femen, its members, the languages spoken, and the meaning of the word “girl”.

Daniel Garber talks with Sam Cullman and Jennifer Grausman about their new doc ART AND CRAFT

Posted in Art, Art Therapy, Cultural Mining, documentary, Mental Illness, Movies, Mystery, Uncategorized by CulturalMining.com on May 4, 2014
Sam Coleman and Jennifer Grausman 1 Art and Craft Interview Daniel Garber  © Jeff HarrisHi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Art theft and forgery is hot right now: there’s the TV series called White Collar with Matt Bomer; a Pulitzer prize-winning novel, the Goldfinch, by Donna Tartt; and countless heist movies about how to steal the world’s masterpieces… and get rich doing it.
It’s also in the news: Qian Pei-Shen ring a bell?Art_And_Craft_4
But what about an art forger not motivated by greed, with no ulterior motives, just a need to have his fake paintings seen? Well, as they say, Truth is Stranger than Fiction. There’s a great new documentary that looks at a real case, involving real people…
It follows an eccentric forger named Mark Landis who donates his paintings to Sam Coleman and Jennifer Grausman 2 Art and Craft Interview Daniel Garber  © Jeff Harriswell-known museums; and a curator named Matthew Leininger who is fooled by him and begins an obsessive campaign to uncover his forgeries.
The movie’s called ART AND CRAFT, and it’s playing at Toronto’s Hot Docs Documentary Festival. I interviewed the film’s directors, Sam Cullman and Jennifer Grausman, in studio. They talk about art, hobbies, mental health, authenticity, forgery, music… and a mysterious letter.

Sticking Your Neck Out. Hot Docs Movies Reviewed: An Honest Liar, Point and Shoot, Demonstration

Posted in Barcelona, Cultural Mining, Dance, documentary, Hotdocs, L.A., Libya, Magic, Prison, Protest, Resistance, Road Movie, Uncategorized by CulturalMining.com on May 3, 2014

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.

Cel-phone cameras are ubiquitous now. So it’s getting harder to separate the relentless recording of everyday life from a real documentary. Filmmakers really have to stick their necks out to find something amazing and surprising and beautiful. But some do just that. This week, I’m looking at three films playing at Hot Docs. There’s a magician who exposes tricksters; an adventurer who joins a (non-religious) jihad; and political demonstrators… who dance?

An_Honest_Liar_1An Honest Liar

Dir: Justin Weinstein and Tyler Measom

The Magnificent Randi was a Toronto-born magician and escape artist who modeled himself after the Great Houdini. Like Houdini, he is famous for his deception and dramatic escapes.  And like Houdini, he devoted his second career to exposing the fake fakers: the ones who bamboozle audiences into thinking their tricks are for real. I’m talking faith healing televangelists like Peter “out poison!” Popov, the fake TV psychics, and the pseudo-scientific prestidigitators. He has a long-held rivalry with Uri Geller, the spoon bender from the 60s and 70s who claims he has telekinetic powers.

Randi also showed how easily scientists can be fooled as they tried to probe alien An_Honest_Liar_3abductions and ESP. Using young collaborators and his own deceptions, Randi manages to fool even a dedicated scientist if he tried. He secretly places students (who claim they have special abilities) into the experimental pool, and later reveals his tricks – much to the dismay of the scientists. He provides the scientists with a list of what to look out for, but still manages to slip through the cracks. Today he lives in California with a dramatic white beard and walks with gold-topped cane.

This is a fascinating and very well-crafted story, with a twist all its own. Turns out his longtime partner and collaborator, Puerto Rican artist Jose Alvarez, has a lie he keeps under wraps for three decades. Ironically, the two met on the old TV quiz show To Tell The Truth. These honest liars make for a very interesting movie.

Point_And_Shoot_3Point and Shoot

Dir: Marshall Curry

Matthew Van Dyke was a coddled kid from Baltimore, “the only child of an only child of an only child”. Fascinated by movies like Lawrence of Arabia, the blue-eyed boy dreams of exotic and dangerous adventures.  At the same time, he’s also a cube of quivering jello with OCD (obsessive-compulsive disorder) and a remarkable sugar phobia. So, after university (Middle Eastern Studies), Matt decides to take a crash course in Manhood. He sets off on a motorcycle trip from Gibraltar to Afghanistan, across North Africa and the Middle East. He documents all his travels with a video camera and a helmet attachment. In Iraq and Afganistan, as a freelance war reporter, he falls in with US soldiers. They teach him the basics of rifle shooting, machine gunning and missile launching. OK… fun and exciting, I’m sure, but mere backpacking adventures do not a Hot Docs movie make.

But here’s what happened next. When he reconnects with a Libyan hippie friend he’d Point_And_Shoot_1met in his travels, he ends up sneaking into Libya during its civil war. He joins the Benghazi rebels, fighting Gaddafi’s soldiers, and standing beside men shouting Allahu Akbar as they fire missiles at far off targets! Things take a turn for the worse and Matt ends up in solitary confinement in a government prison. His mother and girlfriend are terrified. Will he get out? And if he does, where will he go next?

Point and Shoot is a great adventure story about a man who carries a Leica camera in one hand and an AK 47 in the other. It is politically naïve — the movie doesn’t talk much about geo-political issues, ideologies, or the long-term ramifications of that war. Its real strength is as a first-hand look at a fascinating and exciting personal adventure.

Demonstration_1Demonstration

Dir: Viktor Kossokovsky (and 32 others)

A year ago, Spain was in economic turmoil when it’s right-wing government imposed crushing austerity measures. This led to huge demonstrations. In 2013, 32 students in Barcelona, each armed with a video camera, record it all, right in the middle. The general strike, the crowds, and the peaceful marches… and the less than peaceful responses from the riot police. The demonstrators seem split between those who wear Gandhi masks – peaceful disobedience – and the hacktivists in their Guy Fawkes masks.

This movie, though, is about the beauty of crowds, and movement. The running back and forth, the burning dumpsters, and the attacks from helmetted police.  It’s set to Minkus’s Don Quixote, and its beautiful and revealing. Against a backdrop of Gaudi’s Demonstration_4curvy, drippy architecture you see an old-timer who has been demonstrating most of his life, and young students out for their first demo. And some secrets revealed: dozens of “Black Bloc” activists are seen climbing happily into police vans (not arrested); they’re all agents provocateurs, planted in the crowd to ignite violence and justify police attacks.

Demonstration is an artistic look at a public protest.

All of these movies and more are playing through Sunday at Hotdocs. All students and seniors can go to daytime screenings for free! Go to hotdocs.ca for details. And Toronto’s Jewish Film Festival also opens today and continues all next week, including a brand new Canadian movie called the Pin – about young lovers hiding in Lithuania during WWII – and it’s in Yiddish. Looks interesting… Go to tjff.com for more info.

This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website, culturalmining.com

Not Forgotten. Movies Reviewed: The Face of Love, Advanced Style, The Internet’s Own Boy: The Story of Aaron Swartz PLUS Hot Docs

Posted in Cultural Mining, Death, documentary, Fashion, Internet, L.A., Manhattan, Movies, Uncategorized, US by CulturalMining.com on April 18, 2014

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.

Things change, people die, time passes… But some things – and some people – are not easily forgotten. This week I’m looking at three movies about people who should be remembered.

There’s a romantic drama about a widow who can’t forget her husband; and I’m looking at two films coming to Hot Docs – Toronto‘s International Documentary Film Festival. One’s about a young man, a hero of the internet; the other’s about some stylish, elderly women becoming famous on-line.

LOL_RN_088.CR2The Face of Love
Wri/Dir: Arie Posen

Nikki (Annette Bening) and her husband (Ed Harris) are still deeply in love after decades of marriage. They live in LA, and go to a beach resort in Mexico every year. But one day his dead body washes up on the beach, and Nikki is devastated. Can she go on without him?

Five years later, things seem normal. Nikki’s working again. She dresses houses for real estate dealers to make them look lived-in, even though they are empty and lifeless. Sort of like Nikki. But she goes through her daily routine: talking with her neighbour Roger (Robin Williams) and skyping with her adult daughter. Roger used to be her husband’s best friend, but now he has feelings for Nikki (she’s not interested).

But one day, at an art museum she used to visit, she catches a glimpse of a man. HeLOL d05 _87.NEF looks exactly like her late husband. He could be an identical twin.

Tom (Ed Harris) is an artist and teacher. And after some clever stalking and faked coincidental meetings, Nikki manages to meet Tom, and date him. She is madly in love with her late husband, and finds what she’s missing in Tom. He sees her adoring eyes and takes it as the sort of passion he never got from his ex-wife. She sees Tom as her actual husband, returned look of love d02_84.NEFto her.

For Nikki it’s like a dream, and she’ll do anything to stop from “waking up”. She hides Tom from her daughter and from Roger next door. And she hides from Tom the fact he’s her late husband’s doppelgänger. And Tom has a deadly secret of his own that he’s not telling her. Is Nikki crazy? Is Tom deluding himself? Is this love or just an illusion? And can it last?

I kind of liked this mysterious romance: it feels like a soft-core Alfred Hitchcock movie: mystery without murder, conspiracy without crime. Ed Harris and Annette Bening make a good couple, simultaneously low-key but also passionate. It’s not an exciting movie, though. Don’t expect a thriller from a movie about relationships.

Advanced_Style_2Advanced Style
Dir: Lina Plioplyte

Ari Cohen is a young man who lives in New York City. He’s a photographer and a blogger. Because of his great respect for his own grandmother he decides to celebrate the many older women he sees decorate that city’s sidewalks. He Advanced_Style_3approaches women over 60 and asks if he can take their picture for his blog (also called Advanced Style). But he’s not looking for just any old lady. They have to have charm, style, and panache. He looks for women who use their clothes, makeup and hats to construct a work of art: themselves.

And these women all have their own stories. One worked as a dancer in Harlem’s famed Apollo Theatre in the Depression. Another was a magazine editor. One is a renowned party hostess, another teaches art. And they each have their own style Advanced_Style_1trade marks, from a woman who constructs elaborately stylized bright orange false eyelashes; to another who owns a vintage clothing shop, to a punk-rocker in her 60s.

It’s not like their lives are perfect. Says one woman, “everything I have two of, one hurts.”But they’re finding a second (or third) wind with their looks on display on posters, on TV, in fashion magazines and now in this great movie. Advanced Style is a hilarious, heart-warming and surprising crowd-pleaser.

The_Internets_Own_Boy_3The Internet’s Own Boy: The Story of Aaron Swartz
Dir: Brian Knappenberger

Aaron Swartz might not be a famous name, but it should be. He grew up with the internet, and was lecturing computer scientists and lawyers as a teen. He helped launch crucial features of the Internet, including RSS, Creative Commons. He played an essential role in the social network and news comment site Reddit, and was a millionaire many times over while still a kid. But instead of retiring to an easy life in silicon valley, he decided to devote himself to internet freedom through activism and hacktivism.

You may have heard of SOPA. It was an attempt to give US government control over web content. Basically, if a site was seen by the film and music industries as violating their copyright, the government could just close a site down. It was thought of as an easy, anti-piracy law, and it easily passed in Congress. But thanks to Aaron’s efforts, 115,000 websites – eventually including huge ones like Wikipedia, Google and Facebook – turned opinion around and defeated the very restrictive bill. This film is a biography of all the things Aaron Swartz did, and how he was dragged

Knappenberger_Brian_6down and eventually driven to suicide (not a spoiler) after being relentlessly pursued by the FBI and government prosecutors. The filmmaker directed the excellent We Are Legion a few years ago, and this extremely moving and informative film is even better. I think everyone should see this movie.

The Face of Love opens today in Toronto, check your local listings; And The Internet’s Own Boy: The Story of Aaron Swartz has its international premier on Hot Doc’s opening Night next Thursday, with Advanced style having its world premier the following Tuesday. Go to hotdocs.ca for more information.

This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website, culturalmining.com

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