The Best Movies of 2021!

Posted in 2000s, Movies by CulturalMining.com on January 1, 2022

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

I’m back again to tell you my choices for the best movies of 2021, high brow and low brow, both Oscar worthy and mainstream including genre movies, conventional and experimental, big stars and unknowns, high budget, low budget. This year is especially strange because the award season was pushed forward a few months and lots of movies were dug up and released rom years earlier. And, at least in Toronto, movie theatres were barely open most of the time. So it’s hard to know whether a movie is from this year, last year or somewhere in the future.

I see and review hundreds of movies each year, so how do I narrow it down? No sequels — the movies have to stand alone —  no documentaries (even though there were some amazing ones this year) and no franchise or superhero movies.  These are all movies that were released over the past year, either at festivals or commercially. 

Here are what I think are the best movies of the year, in alphabetical order:

Benediction (Terence Davies) An acerbic look at the life and loves of British poet Sigfried Sassoon

Beyond the Infinite Two Minutes (Junta Yamaguchi) a brilliant low budget sci-fi comedy about small-scale time travel, done without special effects

Cryptozoo (Dash Shaw) whack arthouse animation about a zoo for mythical creatures 

Drive My Car (Hamaguchi Ryuske) a long and pensive movie about a play director whose actors can’t understand one another.

Licorice Pizza (Paul Thomas Andersion) is a brilliant coming of age story set in the early 1970s in the San Fernando Valley

Lune (Aviva Armour-Ostroff, Arturo Pérez Torres) about a bi-polar anti-apartheid activist in Toronto and her relationship with her daughter

Mothering Sunday ( Eva Husson) — set in the 1930s about a clandestine love affair between a n orphan servant who later becomes a writer and her young upperclass neighbour.

Pig (Michael Sarnoski) a movie about a reclusive truffle hunter (Nicolas Cage) who enters the restaurant world in search of his kidnapped pig

The Power of the Dog (Jane Campion) a new-style of western about the secrets of a Montana rancher in the 1920s

Petite Maman (Céline Sciamma) about a little girl who encounters her mother when she was her age

Spencer (Pablo Larrain) an imagined character-study of Princess Diana’s mind during her Christmastime break top with Prince Charles.

Titane (Julia Ducournau) A deranged serial killer who has sex with a car and then disguises herself as the long lost son of a fire station chief. 

Undine (Christian Petzold) about an etherial romance between a woman who works in a museum and a man who thinks she’s a mermaid.

There are lots of other great movies that deserve a mention:

Lamb (Iceland)

I’m your Man (Germany)

True Mothers (Japan)

Moffie (South Africa)

Sun Children (Iran)

One Second (China)

Wildhood (Canada)

Last Night in Soho (UK) 

French Dispatch (US)

Don’t Look Up (US)

Benedetta (France)

Tick Tick Boom (US)

And one again, here are the best movies from 2021 that  are somehow special or amazing or shocking or surprising or moving.

Benediction

Beyond the Infinite Two Minutes

Cryptozoo

Drive My Car 

Licorice Pizza 

Lune

Mothering Sunday

Pig

The Power of the Dog

Petite Maman 

Spencer

Titane

Undine

This is Daniel Garber at the Movies, each Saturday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Weird. Films reviewed: Rare Beasts, The Night House, Cryptozoo

Posted in 1960s, Animals, Animation, comedy, Feminism, Ghosts, Horror, Mysticism, Pop Art, UK by CulturalMining.com on August 21, 2021

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Are you getting tired of the same old thing? Have you watched all the conventional stuff you can handle for one summer? Well, fear not, faithful listeners, there are really unconventional and unexpected movies out there, you just have to know where to look. This week I’m talking about three weird films, a ghost story, a love story and an uncategorizable animated picture. There’s a schoolteacher who thinks her house is haunted, a single mom in London dating a rare beast, and a zoo filled with mythical creatures.

Rare Beasts

Wri/Dir: Billie Piper

Mandy (Billie Piper) is a millennial writer who works at a TV production company in London. She’s clever and pretty with ginger hair and a toothy grin. Mandy is partial to bright colours and leopard-skin patterns. She still lives with her Mom and Dad (Kerry Fox, David Thewlis) and her 7-year old-son, Larch (Toby Woolf).  Larch is a lovable handful — he suffers from tics and is prone to screaming at the top of his lungs and rolling around on the floor when he doesn’t get his way. And despite her beauty and sharp, sarcastic wit, Mandy has yet to find a suitable mate. She’s currently dating a workmate named Pete. He’s a conservative dresser with wispy blond hair and a caterpillar moustache. He says he hates kids. Mandy’s own parents are a piece of work, with Dad constantly dashing off to Thailand for a bit of fun, while Mom is dying of cancer. But Pete’s family is even stranger — deeply religious, frequently praying, and getting into shouting matches over nothing. Then there’s work. Her douchey boss is lecherous, sexist and not so bright. Despite all this, Mandy and Pete are giving it a go. He hits it off with Larch, and Mandy makes friends with some of his family members. Do opposites attract? Or is she better off single?

Rare Beasts is a clever comedy about life as a single woman in the big city. It stars Billie Piper who is also the writer-director. She’s great. It’s a well-written script — almost too well-written. Every character is quirky, every line is witty, but for a comedy it isn’t all that funny. It inspires nodding chuckles but few genuine laughs. The movie is highly stylized, where a serious scene can shift into a fantastical, dance-like performances for no apparent reason. That said, the central characters are appealing and it’s an amusing story.

So if you want to see an unromantic Rom-Com that is never dumbed down, and told from a woman’s perspective, you’ll probably like Rare Beasts.

The Night House

Dir: David Bruckner

Beth (Rebecca Hall) is a high school English teacher in upstate New York. She has lived with her loving husband Owen, an architect, in a beautiful lakeside house he designed. It’s full of grass and wood, with built-in bookshelves and workshops, and splendid views of the water. Then tragedy strikes. Seemingly for no reason, Owen commits suicide one night aboard a row boat on the lake.  Beth is devastated. Her best friend and fellow-teacher Claire (Sarah Goldberg) offers a shoulder to cry on and her elderly neighbour Mel (Vondie Curtis-Hall) gives some much-needed advice. All alone in her house, she starts having terrifying nightmares, combines with sleepwalking, waking up in strange places each morning. The dreams seem to be completely real. And she feels there is someone watching her… has own come back?

And as she sorts through his possessions, she comes across some things that just don’t make sense. On his computer and phone she finds photos of women who look almost exactly like her… but aren’t her. And in his architectural drawings, there are plans to build a house on the other side of the pond, that is a mirror image of the one they live in. Was Owen insane… or did he know something? Will he come back to help her? Or is something sinister coming by each night?

The Night House is a very scary ghost story about a haunted house. It takes an entirely new approach to the idea of ghosts possession and parallel universes, and is full of strange Celtic images and paranormal dreams. The special effects are amazingly rendered. British actress Rebecca Hall is superb as Beth, which is crucial because the entire movie is seen from her point of view. You should watch this film in a theatre beside someone you know, but never all alone, at home, late at night!

Cryptozoo

Wri/Dir:  Dash Shaw

It’s the late 1960s. Crystal and Matt are a pair of flower children wandering through the woods. After making love beneath the stars, they climb a fence to see what’s on the other side. And what they find is unbelievable… a unicorn! Sadly it gores Matt to death with its single horn. Crystal has wandered into a crypto zoo, still under construction, a place where mythical creatures (known as “cryptids”) can gather in peace. There are ancient Greek animals like the Minotaur,  magical humanoids, and terrifying monsters like the Kraken. The park was started by Joan, a grey haired woman who has a carnal lust for cryptids. Her lover is a semi-human. Her first commander is Lauren, an army brat who grew up in Okinawa. She’s an expert at capturing cryptids and transporting them to safety. She’s assisted by Phoebe, a gorgon with snakes for hair and eyes that can turn anyone to stone. But Phoebe wants to pass as human and have a normal life, so she keeps her powers under wraps using contact lenses and a wig.  Joan is building a theme park to normalize Cryptids among the public, and also to generate income to keep the place running. But they face terrible opponents — private bounty-hunters like the demi-god Gustav, a pervy player of pan pipes; and the US military who want to disect these creatures to make powerful weapons. Can these three brave women keep the cryptids safe? Or is it doomed from the start, a Jurassic Park for fictional beasts?

Cryptozoo is a brilliant animated arthouse feature brimming with gratuitous sex and violence. I loved Dash Shaw’s first movie, My Entire High School Sinking Into the Sea, and this one goes even further.

It has tarot card mysticism and Japanese mythology alternating with cheap-ass amusement parks and secretive orgies.  Images are hand-drawn or painted in a variety of genres, and animated in an endearing, old-school jerky style. It’s a perfect blend of ancient fantasy and adolescent humour.  There’s a wonderful soundtrack by John Caroll Kirby, and the voices feature actors like Lake Bell and Michael Cera.

If you like base humour mixed with exquisite home-made art and indie music, don’t miss Cryptozoo!

Look for Cryptozoo on VOD and digital formats., including the digital TIFF bell Lightbox;  Rare Beasts and The Night House open theatrically in Toronto this weekend — check your local listings.

This is Daniel Garber at the Movies, each Saturday morning, on CIUT 89.5 FM and on my website, culturalmining.com.