Short & sweet. Films reviewed: Bride Hard, Pins and Needles, His Father’s Son

Posted in Action, Cabin in the Woods, Canada, comedy, Espionage, Family, Farsi, Friendship, violence by CulturalMining.com on June 21, 2025

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

The Toronto Arab Film Festival — which is on now through June 29th —  has shorts and features from 40 countries, including Egypt, Tunisia and Lebanon, that show the diversity of the Arab world. 

But this week, I’m looking at three new movies that are short and sweet: all under 2 hours and two under 90 minutes! There’s family trouble at a dinner table in Toronto, robbery at a wedding party in Georgia, and murder at an isolated cabin in the woods.

Bride Hard

Dir: Simon West (review: The Mechanic, 2011)

Sam and Betsy (Rebel Wilson: Cats, The Hustle, Anna Camp) were best friends as kids but lost touch as adults. So he is overjoyed to be chosen as Betsy’s Maid of Honour at her upcoming wedding. She’s marrying into “old money”; Ryan’s family has a southern plantation where they have brewed whiskey for centuries. But the bachelorette’s destination party in Paris is ruined when Sam cuts out in the middle of a lap dance from a team of male strippers so she could take care of some work duties. You see, what Sam can’t tell them is she’s a secret agent, and the only one who can save the world from weapons of mass destruction. The other guests, including the jealous Virginia (Anna Chlumsky), and the dry Lydia (Da’Vine Joy Randolph: The Holdovers, Shadow Force) don’t buy it, and convince Betsy to dump Sam and make Virginia her new Maid of Honour.

The wedding is opulent, on a lush green island with Irish moss dripping from willow trees owned by the groom’s family. Feeling unwanted, Sam turns to the best man for comfort, the handsome but cynical Chris (Justin Hartley). In her red dress and high heels she says she feels like a dancing girl emoji. But just as the wedding is about to begin, a gang of heavily-armed organized criminals storm the ceremony, led by their evil kingpin (Steven Dorff). They are there to grab the fortune from the family’s vault, and then kill all the guests. Can Sam take on a couple dozen trained killers… and free her best friend and her family?

Bride Hard (geddit? Like Die Hard?) is an action comedy with a slightly novel premise: a powerful female hero fighting crime at a wedding alongside her wise-cracking girlfriends. Sort of like Bridesmaids but with guns and bombs and chase scenes.I think they traded action for a less-funny script — a lot of the jokes were real duds. Luckily, the mainly female cast is very funny despite the lame lines they’re forced to say. Rebel Wilson can make you laugh with just a pose or side glance. And watching all the characters doing their thing is hilarious. 

Bride Hard is silly but fun to watch.

Pins and Needles

Wri/Dir: James Villeneuve

Max (Chelsea Clark) is in a bad mood. She’s on a field trip collecting insect specimens as a grad student in biology, but a fellow student she likes has made her furious. So she’s heading back to the city, along with classmate Keith and his sketchy friend Harold, a part-time drug dealer. It’s a long haul. But after a run in with a cop, they’ve been taking the long route, in unknown territory, to avoid potential trouble. But trouble finds them. First their phones stop working. Then they pop two tires, leaving them stranded.

Keith and Harold stay with the car while Max heads toward a nearby house to ask for help. There’s no-one there… but when she looks back she sees something awful. She sees a couple who appear to be offering a hand to her friends. But as soon as Keith and Harold turn their backs, they are brutally murdered! Max is shocked… and terrified. She runs into the tall grass behind the home to avoid being caught. She figures she can run away and find help. Problem is Max suffers from Type 1 Diabetes… meaning she always keeps her insulin kit close at hand. But it’s in the car, that’s now in that couple’s garage. Though she can never fight off two deranged psycho-killers, she does have one advantage: they don’t know she’s there. Can she fight them off long enough  to grab her kit and run away? Or will this fight be more complicated — and deadly — than she ever imagined?

Pins and Needles is a short, taut cat-and-mouse thriller about an ongoing battle between a desperate woman and two ruthless killers. Clark is good as Max who shifts between wimpy escapee to teethbaring fighter. And Kate Corbett and Ryan McDonald are totally hateable as super villains who are not only sadistic killers who laugh as they murder people, but equally detestable as businesspeople. They both do that deranged killer face really well. While the movie is a rehash of the oft used “cabin in the woods” theme, this one is in a glass and wood mansion, not a creaky cottage.  Perhaps Max is checking her insulin levels a few times too many, but other than that, Pins and Needles is a good horror/ thriller that keeps the tension on high till the final credits roll.

His Father’s Son

Wri/Dir: Meelad Moaphi

Amir (Alireza Shojaei) is a cook in an upscale French restaurant in Toronto. He has a degree in Engineering, but finds that kind of work boring. His dream? To open up his own place as the executive chef. In the meantime he works long, gruelling hours in the kitchen. His younger brother Mahyar (Parham Rownaghi) has no creative drive — his dreams centre around symbols of wealth: a beautiful woman, a Ferrari to drive or a Rolex watch on his wrist. He’s a crypto bro, who still lives in their parents’ home. Amir regularly eats family dinners with Mahyar, his Mom (Mitra Lohrasb), and his Dad (Gus Tayari) The rest of his free time he spends with his lover a married woman with whom he’s having a secret affair. But his life — and that of his family — comes in the form of an unexpected death. His and his brother’s childhood doctor — who they haven’t seen in decades — has left his entire substantial fortune to Mahyar. There is a new degree of tension in the family, between Amir and his father, and between his parents. Only Mahyar seems blissfully unaware. What is going on, and why won’t his parents talk about it? And can a trip to Niagara Falls provide the answers to Amir’s questions?

His Father’s Son is a family drama set within Toronto’s large Iranian-Canadian community. It feels at first like another look at the immigrant experience in North America, and the clash between traditional parents and their sons who want to break free. But wait! This is not how it turns out at all. It gradually gets more complex, emotionally powerful and surprising. And these changes are not sudden or in your face, they’re subtle, unspoken, in the spaces between what you see, the elliptical passage of time.

The acting — with dialogue in Farsi and English — is terrific all around, but especially Gus Tayari, Mitra Lohrasb, and Alireza Shojaei in the lead role. This is Moaphi’s first film, and though quite short (under 90 minutes) it shows an unexpected maturity, the kind you’d see in films by Asghar Farhadi or Kore-eda Hirokazu.

 His Father’s Son is a well-made drama.

Bride Hard and His Father’s Son both open this weekend in Toronto; check your local listings. Needles and Pins opens theatrically next week in the US, and on VOD in Canada.

This is Daniel Garber at the Movies, each Saturday morning, on CIUT 89.5 FM and on my website culturalmining.com.