Archnemeses! Films reviewed: Kill, Despicable Me 4, Escape

Posted in Animation, comedy, Espionage, France, India, Kids, Korea, North Korea, Punjab, Super Villains, Thriller, Trains, violence, War by CulturalMining.com on July 5, 2024

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Classic novels and movies needed a hero or a heroine to save the day. But in really good stories there’s also a nemesis, an enemy to fight and defeat. This week I’m looking at three new movies, from Korea, India and France — two action thrillers and an animated comedy — about arch-nemeses. There’s a former villain in witness protection, a commando on a train heading in a southern direction and a communist sergeant preparing his own defection!

Kill

Co-Wri/Dir: Nikhil Nagesh Bhat

Amrit (Lakshya) is a commando in a special unit of the Indian army. Along with his best buddy Viresh (Abhishek Chauhan) they lead their troops in tactical operations using martial arts and hand-to-hand combat. But he’s in a bit of a jam. The love of his life, Tulika (Tanya Maniktala) is pledged to another man in an arranged marriage. To elope seems too risky; her father is an oligarch with immense power and wealth. Even so, they arrange for a secret meeting aboard the express train her family are riding south from Amritsar to Delhi. And, right there, with the two of them squeezed into a cramped toilet Amrit proposes marriage, complete with ring. But what neither of them realize is the train has been targeted by a brutal gang of bandits for an attack on the sleeper cars. The dacoits kill the guards, and steal watches, jewelry and cash from everyone there. And they sexually threaten the women. They’re led by a capricious Fani (Raghav Juyal) the nefarious son of the clan’s patriarch. But when Amrit and Viresh see what’s happening, they decide it’s time to fight back… but can just two commandos take on an entire family of bandits?

Kill is a non-stop, violent action movie, the first of its kind out of India. It’s nothing like Bollywood, no songs, dances, or extended flirting. This is heavy-duty fighting all the way through. This is Lakshya’s first starring role — he’s good-looking  and intense, a natural leading man. He plays Amrit as a regular Punjabi drawn almost to madness when he sees his lover threatened. Then he goes berserk. He wears a blood-stained shirt for most of the film, and beware: there’s a lot of blood to be spilt. Much of the action takes place in the aisles of an express train, between cars, on the roof, and out the exit doors. Weapons range from sabres, to rifles, a metal fire extinguisher and the fighters’ bare fists. The fighting is superbly choreographed, really well done. And the sound effects are chilling — the sound of skull hitting metal the slash. Off a knife, the thud if fists hitting flesh…I’ve never seen an Indian movie like this, and I quite enjoyed it. If you can get into intensely violent, non-stop action movies — on the scale of the great  Indonesian flic The Raid — then I think you’ll really like Kill. 

Despicable Me 4

Dir: Chris Renaud, Patrick Delage

Gru (Steve Carell) is a former supervillain who is now on the straight and narrow. He lives with his beloved wife Lucy (Kristen Wiig), their three adopted  daughters, Margo, Edith and Agnes, and their newborn baby son. But he has to dive back into the world of villainy when he is sent on a secret assignment: to return to the criminal boarding school of his childhood, the Lycée Pas Bon. Once there he must capture and jail his lifelong rival Maxime Le Mal (Will Ferrell). Now Gru has his Minions — diminutive bright yellow creatures who obey his orders but are always up to no good — but Maxime has minions of his own: cockroaches! He’s built up a veritable army of the insects, and when he escapes from prison, he vows revenge against Gru and all those around him. To safeguard his family, Gru enters a witness protection program where they are all given new names and identities and a suburban home to live, and told to “blend in”.

The problem is their next door neighbours, the Prescotts, have a precocious but obnoxious daughter named Poppy. She has guessed Gru’s true identity and threatens to expose him unless he helps her pull off a heist of her own. But can Gru keep his family safe while pulling off this audacious caper? Or will they fall prey to Maxime and his cockroach empire?

Despicable Me 4 is an animated kids’ comedy about a former villain facing off against a current villain.  It’s the latest in an immensely successful French movie franchise (Reviews: Despicable Me, Minions: The Rise of Gru) about a likeable villain and his makeshift family. It combines simple animation with funny lines and goofy characters, Once again, I viewed it in an audience packed with kids who seem to love it. Personally, it seems to be getting a bit tired, like they’re running out of new ideas. The one genuinely funny aspect are the Minions, all voiced by Pierre Coffin. When they’re around, you’ll be laughing with their silly and imaginative slapstick humour. Despicable Me 4 isn’t great, but it did keep me entertained. And the kids will love it.

Escape

Dir: Lee Jong-pil

It’s present day at the DMZ in North Korea. The Demilitarized Zone — it separates the north from the south — is full of landmines, with sentinels in towers watching closely for any movement on either side. Kyu-nam (Lee Je-hoon) is a Sergeant in the Korean Peoples Army nearing the end of his ten-year term there, and dreads returning to work in a coal mine. There is no family to go home to. He has firmly embraced the national ideology of Juche, or self-reliance. But in Kyu-nam’s case, self-reliance has taken on new meaning. Each night, he sneaks out of his bunker, climbs through a window, and crawls his way across the minefields toward the border, recording all the safe spots along the way. He plans to defect to the South before the next rainfall causes the landmines to shift. But he runs into trouble when a pudgy private named Dong-hyuk (Hong Sa-bin), who idolizes the Sergeant sees his trial runs. Dong-hyuk longs to be reunited with his mother and sister in South Korea. So he tries to escape on his own, using Kyunam’s map… but he mucks things up, putting them both in danger of a firing squad.

But who appears at the desertion trial, but Hyun-sang (Koo Kyo-hwan), a Major with connections. He has connections with Kyu-nam going way back, and declares him a national hero, and sets him up in a cushy job as an aide-de-camp for a drunk general. But Kyu-nam is committed to his plans. Can he reach the border before Hyun-sang can catch him? Or are they doomed to a violent end?

Escape is a fast-moving action thriller, full of complex schemes and near escapes… along with plenty of unexpected surprises. Koo Kyo-hwan plays the major as a slightly effeminate, upper-class nepo-baby who would rather be a concert pianist than an officer. This villain reveals hints of a secret gay past, adding to his mystery. Lee Je-hoon plays a macho, self-reliant soldier who just wants to choose his own future and have enough food to eat (based on what he heard about the South from the propaganda broadcasts he picked up on his transistor radio). The entire film takes place in the North. It portrays a country filled with poverty, malnutrition and class divisions— based on Party membership — where the ordinary people just scrape by, while the effete elites gorge on fine meats and liquors. I have no idea how accurate it is, but I liked the details, from the socialist realist murals, the giant slogans, and the maroon coloured dress-uniforms the officers wear. 

And, of course, its gripping plot that will keep you glued to the screen.

Kill, and Despicable Me 4, both open this weekend in Toronto, and you can catch Escape at the TIFF Lightbox; check your local listings. This is Daniel Garber at the Movies, each Saturday morning, on CIUT 89.5 FM and on my website culturalmining.com.

September 7, 2012, TIFF! Love Stories in French. Movies Reviewed: Amour, Rebelle PLUS Comrade Kim Goes Flying

Posted in Canada, Circus, Drama, France, North Korea, TIFF, Uncategorized, War by CulturalMining.com on September 7, 2012

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.

TIFF 2012, the huge film festival that starts tomorrow, is readily apparent in downtown Toronto. People here are usually withdrawn and polite. But with so much glitz and glamour in town, everyone wonders if that person in dark glasses is really an actor or director. Usually I’m anonymous — I’m a radio broadcaster — but suddenly every passerby around the TIFF Bell Lightbox and the Hyatt Hotel (that’s where the TIFF registration offices are) seems to study my face… just in case I am famous.

If you’ve never been there, let me tell you a few things about it, First, it’s huge, with more than 300 movies from 65 countries playing over the next ten days. I just saw a totally surprising film from one of those 65 countries: North Korea!

I wandered into one unusual film today, Comrade Kim Goes Flying. It’s a comedy-drama about a young coal miner’s daughter with her head in the clouds. She wants to be a trapeze artist, so she goes to Pyonyang to spend a year near the circus. It’s a fascinating glimpse at an idealized vision of North Korea where everyone is rich, well-fed and ecstatically happy just to mix cement or dig up coal. The characters have unusual lines that sound like: “But the willpower of the working class will always save us, Comrade Secretary!” And yet, it works as a classic hollywood drama, something like Rocky. It just goes to show you that (although not all the movies are perfect), even picking a film at random might lead to an unexpected surprise.

So don’t be intimidated by the magnitude of TIFF. Just find a few you really want to see, pursue them and you should be able to land a screening. Check online (tiff.net) at 7 am to see what new tickets are on sale.

Today I’m going to talk about two great French language movies. One’s an Austrian film about an elderly French couple who choose to live out their lives in their own home; a Canadian film about a child in central Africa torn from her home to fight in a war.

Amour
Dir Michael Haneke

Georges and Anne, a retired married couple in their eighties (Jean-Louis Trintignant, Emmanuelle Riva) have a nice apartment, attend concerts, read books, share meals, and generally just enjoy their lives. They used to teach classical music and are pleased to see their former pupils becoming musical superstars. Life is peachy until one day… everything changes. Over lunch Georges tells Anne the sat shaker is empty, expecting her to refill it. But, instead, she just sat there, unresponsive. Although she later snapped out of whatever it was, it shook up the power dynamic of their traditional roles. Soon, following doctors’ tests, they discovered she is ill. But Anne makes Georges promise never to send her back to a hospital. She wants to live at home.

She entrusts her future with Georges – he’s a monster sometimes, she says, but a very kind one.

Gradually, she begins to deteriorate, physically, mentally and in her ability to communicate, due to a debilitating stroke. Georges is unrelenting in his devotion to her, but is heartbroken watching the formerly regal pianist, Queen-like even, slide from a connoisseur of Beethoven’s Bagatelle in G minor to a child chanting sur le pont d’avinon. Anne is deeply humiliated by her failure at maintaining perfection. She doesn’t want anyone seeing her in that state. Isabelle Hupert appears occasionally as their sanctimonious but ineffectual daughter, but most of the movie is just the two of them in their apartment. Like a lost pigeon that flies into their home, Georges realizes he holds both the power and the responsibility over the fate of his wife.

Austrian director Michael Haneke’s movies (Funny Games, White Ribbon, Cache) are always demanding, but often just thumb their collective nose at the characters, as if to say there is no morality, and even if their were, people are just selfish, evil hypocrites. (Haneke’s a bit like Lars von Trier.) That’s why I was surprised by the level of love and despair apparent in this mainly uncynical movie. And the acting by the two stars is absolutely flawless.

Amour is a crushingly devastating study of love, age and death. Unforgettable.

Rebelle
Dir Kim Nguyen

Komona (Rachel Mwanza) is a young girl, about 12 years old, living with her parents in a village central Africa. But she’s torn away from that life when a rebel army passes through and whisks her away to fight against the government. But she’s haunted by what happened to her parents, and they appear for her now, as painted white ghosts of the dead. They warn her whenever government troops are about to attack. Komona thinks they appear whenever she drinks “magic milk”, the baby formula she squeezes out of plastic bags. Word gets out and the local military leader takes her under his wing, as a protected one, since, he believes, she is a witch with magical powers.

She is schooled by another boy, a storyteller known as Le Magicien (the magician: Serge Kanyinda) who knows which shamanistic talisman to use, and how to place them, just so. He is albino and hence an outcast from his village, a witch, but also a target of bounty hunters. He wants to marry her (he’s maybe 14), but first she sends him off on a wild goose chase – well, actually a white rooster chase. If he can find her one of those, she’ll believe in his valour. The two of them escape from the rebel camp and its leader, the violent but superstitious rebel leader (Alain Lino Mic Eli Bastien), and make their way back to her home village.

Their picaresque journey is mystical, absurd and surprising, with children’s games and lovely scenic shots interspersed with terrible violence on her slow trip home to face her ghosts.

These are three original, loving movies.

Rebelle, Amour, and Comrade Kim Goes Flying are all playing at the Toronto Film festival this year – go to www.tiff.net for details, showtimes and tickets.

This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website, culturalmining.com .