Innocent children. Films reviewed: Lamb, The Rescue, Squid Game

Posted in Animals, Class, Docudrama, documentary, Fairytales, Family, Farming, Gambling, Games, Iceland, Korea, Rural, Thailand, Thriller by CulturalMining.com on October 9, 2021

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

In movies, little kids and innocent animals are the perfect way to gain our sympathies. But what about adults who have fallen on hard times?

This week I’m looking at two new movies and a miniseries from around the world all about the innocent. There’s a childless couple on an Icelandic farm who adopt a baby lamb; a teenaged Thai soccer team trapped in a cave; and Korean ne’er-do-wells forced to compete at childish games… in a kill-or-be-killed arena. 

Lamb

Co-Wri/Dir: Valdimar Jóhannsson

Maria (Noomi Rapace) and  Ingvar (Hilmir Snær Guðnason) are a married couple who live on a sheep farm in rural Iceland at the base of a snow-capped mountain, beside a twisting brook. Their  lives are content but lonely, with just a cat, a dog and each other to keep them company.  Their only child died, leaving a gap that can’t be filled. If only they could go back in time… or somehow bring their lost child back to life. Until, one of their sheep gives birth to an angelic baby lamb. And there’s something different about this one. They immediately bring it into their home, feed it milk from a bottle and put it to sleep in their baby’s crib. They name it Ada, after their own child. 

What’s so different about Ada? Their face, shoulders and one arm are like any other lamb, but the rest of their body is human. It’s a gift from the gods, they say. They teach Ada nursery rhymes, take them for walks, and dress them like any other child. Ada can’t speak, but understands Icelandic and can nod or shake their head in response to questions. But  not everybody is happy with the new arrangement. Ada’s mother, a ewe,  wants her baby back. She waits outside their window each day longing for her lamb. And Petur (Björn Hlynur Haraldsson), Ingvar’s brother, returns to the farm after decades living in Reijkjavik as a rock musician. Can this unusual family stay to gather? Or will outside forces tear them apart?

Lamb is a very unusual movie, a combination, fairytale, love story and haunting family drama with all the complications that entails. It’s pace is slow-moving and rustic — like life on a farm — but not boring, even though the people don’t talk very much. It’s beautifully shot amidst Iceland’s stark scenery, and the acting is good and understated. (You probably recognize Noomi Rappace — best known for The Girl with the Dragon Tattoo.) And though not much happens, the ending is certainly a surprise. Lamb is a nicely understated film..

The Rescue

Dir: Jimmy Chin and Elizabeth Chai Vasarhelyi

It’s June, 2018 in Northern Thailand near the Burmese and Laotion borders.  12 young soccer players — age 11-16 — and their coach go for a day trip to explore the popular local caves. Tham Luang is a miles-long twisting tunnel filed with beautiful limestone rock formations. They are always closed during monsoon season in July, as it’s prone to flooding. But this year the rains came early, and the entire team was trapped, surrounded by rushing water, deep inside the caves. The Thai Navy seals were sent in to rescue them and bring them food, but they were trapped there too. They also recruited some of the best cave divers — a very obscure area of expertise — from

the UK, Belgium, the US, and elsewhere. But as days turn to weeks, time is running out, and the waters keep rising. Can the boys be saved?

This documentary looks in detail at the story — which held the world’s attention for weeks —  of the miraculous rescue and the hundreds of people involved in it. It uses archival TV footage, news animation, and brand new interviews. It also re-enacts many of the crucial scenes — never captured on film for obvious reasons, they were too busy saving lives — using the original divers, and some actors. The film is made by Elizabeth Chai Vasarhelyi and Jimmy Chin, known for their breathtaking docs following mountain climbers — films like Free Solo. The Rescue (which won the People’s Choice award at TIFF this year) is also exciting and gripping, but not as much as the mountain climbing. This is mainly underwater and in near darkness, plus the fact that nearly everyone still remembers the story from just 3 years ago, no spoilers needed. I would have liked to have heard more from the Thai rescuees and a bit less from the British rescuers, but I guess they didn’t want to give interviews. I enjoyed The Rescue, but I wasn’t blown away by it.

Squid Game

Wri/Dir: Hwang Dong-hyuk

It’s present day Korea. 

Seong Gi-hun (Lee Jung-jae) is a compulsive gambler who grew up in a working-class neighbourhood. He is constantly compared with his best friend from childhood Cho Sang-woo (Park Hae-soo), who made millions as a top financier, while Gi-hun spiralled deeper and deeper into debt. His wife divorced him and he rarely sees his 10 year old daughter, whose step father is taking her to The States. On top of this his elderly mother is suffering from diabetes. How can he get some cash — quick? At the racetrack, of course, But his winnings are stolen by a stealthy pickpocket (Lee Jung-jae). And that’s when he receives a mysterious card from a strange man. He is invited to play some games to earn a lot of money. He — and 500 others — say yes, and wake up in a strange uniform at an unspecified place. He remembers the games from childhood, like Freeze or Statues where you try to cross the line, but have to freeze when the caller tells you too. The difference is, if you move, you get gunned down by snipers! These games are deadly and there’s no way out. But the winner will get all the cash in a giant glass globe suspended overhead. Who will survive? Who is behind this perverse game? And why are they doing it?

Squid Game is an engrossing nine-part Netflix dramatic thriller about a group of people down on their luck forced to play a deadly game. Aside from Gihun, his pickpocket is also there — she’s a defector from North Korea; as is his childhood best friend who was caught with his hand in the till. Other characters include an elderly man with cancer, a disbarred doctor, a migrant worker from Pakistan, a petty gangster, and an aging, foul-mouthed sex worker with lots of moxie to spare. And an undercover cop, trying to infiltrate the organization to discover what happened to his missing brother. And they’re supervised by ruthless, nameless and faceless guards dressed in pink hooded jumpsuits. What keeps you watching this bloody and violent drama are the characters — they’re funny, quirky each with their own stories to tell.  Squid Game is an incredibly popular series out of Korea, one of Netflix’s top TV shows to date. And I can see why.  It seems silly, but it’s a great binge-watch, each chapter ending with enough of a cliff hanger to keep you hooked till the end.

This is a good one.

The Rescue and Lamb open this weekend; check your local listings. Squid Game is now streaming on Netflix.

This is Daniel Garber at the Movies, each Saturday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Tricks, Tracks, Traps. Films reviewed: The Killing of Two Lovers, Deliver Us From Evil, In the Earth

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Spring Film Festival Season is on in Toronto, digitally speaking. Coming in the next few weeks are the Toronto Japanese Film festival, the Toronto Jewish Film Festival, Inside Out, Toronto’s LGBT film festival, and events organized by the Toronto Palestine Film Festival.

Starting in two weeks is the ReelAbilities film festival with shorts, features and docs about deaf and disability cultures, including a comedy night. All screenings are pay-what-you-can. Go to reelabilities.org/toronto for more info. 

This week I’m looking at three new movies, from the US, the UK and Korea. There’s  a husband who feels tricked by his wife, a hitman tracked by a killer; and an earth scientist trapped in a psychedelic forest.

The Killing of Two Lovers

Wri/Dir: Robert Machoian

David (Clayne Crawford) lives in a small-town in the southern US. He used to have ambitions to be a singer-songwriter, but now he works as a handyman doing odd jobs to keep his family afloat. He married Nikki (Sepideh Moafi) straight out of high school, and they now have four kids. But the spark is gone. David is living with his Dad now — he and Nikki are on a trial separation. It’s meant to help fix their broken relationship. But when he finds her in bed sleeping with another man, he feels lost and angry, and starts to carry a gun. 

Meanwhile he wants to bond with his kids and keep the family together. His oldest daughter is furious with them both. And the younger ones (played by real-life siblings) are just getting by. Can Nikki and David ever get back together? Or will David’s brooding anger finally explode into violence?

The Death of Two Lovers is a relationship movie done in the style of a high-tension crime pic. It’s told through David’s eyes, so we feel his boiling rage and inner turmoil. He takes out his anger on a boxing dummy, and practices shooting with an old pistol. The soundtrack is full of repeating sounds — slamming car doors, creaking noises — unrelated to the actual images you see. And his encounters with Derek (Chris Coy) his moustached rival looks like it’s headed for disaster. No spoilers, but this is not a crime drama; it’s a movie about the (potential) collapse of a family. The acting is great and bit of a it’s tear-jerker, but it seems trapped within an unclassifiable and misleading genre. 

Deliver Us From Evil

Wri/Dir: Hong Wan-Chan

In-Nam (Hwang Jung-min) is a Korean hitman who kills for money, but only targets organized criminals. His assignment: a ruthless yakuza boss in Tokyo who exploits sex workers. It’s his final assignment; once complete, he plans to retire somewhere with warm beaches and lax banking laws where he can enjoy his blood money in peace…somewhere like Panama? But his dreams are shattered with a blast from the past. His ex-girlfriend he hasn’t seen in 9 years is trying to reach him. Her nine-year-old daughter Yoo-min has been kidnapped. He drops everything and flies to Bangkok to investigate. He’s too late to save her but maybe little Yoo-min is still alive. He hires a local Korean woman named Yoo-Yi (Park Jeong-Min) to translate for him and serve as his guide. She works at a Patpong bar, and needs the extra cash to pay for sex-reassignment surgery. Together they uncover a terrible truth: a ruthless Thai operation that kidnaps small kids, especially Japanese and Koreans in Thailand, to sell their organs to rich people back home! 

What In-Nam doesn’t realize is that he’s a marked man… the hitman is on a hit-list. The Yakuza boss he assassinated had a brother named Ray aka The Butcher (Lee Jung-jae). This guy is ruthless and deranged, and can do terrible things with his very sharp knives. Can In-min rescue Yoomin (and the other kidnapped kids) before their organs are yanked from their innocent bodies? Is little Yoomin — who he’s never met — his own daughter? And who will survive the fight to the death: Ray who is out for vengeance; or In-Min?

Deliver us from Evil is an intense crime action/thriller set in in the underworlds of Korea, Japan and Thailand. The first half hour is a bit dull: too much talk, talk, talk, and not enough action. It’s a complicated plot that needs a lot of explaining. But once it starts going it never let’s you down, with lots of fistfights, marital arts, knives, guns and cars. It’s a world where everyone’s corrupt: competing criminal gangs, local con artists, international syndicates and cops on the take. If you’re disturbed by violence, blood and awful situations— stay away. But if you like action, suspense, intense fighting, and some interesting characters, Deliver Us From Evil is a good watch.

In the Earth

Wri/Dir: Ben Wheatley

It’s England in the near future, where an unknown  virus pandemic is wiping out the population. The country is a mess with food shortages and strange new laws. Martin (Joel Fry), is a mousy scientist who arrives at a nature preserve to study the soil there. (He also has a hidden agenda, to contact Alma another scientist who disappeared, leaving a puzzling diary.) After passing the medical tests,  he sets out into the woods  accompanied by a guide. Olivia (Hayley Squires) is a no-nonsense forest ranger with her hair pulled back in a ponytail. She can assemble a pop tent in a couple minutes and knows every inch of the woods.  But while they slept a stranger  attacked them, stealing their shoes, clothes and Martin’s crucial radio equipment. Luckily they encounter Zach (Reece Shearsmith), an eccentric, bearded, back-to-the-land type who is shacked up nearby. He tends to their wounds, makes them some food and gives them comforting elderflower tea. Unluckily Zach is a lunatic who drugged their tea and tied them up. He says all nature is connected, and we must listen to a common brain to find out her wishes. And this includes using Martin and Olivia in bizarre rituals and possible sacrifices. They must escape!  But a natural mist has settled all around them generating  microscopic mushroom spores and unbearable sounds. What is the truth in these woods? And can Olivia and Martin overcome its allure?

In the Earth is a weird, science-fiction/horror/ fantasy about humans fighting nature — and the earth fighting back. It was filmed just a few months ago during the height of the pandemic in the UK. And it’s full of psychedelic visions and creepy sounds. Ben Wheatley’s movies are unique and either you like them or you don’t. But I thought it was fantastic. There’s a fair amount of violence and gross-outs, but it’s all done in an art-house style, not your typical Hollywood horror. If you’re in the mood for a freaky, indie movie, this one’s for you.

The Killing of Two Lovers Starts today on all major platforms, In the Earth also opens today at the Virtual TIFF Bell Lightbox; and Deliver us From Evil will be available on VOD, digital and on disc on May 25th.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Bad Students. Films Reviewed: Lady Bird, Bad Genius, My Friend Dahmer

Posted in 1970s, 2000s, Coming of Age, Crime, High School, Thailand by CulturalMining.com on November 10, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Fall Film Festival season continues in Toronto. The EU Film Fest, which started last night, features movies from each of the EU countries, and all screenings are free. Reelasian also just started with films from South, East and Southeast Asia.

This week I’m looking at dramas about troublesome high school students. There’s a young woman in California who wants to head east (to university), another in Bangkok who wants to go south (to Singapore), and a guy in Akron who wants to look inside other people.

Lady Bird

Dir: Greta Gerwig

It’s central California in the early 2000s. Lady Bird (Saorise Ronan), is a bored kid with great ambitions – she wants to study at an eastcoast University. She’s in her last year at a private, Catholic school. Her mom (Laurie Metcalf) sent her there because she thinks public school is too dangerous. She lives in a small house in Sacramento with her brother Miguel, her dad, a computer programmer, and her mom who works in a psychiatric hospital.

Lady Bird wants to be cool and maybe meet a boyfriend. But Immaculate Heart – or Immaculate Fart, as she calls it– is an all-girls school run by nuns. Her only chance of meeting guys is in the theatre club run in conjunction with an all-boys Catholic school nearby. She immediately hits it off with Danny (Lucas Hedges) who likes show tunes and wearing puka shell chokers. She takes him home to meet the family. Later she wants to create a cooler self. (Earlier she renamed herself Lady Bird – she’s actually Christine.) Now she quits doing school plays, and starts playing pranks on nuns. She swaps boyfriend Danny for the chill Kyle (Timothee Chalumet) and trades best friend Julie for the prettier and richer Jenna. She tells her she lives in a mansion, not a bungalow on the wrong side of the tracks. And secretly, with the help of her recently unemployed dad, she applies to east coast schools. But can the tower of lies she creates stand up to closer scrutny? And are her new friends good people?

Lady Bird is Greta Gerwigs first solo film – she codirected Frances Ha with noah Baumbach — and it’s a funny and touching movie. Saorise Ronan and Laurie Metcalfe make a fantastic mother and daughter who can’t get along. And side roles — like Hedges as Danny – are amazing (I didn’t even recognize him as the kid in Manchester on the Sea). I admit I found the last three minutes of the movie a terrible — and unnecessary — mistake, but Lady Bird is still an almost flawless coming-of-age story.

Bad Genius

Dir: Nattawut Poonpiriya

Lynn (actor/model Chutimon Chuengcharoensukying) is a student at an elite Bangkok high school. It’s a school where many grads get accepted to US Ivy league schools. Most the kids there are filthy rich but not very bright . Lynn is just the opposite – the daughter of a divorced school teacher, she’s a scholarship student, a piano player, and a genius at math. She also understands the value of money — she has to be when theres’s not much around. She quickly establishes herself – along with Bank, another scholarship student – as the top two kids in the school, in competition for a place in a Singapore university. But everything changes when Lynn’s friend Grace – with her millionaire boyfriend Pat – come to her with a proposition. They’ll pay her big bucks to act as their tutor. But they don’t really want to study – they want to an easy way to pass the tests. Lynn comes up with a brilliant plan – she shows them the multiple choice answers by “playing the piano” in the test hall, moving her fingers in the order of four famous passages. The students all pass the exam. But Bank – the good genius — suspects something fishy.

Later they recruit him to join Lynn in a trip to Sydney, Australia to take the STIC exam – the international SAT test. They plan to write the exam and text the answers just in time for the Bangkok exams, four time zones over. Will the plan work? Will they get caught? And will sparks fly between the two geniuses, Lynn and Bank?

Bad Genius is based on an actual test scandal that shook Thailand. The movie works as both a teen drama and an action movie, with the main characters racing against time to rig the tests and avoid capture. It also shows the huge gap between Bangkok’s super rich, and the rest of the people who never seem to get ahead.

My Friend Dahmer

Dir: Marc Meyers

It’s the late 1970s in a small town near Akron Ohio. Jeff Dahmer (Ross Lynch) is a tall kid with big glasses and feathered blond hair. He lives with his little brother, his mom a pill-popper (Anne Heche) and his dad a chemist. Jeff collects animal bones from roadkill he finds on the highway. He is also obsessed with a local doctor he always sees jogging down the highway. He keeps to himself at a school ruled by football jocks and cheerleaders. He’s not bullied but not popular either till he finds his niche: a class clown who is both audacious and weird. He spontaneously breaks into his acts, talking like a handicapped kid, or falling to the floor in imitation tonic-clinic seizures.

This catches the attention of Derf (Alex Wolff) and his friends Neil and Mike. They are counterculture types into the Ramones and and comic books. And they see Jeff as epitomize get Punk, even if he doesn’t know it himself. They form the Dahmer fan club, planning events so Jeff can go wild in front of an audience. But are they helping him or using him? Jeff turns to alcohol to counter his constantly bickering parents. She wants to know what people are like on the inside – literally. He gets stranger and stranger, experimenting on live animals.  Are his new “friends” the ones pushing him over the edge?

My Friend Dahmer is a based on the true graphic novel written by Derf Backderf, his highchool (sort of) friend. Dahmer later became a notorious serial killer who picked up men in bars, had sex with their paralyzed bodies, and later dissolved their corpses in acid vats. But My Friend Dahmer takes place before all that. This is an extremely disturbing and creepy — but also weird and funny — look at teenagers in the 1970s. With a great soundtrack, it makes you wonder what – bullying, mental illness, encouragement — pushes people from normalcy to depravity.

Ladybird, and My Friend Dahmer open today in Toronto; check your local listings. Bad Genius is playing at the ReelAsian film festival. Go to reelasian.com for details.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks with Apichatpong Weerasathakul about Cemetery of Splendour at #TIFF15

Posted in Art, Cultural Mining, Dreams, Folktale, Psychology, Satire, Thailand by CulturalMining.com on March 11, 2016

Apichatpong Weerasathakul1Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s present-day Northern Thailand, near the Lao border. Thai soldiers digging up the grounds of a school are all struck with a mysterious Tropical Malady: a sleeping sickness. Laid out in beds in a makeshift hospital on the site, they are cared for by a housewife and a young medium. By reading the soldier’s unconscious minds they discover  this building was built on ruins of an ancient palace — also the site of great battles. And from the dreams of the sleeping soldier named Itt, via AnXGy9_CEMETERYOFSPLENDOUR__06_o3_8915159_1450196114the medium Keng, Jen is guided through an invisible palace and a splendid cemetery.

Cemetery of Splendour is the latest film by master Thai Director Apichatpong Weerasathakul and it’s his funniest and greatest movie so far. It’s also his most accessible. It is filled lOkoZ1_CEMETERYOFSPLENDOUR__01_o3_8915047_1450196097with strange images — like glowing sticks intruding in people’s thoughts, an invisible palace, and goddesses who still wander their ancestral realms. It’s also a trenchant criticism of contemporary Thailand, which is currently under military rule. I spoke with Apichatpong Weerasathakul on site at the Toronto International Film Festival.

Cemetery of Splendour opens today (March 11th, 2016) in Toronto.

Photo by Jeff Harris

Blood Bros. Movies Reviewed: Only God Forgives, Rufus PLUS TIFF13

Posted in Coming of Age, Cultural Mining, Death, Drama, Dreams, Movies, Thailand, Torture, Uncategorized, Vampires, Vengeance, violence by CulturalMining.com on July 25, 2013

Hi, this is Daniel Garber at the Movies forculturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.

TIFF13 Press ConferenceTIFF is coming! At the big press launch they released the names of some of the movies playing this year. Haven’t seen any yet, but a few caught my eye. The opening movie is the Julian Assange and Wikileaks story, and it’s called The Fifth Estate. Very interested in seeing which side Hollywood takes in this – but it’s cool just seeing it on the screen while Assange is still holed up in the Ecuador embassy. And then there’s Bradley Manning… Another movie that looks good is wikileaks_2459774bBurning Bush, by the great Polish director Agnieszka Holland. It’s about the self-immolation of a Prague Spring protester in the 60s. And I really want to see Prisoners, a thriller about a missing girl’s father, who kidnaps a man he thinks is the criminal. Denis Villeneuve is the Quebec director of Incendie.

Lots of crime and violence… so keeping in the same vein, this week I’m looking at two movies about brooding young men embroiled in circumstances beyond their control. There’s a violent drama about a man caught between a rock and a hard place — his mom and the Angel of Death — in Bangkok; and a Canadian drama about a boy with strange attributes who just wants to fit in.

Ryan Gosling Only God ForgivesOnly God Forgives

Dir: Nicolas Wilding-Refn

Julian (Ryan Gosling) is a hardworking, honest American who lives in Bangkok. He runs a kickboxing gym paid for by family money. But this money is tainted. One day, something sets his older brother off on a rampage that leaves a young girl dead.

A local police detective named Chang (Vithaya Pansringarm) hears about the brutal rape and murder, and brings the dead girl’s father to the blood-drenched scene of the crime – a seedy hotel room.  Julian’s brother is still there. Chang hands the dad a baseball bat and locks the door. An eye for an eye.

Kristin Scott Thomas Only God ForgivesJulian feels judgement has been done, and doesn’t retaliate against the man who killed his brother. But his mother is a different story. Crystal (Kristin Scott Thomas), it turns out, is the family kingpin (or queen pin?) in the drug trade. She’s a cruel, bleached-blond harridan with dramatic eye-makeup. She kills with impunity, and gets off by watching bodybuilders pose on a stage. She flies into Bangkok specifically to kill whoever killed her son.

Chang, the cop, appears to be a soft-spoken, unassuming, middle-aged guy who likes to sing Karaoke. But in fact he is a dark avenger, an angel of death. He acts as judge, jury and executioner, carrying a square-tipped sword strapped to his back. He decides, on the spot, whether a crime deserves just the loss of a limb or two… or a death sentence. And – chop-chop-chop – case closed.

So the two sides, Chang and Crystal, are headed for an inexorable showdown, with Julian caught between them.

Vithaya Pansringarn Only God ForgivesOnly God Forgives has a strange dream-like quality that feels like something by David Lynch. It’s hard to tell if you’re watching what is actually happening, or what Julian thinks will happen. It’s also highly stylized, with the characters posing in mannered tableaux. Most of the scenes are gushing with red and black: gaudy, flocked wallpaper, red glass beads, glowing paper lanterns. And blood… everywhere. I knew this movie was going to be violent, but it’s gruesome, gory.

The movie is fun, in a way. There’s this incredible, over-the-top monologue that Kristin Scott-Thomas has in a Meet the Fokkers scene. Amazing. Ryan Gosling, on the other hand, has almost no lines in the entire movie even though he’s on-screen most of the time. The thing is, he’s not a hero, he’s not an anti-hero — he’s just there. And that’s the problem with this movie: too much gore, too simplistic a plot, and Ryan Gosling is too blah.

Rufus

Dir: Dave Schultz

Rory Saper RUFUSRufus (Rory J Saper) is a shy, misunderstood teenager with lank hair, pale features and an English accent. He arrives in a small town with a very old woman who makes him promise to make friends and blend in. Soon enough, she’s dead, and he’s taken in by the chief of police and his wife, who see him as a replacement for their own son who died a few years earlier. But Rufus is different.

He doesn’t really eat at all, except for really, really fresh meat. Bloody meat. He can lie under water for long periods of time without breathing. His body temperature is 20 – 30 degrees below normal. And did I mention he likes to drink blood? I’m not saying he’s a vampire or anything, but… he is different.

Rufus 2So he naively makes friends with Tracy (Merritt Patterson), a neighbouring girl who says she’s slept with half the town. And there’s Clay (Richard Harmon), the high school jock and bully who first attacks him, but later attempts to befriend him. He falls into a sort of normal life – a home at last. He plays catch-ball with his new dad, makes angels in the snow, sleeps in a real bedroom, eats with a real family.

But then a mysterious man who works for Big Pharma comes to town. He says Rufus can’t live in the outside world and wants to take him away. He seems to know something about Rufus’s past, and that of the old woman he came with.

Rufus can kill if crossed, but he also powers to heal. Who or what is he? A vampire, a werewolf or an immortal soul? And can a boy who is different, especially one with special powers, live a normal life in a small town?

Rufus 1Rufus is interesting as an idea. I liked the concept, but it feels more like a pilot for a TV show than a movie. The acting is good, and I like the feel of the whole thing, but the story just meanders along… there’s just not enough clear plot to satisfy you.

Only God Forgives is playing now, and Rufus opens today (check your local listings.) And to find out about what’s playing at TIFF and how to score tickets – check out the daytime passes — go to tiff.net

This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website,culturalmining.com

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Ong Bak 3

Posted in Action, Boxing, Cultural Mining, Elephants, Fighting, Movies, Muay Thai, Mysticism, Subtitles, Thailand, Uncategorized, violence by CulturalMining.com on February 15, 2011

Ong Bak 3

Dir: Tony Jaa, Panna Rittikrai

Tien is a 16th Century Thai man, an ophan of royal background, who learned to defend himself after his parents died. The movie begins as he’s being attacked by  mean guys carrying black poles. Though a great fighter, he loses this battle and is chained up. Somehow, he is rescued and taken back to his village, where he studies with a Buddhist priest to learn how to overcome his sins, grow a beard, learn classical Thai dancing, and escape his cycle of endless death and rebirth. The cruel soldiers, (and their satanic, black lipsticked royal boss) — who abuse elephants, spread disease, are disrespectful toward the elderly, and like to kill innocent villagers — are his main enemies.

It’s up to Tien to confront these terrible invaders and defeat them in a series of beautifully choreographed – but bloody! – fights. Tien (Tony Jaa) uses mainly Muay Thai techniques to fight back against the swordsmen. These are combined with some tremendous leaps, jumps and falls, and some deft spear-handling and sword-chopping. But despite all his meditation to cleanse his Karma, Tien still seems to relish the slow-mo stabbing bloodbaths in some of his long battles. And the enemy, in his pointy golden hat, can feed off Tien’s vengefulness and stop all of his efforts unless he can overcome his own feelings of sin.

The fights scenes in Ong Bak 3 are good, but the story is harder to follow than the straightforward plots of Ong Bak (get back the missing Buddha head) and Tom Yum Goong (bring back the missing baby elephant). Ong Bak 3 – which is really just the second half of Ong Bak 2 (and with no connection to the original Ong Bak) — is there mainly for its spectacular kickboxing. The comic relief (a mentally handicapped man with matted hair) isn’t funny, the strange dancing and meditation scenes – while fascinating, at first – seem weirdly out of place in a Muay Thai movie, and the plot doesn’t make a whole lot of sense. But the fights, the destruction, and the multi-level scenes atop elephants are not bad at all.

Ong Bak 3 is released tomorrow (Feb. 15th, 2011) on DVD, nationwide. Extras includes interviews (in Thai) with Tony Jaa and other stars.

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