It seems to me that commercial movies try to be as accessible as possible — often to the point of excess. Whereas art tries to be as inaccessible as it can, while still conveying its ideas, designs, or aesthetics.

The current 3D fad is sometimes described as making movies feel like “real thing”. Hollywood wants to artificially give the illusion of reality, to make you feel like you’re part of the movie experience, to make them easy to like. The movie itself, on the other hand, often slips into “high concept”: an extremely simple idea churned into a film the producers believe will make money.

The art side, though, seems to take the opposite approach, often equating complexity, difficulty, opaqueness, or inaccessibility, with artistic “success”. Anything considered overly simplistic, or too easy to “get”, is bad. Ambiguity, confusion, and occasionally randomness is good. Taken to itrs extreme we sometimes encounter conceptual art, where the idea, the concept, takes precedent over the art itself.

I used to picture a continuum, a line, or a piece of string, where easy to understand and simplistic, Hollywood, was on one end, harder to understand, and more complicated, (independent, artistic, foreign movies), were toward the other end, and way beyond that was actual “art” on film, at the extreme end. But somewhere on the way, someone picked up the extreme art end of the line, and pulled it all the way back around into a loop, where it met the simplistic easy-to-get Hollywood side again. Conceptual art meets high-concept movies. I think they both tend to suck, but conceptual art usually sucks more: it’s as bad as Hollywood but not as entertaining.

The Images festival had a lot of films where, while not conceptual, they did experiment with altering the usual expectations of a movie by eliminating one aspect. So Luo Li’s movie "I Went to the Zoo the Other Day", left out the expected language of a Canadian film, and instead had the script translated into Serbian, with English subtitles. A movie by Ross McLaren, "Summer Camp", eliminated actually making a film, instead putting together found TV audition footage. John Greyson’s short film "Covered", about the closing down of a Queer Film Festival in Sarajevo by right-wing protesters, replaced the usual narrative structure in favour of telling most of his story via non-stop subtitles and extensive text on the screen (super imposed upon beautiful images of dead birds, and found music from Youtube).

Finally, I saw one show, called “No Images” at the Images Festival, where they tried to experiment by eliminating the ultimate factor in art films – the visual part. Unfortunately, it was all sizzle, no steak.

They called it “No Images” – sort of like Naomi Klein’s No Logo, I guess. At “No Images”, there was an audience, there was a theatre, there was a screen, but there would be nothing visible at all – a movie experience without images. This sounded really interesting, so I made sure to go to this.

They put a lot of work into this, creating a mystique for the audience. We had to stand in a line, close together where we’d be led into the theatre in absolute pitch black. The person in front of you would be sitting right beside you. Be sure to use the toilet before – there would be no coming and going during the performance. And nothing glowing, no cel phones, not even anything shiny would be allowed into the theatre. It would be pitch darkness. If you succumbed to absolute terror, or claustrophobia, or fear of the dark, the safe word was “help”! just say it and an usher would guide you back to safety. Wow. Looking good…

I pictured exotic smells, rumbling seats, avante garde music, maybe itching powder on the seats – who knows what they would do? They had an hour and the world was their oyster.

But what did we get? First a woman talked about tapes she found that gave the recorded silence found in different spaces. Then there were 15 minutes of strange cello-like sounds playing just one creaky note in the aisles, like the sound effects of a Japanese horror movie. Then 15 recorded minutes of two women (Alexis O’Hara & Mary Margaret O’Hara) joking around, saying to the audience, “it’s pitch black in there — are you using the darkness to feel each others boobies?” And the fourth quarter hour: That’s where things got really scary. Here’s what the last 15 unbearably long minutes sounded like. And cover your ears. “THIS IS MY VOICE. I AM SPEAK-ING TO YOU. I AM A SPEAK-ER YOU ARE LIST-EN-ING TO MY VOICE THROUGH A SPEAK-ER. I AM IN A ROOM…”

While listening to this amplified drone, these thoughts started going through my head: "Noooooo… please make this guy stop. Shut up. Shut up! You’re an asshole. Please shut up. SHUT UP! I hate art. I HATE ART! shut the f*ck up…!" It was like being trapped at a wedding table by the worst drunken bore who somehow got hold of a microphone and really liked the sound of his own voice. It was an unintentionally kindergarten-ish, obnoxiously awful, no,excruciatingly awful recording that no one should have listened to. It didn’t stretch the margins of art and film, it abused it.

Sound images without pictures may be experimental for some people, but it’s not so new to me – it’s called radio.

At the other end of the spectrum, here are three current movies for general audiences, "Percy Jackson and the Olympians: The Lightning Thief"; "Clash of Titans" (in 3D); and “How to Train your Dragon” (in 3D).

"The Lightning Thief", based on the book by Rick Riordan, is a kids’ movie about a dyslexic high schooler, Percy, who lives with his mother and evil stepfather in a small town, and who discovers things are not what they seem. His best friend’s a satyr, his favourite teacher’s a centaur, he’s being chased by evil monsters, and he may even be a demi-god himself. So he goes to a secret training camp in the woods with other people who have mythical connections. But his mother is kidnapped and Percy has to find out who stole lightning… and rescue her from Hades.

In “Clash of the Titans”, the Greek gods think humans have forgotten them, so they agree to follow Hades’ advice to make the humans suffer so they’ll respect them again. Perseus (Sam Worthington), Zeus’s son, hear’s Hades’ ultimatum –sacrifice princess Andromeda or all hell will break loose. Perseus joins with his confreres, and his watcher Io, on a quest to consult the witches, fight the desert scorpions, find Medusa, save Andromeda, and defeat Hades in order to bring goodness and order back to the world.

Finally, in the kids animated movie, "How to Train Your Dragon", Vikings with Scottish brogues live on an island where they are tormented by dragons who steal their sheep and wreak havoc. The Vikings live mainly to capture and kill the various fire breathing creatures. But young Hiccup (voice of Jay Baruchel), an inventive non-conformist, doesn’t want to kill dragons. When he discovers a disabled Night Fury dragon that he names Toothless, Hiccup fashions a prosthesis and learns the secrets of all the dragons as he trains him like a pet. But his dad enrolls him in a gladiator-like training camp to teach him to kill the dragons. Are dragons the dreaded enemies of the Vikings, or are they just like puppy dogs?

Of these three movies, I liked "How to Train your Dragon" the best. The 3-D effects were great, the characters likeable, and it was a funny, interesting story with a lot of breathtaking scenes and battles, and a good amount of suspense. At times it felt like being in a good video game – weaving between rock formations, through the clouds, under the northern lights – and I mean that as a compliment.

"The Lightning Thief" was fun, with some clever scenes (like the lotus eaters trapped in a Las Vegas casino), but also some glitches — like excessive product placement where Percy uses a shiny i-pod, not a shield, to stop himself from looking directly at the Gorgon.

"Clash of Titans" was bad, but was sort of a guilty pleasure – cheezy, with so-so 3-D effects, ridiculously stupid story, and an awful, dated aesthetic: the gods have a 70’s sort of glow to them, like they’re wearing disco-era sequins shot through a Vaseline-covered camera lens– the sort of scenes you can giggle at with friends late at night, as the actors chew up the scenery. Ironically, “Clash of the Titans” is meant for an older audience than the other two, but it was definitely the dumbest of the three. See the kids’ movie instead.