Lost Boys. Films reviewed: Stage Mother, Summerland
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
This week I’m looking at two new movies – a comedy and an historical drama. There’s a Texas mom who inherits a San Francisco drag bar from her late son; and a reclusive Englishwoman during WWII dragged out of isolation to care for someone else’s son.
Stage Mother
Dir: Thom Fitzgerald (Cloudburst)
It’s a conservative small town in Texas. Maybelline (Jacki Weaver: Animal Kingdom) is a woman in her 70s who lives with her husband Jeb, a good ol’ boy. She spends most of her time as the choirmaster at a local Baptist church, or sharing gossip with her sister Babette. One day, her quiet life is disrupted by a phone call from San Francisco. Their adult son Ricky is dead. So she hops on a plane to attend the funeral and sort out his affairs. They’ve been estranged for many years but she’s still the next of kin. But when she visits his apartment an angry man named Nathan (Adrian Grenier: Entourage) 
slams the door in her face. And the funeral service itself is full of salacious double-entendres and drag queens vamping on the church stage. What’s going on?
Luckily, she meets Sienna (Lucy Liu: Kill Bill) a bleach-blonde single mom with a cute little baby who was Ricky’s friend (the baby was named after him) She explains it all to Maybelline: Ricky was not just gay, but also a drag performer who owned a bar in the Castro district called Pandora’s Box. 
Nathan was his lover, and the club’s manager, but since they weren’t married he’s left high and dry. Hence his anger and bitterness. So she visits the club to see what’s what. It’s a sad, depressing place with few patrons. And the lipsynch act is tired. She decides to turn the business around as a tribute to her late son.
She’s used to dealing with divas and wigs at her Baptist church choir; how different can this be? So she takes the three drag queens – Joan of Arkansas (Alister MacDonald), Cherry (Mya Taylor: she was amazing in Tangerine), and 
Tequila Mockingbird (Oscar Moreno) under her wing to teach them how to sing for real. Turns out they all have great voices. But each has baggage to sort out. Joan has a drug problem, Cherry is dealing with her transition, and Tequila has been rejected by his family. Meanwhile, Maybelline meets a man in a hotel who is everything her husband Jeb is not – kind, elegant and sophisticated. What should she do? Can she save the bar and turn her own life around? Or will she just give it all up and move back to Texas?
Stage Mother is a musical/comedy about an older woman who finds her new mission in a San Francisco drag bar. It’s a very camp romp, cute but not so funny, and extremely predictable. About a third of the film consists of the traditional drag performances themselves, with all the songs, dances, and lipsynching, as well as the elaborate costumes and makeup, the torch songs and jokes… everything you want if you’re into drag. Australian actress Jacki Weaver makes for a great Texas mom, Lucy Liu is almost unrecognizable as Sienna, and the drag trio – Cherry, Joan and Tequila – are totally believable as performers. Drag is very popular these days, with lots of TV shows devoted to it, so if that’s your thing and you can’t get enough of it, you’ll probably like Stage Mother.
But it didn’t do much for me.
Summerland
Wri/Dir: Jessica Swale
It’s WWII in Kent County, England. German bombs are falling on the big cities, but it’s peaceful in the countryside. Alice Lamb (Gemma Arterton: Byzantium; Hansel and Gretel Witch Hunters) is a recluse who lives alone in a cliffside house. Locals call her a witch and schoolkids torment her with practical jokes. She’s a writer, not a witch, and earns her living researching folktales and magic from a scientific bias. She’s currently obsessed with Fata Morgana – mirages of ships or castles that sometimes appear over the ocean. She’s been living on her own since a painful breakup in university.
But her solitude is broken when a boy is left at her door. 
Frank (Lucas Bond) is an evacuee, the child of an unnamed airforce pilot and a government bureaucrat sent to the town to escape the Blitz. He’s a sociable boy who likes playing and asking questions. It’s hate at first sight. She rejects him categorically, but is forced to take care of him for a week, until they find somewhere else to place him. Can Alice and Frank somehow learn to get along?
Summerland is an elegantly constructed and touching film about people forced to live together in extreme times. The main storyline alternates with flashbacks to Alice’s passionate love affair with a woman (Gugu Mbatha-Raw: Free State of Jones) that left her with a broken heart. It also looks at Frank’s growing friendship at school with a free-spirited girl (Dixie Egerickx: The Secret Garden) who lives with her grandmother in the town. The backstories of all these characters are gradually revealed, 
along with a few unexpected, exciting twists. There have been so many movies about life in WWII that references here can be reduced to quick tropes – a toy airplane, a burning building – without seeming clichéd. The acting is good, the characters endearing, and the beautiful scenery and wardrobe make it a pleasure to watch. I cried at least twice over the course of the movie.
So if you’re looking for a romantic historical drama, artfully told, this is one for you.
Summerland and Stage Mother both open today digitally and VOD.
This is Daniel Garber at the Movies each Friday morning on CIUT 89.5 FM and on my website culturalmining.com.
Daniel Garber talks with Scott Jones and Laura Marie Wayne about their new doc Love, Scott
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Photos by Jeff Harris.
Scott Jones is a young musician just back in Canada after a stint abroad. He’s giving music lessons in a small town in Nova Scotia, when something terrible happens. He’s brutally attacked by a stranger and left
to die. But he doesn’t die. He comes back with a new mission: to use music to tell Canadians about the reallife consequences of homophobia. Despite his disability, he conducts a full choir to tell his story and spread his love.
And he’s the subject of a new, deeply personal 
documentary made by a close friend he met in music school. It’s a story of hatred and loss that leads to love and rebirth. The NFB documentary is called Love, Scott.
It’s director Laura Marie Wayne’s first film.
I spoke with Scott and Laura at CIUT 89.5 FM during Hot Docs.
Lions and Lambs. Films reviewed: Handsome Devil, Before I Fall, Bitter Harvest, Table 19
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
March came in like a lamb, followed by a pride of lions, roaring at the gate. I’m talking about the spring film festival season, which is on now with films from Ireland and more.
This week I’m looking at movies with lions and lambs: a few comedies plus one tragedy. There’s friendship in Ireland, tragedy in Ukraine, fantasy in the northwest and a wedding in the midwest.
Handsome Devil
Wri/Dir: John Butler
Ned (Fionn O’Shea) is a skinny redhead at a boy’s boarding school in Ireland. He likes reading and indie music, and dresses in hip rocker gear. Popular kid, right? Wrong. He’s bullied, reviled and labeled as gay just because he’s not into rugby. and rugby is the school 
sport.
Enter Conor (Nicholas Galitzine) his new roommate. Conor was kicked out of his last school for fighting. Is he an outcast? Just the opposite. He’s handsome, athletic and on the pitch he’s both nimble and brutal. He quickly becomes the king of rugby, a 
veritable idol at his new school. He’s even nice to Ned, and stops the bullies — especially one called Weasel — from beating him up. Has Ned found a friend?
Things get even better when a new English teacher, Mr Sherry (Andrew Scott) encourages the kids to broaden their interests beyond just rugger, to include music and literature. But that’s sacrilege, and the coach won’t have it. He decides to break up Ned and Conor’s friendship whatever it takes.
Handsome devil is a funny and moving coming-of-age story about an unexpected friendship. I like this one.
Before I Fall
Dir: Ry Russo-Young
It’s a big day for Sam (Zoey Deutch), a teenaged girl in the Pacific northwest. It’s Valentine’s day and she’s going to have sex with her boyfriend for the first time. Her dad and mom (Jennifer Beals), and her cute little sister who likes origami, are all nice but they just don’t get it. It’s her posse, her three best friends, that she shares everything with: Ally – rich but insecure; Elody – sexually 
audacious; and Lindsay (Halston Sage). She’s the alpha dog, the honey badger: she always keeps her cool; just don’t get on her bad side.
Her school has special traditions for Cupid Day. All the girls (except the class lesbian) receive messages from their admirers. While the teacher drones on about the myth of Sisyphus, Sam gets baskets of roses delivered to her desk… including one 
from Kent (Logan Miller), a geeky poet in her class that she ignores. In the café, the four friends relentlessly mock Juliet Sykes (Elena Kampouris) a blonde woman with frizzy hair. She’s the school pariah… are Sam and her friends bullies? That night at the party, things spiral out if control, with a breakup, a drunken fight and a terrible car crash.
But the next morning it’s a new day and everything’s back to normal. Until Sam realizes… it’s the same day as yesterday! Her little sister’s origami, the rose from Kent, Juliet in the cafeteria, and the fight at the party. Like Sysiphus, she’s caught in a cosmic, karmic loop, and she can’t escape. No 
matter what she tries to change, she still wakes up each morning on Valentine’s Day. Can Sam right all her wrongs in a single day, or will she be stuck to repeat them forever?
Before I Fall, is a fantasy set in the present day. There have been others about people caught in a repeating loop – Groundhog Day, Edge of Tomorrow, Source Code – but this is the first I’ve seen from a female point of view. Like the Twilight series, it’s set in the Pacific North West but without its unbearable soppiness. This is a good YA movie.
Bitter Harvest
Dir: George Mendeluk
It’s the 1930s in a small village in Ukraine. Yuri (Max Irons) is a young farmer who is also a skilled artist. He’s the grandson of a great swordsman named Ivan (Terrence Stamp), and is in love with his childhood sweetheart Natalka (Samantha Barks). They paint, frolic in the woods and attend church regularly. All is going well until the Russian Bolsheviks come to town, led by a man with a scar across his cheek. Sinister 
Sergei (Tamer Hassan) is dressed in black leather from head to toe and carries a whip. Sign this paper, he orders, and collectivize those farms! Your farm, your wheat, even you belong to the state now! The people refuse and chase Sergei out of the village. But he will return.
After hiding the treasured town icon of St Yuri, his namesake sets off to Kiev carrying his grandfathers prized knife. In the city, he studies art and spends time with his best friend, Mykola. Mykola also happens to be the head of the Ukrainian Communist 
Party, uniting Ukrainian nationalism with socialism. But he doesn’t realize that in Moscow, Stalin has other plans at work. Stalin despises Ukrainians and vows to kill them all. Party members are purged, Yuri is sent to prison, and Stalin, with evil subordinates like Sergei, send all the wheat to Mother Russia, leaving Ukraine with a terrible 
famine killing millions. A Bitter Harvest indeed.
Bitter Harvest is the story of a Ukraine village during the Holodomor, the horrible famine that killed millions of Ukrainians in the 1930s. It’s an important part of history, rarely portrayed, that deserves to be shown on the big screen. This movie, unfortunately, doesn’t quite cut it. While it includes authentic-looking Ukrainian costumes, locations and folklore, the rollicking story is just not told very well. The movie is clunky and Kludgy, unintentionally campy and melodramatic, and full of comic-book villains. It lacks the gravity it deserves. Bitter Harvest isn’t bitter enough.
Table 19
Dir: Jeffrey Blitz
Eloise (Anna Kendrick) is a grudging guest at her best friend’s wedding party at a lakeside hotel in Michigan. Grudging because her boyfriend Teddy – the bride’s brother – dumped her. Blonde, bearded Teddy (played by Wyatt Russell, looking like a younger and dumber Owen Wilson), is best man but Eloise has been demoted from maid of honour at the centre table to the dreaded table 19.
Table 19 is a veritable land of Lost Toys, the cast offs of the wedding party. Bina and Jerry (Lisa Kudrow, Craig Robinson) a bickering middle aged couple; Rezno (Tony Revolori) a socially-awkward adolescent; elderly Jo (June Squibb), the bride’s childhood nanny; and gangly ex-con 
Walter (Stephen Merchant). Eloise is mortified by her table mates and just plain depressed. But things start to look up when a suave and handsome stranger, named Huck, arrives. They dance and kiss before disappearing into the mist like a male Cinderella. But when jealous Teddy confronts her, mayhem ensues, resulting in a ruined wedding cake. The Table 19ers, retreat to their hotel rooms to clean up, and their they learn that they’re a lot more fun than they expected. Together they vow to find love for Eloise, a first date for Rezno, a reunion between Jo the Nanny and the bride, and more.
Table 19 is a gentle social comedy that shows that, once you get to know them, even outcasts are real human beings with foibles of their own. The script is co-written by the Duplass brothers, known for their indie movies about quirky oddballs. It’s tame for a comedy, with a few too many pratfalls, but it’s also touching, with a cute, romantic ending. Hendricks is terrific as Eloise, and the rest of Table 19 all keep their characters from falling into dumb stereotypes.
Table 19, Before I Fall, and Bitter Harvest all start today in Toronto; check your local listings. And Handsome Devil is playing this weekend at Toronto Irish film fest. Go to toirishfilmfest.com for info.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com
Black History. Films reviewed: A United Kingdom, I Am Not Your Negro
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
It’s Black History Month, so I’m looking at some historical movies that fit the profile. There’s a British drama about forbidden love and a united kingdom, and a French documentary about a writer’s look at African Americans in the divided United States.
A United Kingdom
Dir: Amma Asante
It’s London in the 1950s. Ruth (Rosamund Pike) is an attractive, professional woman who lives with her parents. One night she meets a handsome student from Oxford at a dance. After a few dates he reveals he’s a prince, destined to become the king of a far off country called Bechuanaland. They fall in love, decide to marry, and move there… it’s like a fairy tale. But they face one problem. Seretse Khama (David Oyelowo) is black, and Ruth is white. This doesn’t 
matter much to them, but it does to the people around them.
Ruth’s parents are dead set against it, and as a mixed race couple they face abuse and even violence from strangers on the streets of London. In Bechuanaland, a British protectorate in Southern Africa, Seretse also faces trouble. He’s going against tradition by not choosing a wife from his own tribe. His uncle, the current Regent, objects strongly. And then there’s Sir Alistair Canning (Jack Davenport), a highly-placed diplomat in the foreign service. He’s condescending, snotty, racist and sexist – he 
assumes Ruth works in a typing pool (because she’s a woman) when she’s actually an underwriter at Lloyds of London. And he has ulterior motives.
Bechuanaland (now Botswana) is a British protectorate completely surrounded by Rhodesia (Zimbabwe), South Africa and South-West Africa (Namibia). Since 1948, South Africa has been under apartheid rules which make it illegal for whites and blacks to marry. For the king of Bechuanaland to openly flout these racist laws might undermine South 
Africa’s legitimacy. South Africa is a commonwealth member and the region is a huge source of mineral wealth for multinationals. Under current laws, Seretse and Ruth are not legally permitted to share a drink in a restaurant… in the land he’s supposed to rule!
Politics is strange. Seretse is forced into exile, while Ruth – and their new baby – remain in Africa. Can Ruth and Seretse win the trust of their countrymen? Can they win the sympathy of the British public? Can they bring justice and prosperity to a remote arid country? And can love hold a separated family together?
A United Kingdom is a historical drama, with equal helpings of romance and British parliamentary politics. It’s based on a true story I knew nothing about. Although it ends abruptly, it has a surprisingly fascinating story. I liked this movie.
I Am Not Your Negro
Dir: Raoul Peck (Written by James Baldwin)
James Baldwin was an African American writer, the author of Notes of a Native Son, and novels like Giovanni’s Room. Born in Harlem he took part in the civil rights movement of the 50s and 60s. But because of the racism and potential violence he faced in America he left for Paris where he spent most of his life. He joined the expat community there, including Nina Simone and Josephine Baker. He wanted to be known not as a black writer, not as a gay writer, but 
as a writer.
This film follows Baldwin’s writings on three important figures in the struggle for civil rights: Medgar Evers, Malcolm X, and Martin Luther King, Jr.,
They represented, respectively, the NAACP, Black Muslims, and the Southern Christian Leadership Conference. All three were spied on and harassed by the FBI and labeled “dangerous”, and all three were assassinated before the age of 40.
Courtesy of the Mississippi Department of Archives and History.
Baldwin looks back at their stories and his encounters with them, but also sets himself apart. He’s not a Muslim, not a Christian, not a member of the NAACP or the Black Panther Party.
The title, I Am Not Your Negro, is Baldwin’s central point. The story of the Negro in America, he says, is the story of America, and it’s not a pretty story. It’s a history of violence and racism.There is no difference between the North and South, Baldwin says, just the way you castrate us. He covers slavery, lynching, segregation, and incarceration. And the film neatly connects the slaying of Medgar Evers by a white supremacist with current racist murders, like the deaths of Tamir Rice and Trayvon Martin
Samuel L Jackson’s narration of Baldwin’s prophetic words alternates with Baldwin’s own voice: on the Dick Cavett show and at the Cambridge Debates. Baldwin – and director Peck — tells his story with a barrage of Hollywood images. From the pink-scrubbed face of a dancing Doris Day, to John Wayne’s 
confidence in killing native Americans. Baldwin recalls his childhood shock at a John Wayne Western when he realized he’s not the “cowboy”, he’s the “Indian”.
I Am Not Your Negro is about the fear and violence faced by African Americans. It’s a terrific documentary, a cinematic essay told through the masterful use of period still images. These are not the photos and clips you’re used to but jaw-dropping, newfound pictures. There’s lush nighttime footage and a fantastic juxtapositions of words and images. (The film reminds me of the work Adam Curtis.) It’s nominated for an Oscar for best documentary.
A United Kingdom and I Am Not Your Negro both start today in Toronto; check your local listings. Also opening this weekend: if you’re a cat person, there’s Kedi, about the street cats of Istanbul; or if you’re a zombie or a zombie-lover, there’s the wonderful horror movie The Girl with all the Gifts (read the review here).
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com
Village People. Films reviewed: Mapplethorpe: Look at the Pictures, Silence, 20th Century Women
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Everyone lives in a neighbourhood, whether it’s a city or a small town. This week I’m looking at movies about village people. There’s a photographer in the East Village, a priest in a Japanese village, and a woman who believes it takes a village.
Mapplethorpe: Look at the Pictures
Dir: Fenton Bailey, Randy Barbato
Robert Mapplethorpe was a major 20th century artist who rose to fame just as four major changes were taking place: the gay liberation movement, the Aids crisis, the socially conservative backlash under Ronald Reagan, and the sudden rise in value of contemporary art and photography. Born in Queens NY he went to Pratt art college and moved in with 
underground poet and musician Patti Smith. He smoked acid and boiled a dead monkey. Mapplethorpe fell in with the jet-set of the ultra-rich in Mustique, in the Caribbean, creating a demand for his black and white photos. And his second life was spent in a legendary S&M gay bar called the Mineshaft in the meatpacking district. Likewise, he divided his work 
into three categories: X, Y and Z. Explicit gay S&M imagery (X); flowers (Y); and nude portraits of African-American men, focusing on their genitals (Z). He died of Aids in the late 80s at the height of his career, just as conservative Jesse Helms blocked his art from a Washington museum, plus a court case labelling his art as obscene.
This documentary covers his life and career, and most of all reveals his work. It’s a great introduction to his art and its history, but I was bothered by its stance: venerate the art – as significant and valuable; but denigrate the artist – as vain, selfish, ambitious and petty.
Silence
Dir: Martin Scorsese (based on Endo Shusaku’s novel)
Rodrigues and Garrpe (Andrew Garfiield and Adam Driver) are Jesuit priests in 17th century Portugal. The Jesuit mission to convert the Japanese under Frances Xavier has failed: the Tokugawa government banned Christianity, and closed off the country to all outside contact. Japanese Christians have reverted back to Buddhists or else practice their religion underground. Worst of all, their mentor, Father Ferreira (Liam Neeson) is missing. So they sneak into Japan with the help of a shady fisherman named Kichijiro (Kubozuka Yousuke). Once there to their surprise, they discover hidden Christians everywhere, who call them Padre and rush to confess. But behind the scenes lurks the grand inquisitor Inoue (Ogata Issei), a samurai whose sole job is to flush out hidden Christians, and convert them to Buddhism. When he finally meets 
Rodrigues the two embark on an extended religious debate. Who will triumph? The Christlike Rodrigues or the cunning Inoue?
Silence is a beautiful looking movie. For Rodrigues, Japan is witnessed mainly through cracks in wooden walls, either hiding from the authorities or imprisoned by them. The islands are lush and green shrouded in a mist that surrounds the padres and their followers. But 
once the action shifts to a battle of minds on government land, it becomes sharp and austere.
The original novel is by Shusaku Endo, a Catholic Japanese novelist (a rare thing). Andrew Garfield (who plays Rodrigues) is becoming a poster child for Christian philosophy in a Japanese setting – he’s also starring in Hacksaw Ridge about a conscientious objector fighting in Okinawa in WWII. Garfield is great, as is the entire Japanese cast, filled with top actors and a surprising number of directors. (You can tell they all want to appear in a Scorsese film). To name just two, Kubozuka is fascinating as the Judas character Kichijiro, and Ogata is amazing as Inoue (he starred in Aleksandr Sokurov’s masterpiece The Sun). Silence is a long and intense movie, filled with philosophical debate, and punctuated by disturbing death and torture. This is not an easy movie to take in but it’s well worth seeing.
20th Century Women
Wri/Dir: Mike Mills
It’s 1979. Dorothea (Annette Bening) is a single mom in small town California who works as a designer in a canning factory. She’s a 20th century woman who wears Birkenstocks and smokes menthol cigarettes. She was the first female pilot in the Air Force in WWII. Now she lives in a big house with her son Jamie (Lucas Jade Zumann). Jamie is 15, rides a skateboard and just hangs out. But when he nearly dies after a silly game, Dorothea realizes they aren’t connecting anymore. So she asks for help from the younger women in her life. Julie (Elle Fanning) is Jamie’s childhood crush. She likes riding her bike and 
attending her mom’s psychotherapy encounters. She’s exploring sex and will sleep with any guy she likes…except Jamie. Well she’ll sleep with him and share his bed, just no sex. Abbie (Greta Gerwig) rents a room in their house, recovering from cervical cancer. She’s a punk 
photographer who dyes her hair red. She introduces Jamie to feminism with a copy of Our Bodies Ourselves. He gets in his first fist fight at school in an argument about clitoral orgasm. And then there’s William (Billy Crudup) a hippy handyman drifter who repairs the house in lieu of rent. Mom is loving and giving and wants to share it all with Jamie and the rest, but fears the effects of feminism, and the sexual revolution on his development as a man. And Jamie? He just wants to live life and make sense of it all.
Twentieth Century Women is a funny and fascinating ensemble piece. It’s narrated by an omniscient version of Dorothea in some future incarnation. There are a few jarring anachronisms: would a 15 year old in 1979 receiving a gift of recorded music exclaim “It’s a Mixtape!”? But that doesn’t detract from this excellent coming-of-age story within an impromptu family. Great movie.
Silence is now playing, 20th Century Women opens today in Toronto; check your local listings; and Mapplethorpe: Look at the Pictures opens on January 13th, with a special screening at the AGO. This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com
Daniel Garber talks with Tickled director David Farrier at #HotDocs
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
David Farrier is a New Zealand TV journalist who specializes in odd and off-beat stories. So when he sees an ad online looking for athletic young men, aged 18-23, for Competitive Endurance Tickling, he sees a potential story. But when he contacts the company, run by a secretive woman named Jane O’Brien, he gets a surprising reaction: a series of abusive and 
threatening email.
Followed by three men flown all the way to New Zealand from LA, threatening a lawsuit if he doesn’t drop the story. Just for investigating some guys being tickled.
Tickled is also the name of a fascinating and disturbing new documentary about hidden identities, vast conspiracies, and cyber bullying. All surrounding a phenomenon – professional tickling — largely unknown to the general public. It’s co-directed by actor, journalist and crypto-zoologist David Farrier who’s also the film’s narrator and subject.
I spoke to David at Dublin Calling in Toronto at Hot Docs earlier this spring. Tickled opens today in Toronto.
Photos by Jeff Harris
Daniel Garber talks with actors Kerwin Johnson, Jr and Curtiss Cook, Jr and director Jay Dockendorf about their new film Naz & Maalik
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Naz and Maalik are African-American teenagers living in Bed-Stuy, Brooklyn. They sell lottery tickets and Catholic Saint cards on the street to earn extra cash. Normal kids, they chat about religion, morality and what it’s like to be young, gifted and black. They’re both Muslim, but Naz is more devout. And they have a secret they keep on the down low. They’re lovers. But when an FBI agent begins to follow them, thinking they’re radicalized, they don’t know which is the biggest
threat: Arrested as a Muslim? Shot by the police as a black man? Or coming out as gay to their families?
Naz & Maalik is also the name of a new film, just released on DVD and VOD. It stars two charismatic young actors in their first feature roles: Kerwin Johnson Jr. as Naz, and Curtiss Cook Jr., as Maalik. It’s written and directed by filmmaker Jay Dockendorf. They’re winning prizes for this touching and realistic story of triply-marginalized youth. I spoke with Kerwin, Curtiss and Jay in Brooklyn by telephone from CIUT 89.5 FM.
Canada’s Top Ten. Closet Monster, Guibord s’en va-t-en guerre
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
It’s New Year’s Day, a good time to look back over the past year. Canada’s Top Ten — running at the TIFF Bell Lightbox from January 8th to 17th — offers a selection of ten movies over ten days for ten bucks a pop. So this week, I’m looking at two of those movies: a coming of age drama from Newfoundland about a gay teenager yearning to spread his wings and fly; and a comedy from Quebec about a newly-empowered politician who dreads leaving the ground. And afterwards, I’ll give you my favourite films of the 2015.
Closet Monster
Wri/Dir: Stephen Dunn
Oscar is a little boy in Newfoundland, whose head is filled with strange voices and nightmares during the day, and his bed is full of scary nightmares at night. He depends on his story-telling dad Peter (Aaron Abrams) to banish the bad thoughts. But two things happen. First, on the same day he discovers he’s gay, he witnesses a terrible incident in a cemetery near his school. A kid is beaten up, impaled, and left to die. But Oscar’s obsession with the TV show Buffy the Vampire Slayer leads him to internalize the violence and permanently tie it to his newly discovered sexuality. Now gay means dealing with 
supernatural monsters and death and vampires, so he banishes it all to a metaphoric; closet. Around the same time, his parents begin to fight. His mom moves out leaving the boy with his dad… who is losing it. Now Oscar only has his talking hamster Buffy (Isabella Rosselini) to turn to for advice.
Flash forward a few years. Oscar (Connor Jessup, Blackbird) is in high school now and getting ready for University. where he wants to study movie make-up design. He spends most of his time in his secret Buffy-verse, a world of monsters he has created inside his backyard treehouse. It’s a place where people grow horns, he practices his make-up, and a place where he hangs out with a sort-of girlfriend named Gemma (Sofia Banzhaf). But he really has his eyes on Wilder (Aliocha Schneider) a guy he 
works with at a big box store. But as things start to go wrong and his life begins to unravel he realizes now’s the time to make the big decisions in his life. This culminates in a big costume and makeup party.
Can Oscar escape his very real inner demons, embrace his sexuality, come out to his neglectful mother and homophobic father, find live at work and pursue his dreams of creating monsters for the movies?
I liked this movie. It’s wonderfully imaginative with leaps of faith and new things all around. Even so, the script and the acting is uneven, ranging from the superb to moments of dialogue so jaw-droppingly wooden you wish they had never made it to the screen. Still, this first-time director’s look at sexuality shown through a supernatural lens — played out in a Newfoundland setting — offers an unusual take on an old story.
Guibord s’en va-t-en guerre (My Internship in Canada)
Wri/Dir: Phillippe Felardeau
Souverain Pascal (Irdens Exantus) is a highly-educated young man from Port au Prince, Haiti. He is well-versed in the writings of Rousseau and de Tocqueville, but wants to experience real democracy first hand. So he arrives in northern Quebec, at an office above a lingerie store, to start his internship. MP Steve Guibord (Patrick Huard) is a former hockey player who cares little about politics science. He’s also an independent, free from party 
politics. He divides his time cutting ribbons, listening to local complaints, and mediating disputes between Algonquin First Nations and the small town miners and lumberjacks who get in their way. And he drives everywhere he goes because of a pathological fear of flying.
He lives with his conservative wife Suzanne (Suzanne Clément) who owns a nursery. and his neglected lefty daughter Lune (Clémence Dufresne-Deslières) who wants to move to Denmark. And Souverain fits right in, passing on sage political advice to the 
hapless Steve.
Meanwhile, the Conservative Party, which holds a slight majority, decides it wants to go to war in the Middle East, while the opposition parties want to stay away. Everything is going smoothly until Steve suddenly finds himself at the centre of things when a Conservative backbencher is rushed to hospital, and 
won’t be well in time for the vote. Souverain, meanwhile is observing everything, and secretly skyping back to large crowds in Port au Prince. And, through his his Machiavellian manoeuvres and machinations, he steers Steve on the path of direct democracy. He sets up local meetings so the people can decide whether or not to go to war. His wife is adamantly in favour, and his daughter steadfastly opposed. But as his story gains national attention, the competing parties zoom in to try to win him over. Can Souverain help Steve solve this Cornellian dilemma without alienating either his wife or his daughter? And can democracy flourish in northern Quebec?
Guibord s’en va-t-en guerre is a genuinely funny look at Canadian politics, one of the first movies like this I’ve ever seen. Acting is great all around, and the story has lots of surprises, including a quintessentially Canadian journey to Ottawa. Great fun.
And finally, here are some movies I really liked in 2015: (coming soon!)
Closet Monster and Guibord s’en va-t-en guerre (also known as My Internship in Canada) are playing as part of Canada’s Top Ten. Go to tiff.net for details.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com
Daniel Garber talks with filmmaker Adam Garnet Jones about Fire Song having its World Premier at #TIFF15
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Shane lives on an isolated First Nations reserve in northwestern Ontario. He’s polite, smart, good-looking, hardworking and respectful – everything a teenage boy 
should be. He even has a pretty girlfriend, Tara. Shane’s moving to Toronto in the fall to start his first year at University. Everything seems perfect… but it’s not. His mother has been severely depressed since his sister’s suicide. And his family has money 
problems: they’re deeply in debt. Can he even afford to move to Toronto? And then there’s his relationship with another boy named David that he keeps on the down low. Sometimes Shane wishes it would all just go away.
I’m talking about Fire Song, a new film having its world premier at TIFF, the Toronto International Film Festival. The powerful drama is written and directed by filmmaker Adam Garnet Jones, and this is his debut feature. I spoke to him at
CIUT. Adam talked about his background, hopelessness, suicide, coming out, the lives of gay youth in an isolated community, Native Child and Family Services, two-spirited people, traditional ideas, Christianity, life on a reserve vs. life in a city, talking circles, healing, his future work… and more!
UPDATE: Adam Garnet Jones’ Fire Song is the winner of imagineNATIVE’s 2015 Air Canada Audience Choice Award.
Ordinary People. Movies Reviewed: Survivor, Big Muddy, Fourth Man Out
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Where is cinema going? I went to the Parkdale Film Festival — it features short documentaries, dramas and animation. So what’s special about it? The films were all made by high school students. This means independent, ordinary people — with access to the technology — can make real movies.
This week, I’m looking at ordinary people and where they’re going. There’s a small town mechanic coming out, a single mom in Saskatchewan hiding out, and a passport clerk in London heading out… to catch the bad guys.
Survivor
Dir: James McTeigue
The smart and beautiful Kate Abbot (Milla Jovovich) likes her job at the US embassy in London where she handles passport and visas. She a rising star who speaks a half dozen languages and has extensive training in intelligence. So when her boss Sam (Dylan McDermott) says they should be on the lookout for potential terrorists, she takes it very seriously. She and her coworkers start scrutinizing passports, and she flags a suspicious-looking Romanian scientist. Maybe he has access to Weapons of Mass Destruction! Good work says the Ambassador (Angela Bassett). But Kate is dressed down by a high-ranked UK agent Paul (James D’Arcy). He tells her to stop all her meddling – the man she flagged is associated with higher-ups. Those snooty Englishmen – why are they always stopping freedom-loving Americans from doing what they have to do?
Kate is sure there’s a secret cabal of terrorists dying to set foot in America so they can kill everybody. Only she – and her coworkers — can stop them from getting those coveted visas.
But when disaster strikes London, she’s left alone. Worse than that, she’s caught holding a smoking gun beside a dying man! Now everyone thinks she’s the terrorist not the hero. Says the ambassador, shoot her now before more people die. Only a few people still believe in her. And when she sees an expert hitman known only as The Watchmaker (Pierce Brosnan) setting off a bomb, he makes it his personal goal to see her dead, since she’s the only one who knows what he looks like. But can she stop the terrorists before they blow up America?
Survivor is a fun, fast-moving action/thriller with a great star. It’s also ridiculous, ludicrous, unbelievable and politically out to lunch view of terrorism. It’s full of plot holes: when she’s caught on celphones at the scene of a crime by a dozen onlookers, her image goes viral. But when the real killer shows up mere seconds later and steals an ID from the victim – the cameras have all been turned off, and his identity is kept secret. And when Kate is on the run, she doesn’t even bother wearing dark glasses or a baseball cap, she just forges on ahead, . One part of my brain says Nooo… I can’t take any more of this deeply stupid movie! But the other part says duh… I like stupid movies.
Big Muddy
Wri/Dir: Jefferson Moneo
Martha (Nadia Litz) is a single mother in modern-day, rural Saskatchewan. She’s had a few men in her past and, boy, she sure knows how to pick ’em. One’s a very sketchy horse trader Buford (James Le
Gros) who’s made it big, the other a sweetheart (David La Haye) who ran afoul with the law. Now she’s going three for the win, a real lowlife named Tommy (Rossif Sutherland). The two of them make a living as a hold-up team. Her innocent teenaged son Andy (Justin Kelly) 
is the only good things she’s managed to hold on to.
Then some things happen. A man escapes from a Qu’Appelle Valley prison, and shoots a cop. Then Buford shows up at the racetrack, Andy gets hold of a gun, and Boom! everything falls apart. Mom and boy hightail it out to Big Muddy in the 
badlands, the desolate home she thought she was finally through with. But outsiders and former locals are all converging on the same spot. Can Martha survive this mess and will Andy discover his unknown past and who is his real father?
This movie has a good cast and an interesting plot. My only problem is with the pacing. Is it a crime drama or a family story? Whenever the tension is building, the danger spiraling, the movie is heading for a big showdown… it weirdly segues back into a slow-moving family drama, destroying the excitement. Even so, Big Muddy is a rare thing: a genuine Canadian western, complete with outlaws, horses, sheriffs, blackhats, shootouts and hideaways.
Fourth Man Out
Dir: Andrew Nackman
Adam (Evan Todd) is a small-town auto mechanic in his twenties. He likes beer, steak and sports, and can take an engine apart (and put it back together again) with his own two hands. He’s a man’s man. After work he spends time with his three best buds, handsome Chris, goofy Ortu and hipster-ish Nick (Parker Young, Jon Gabrus, Chord Overstreet). They usually sit in a basement watching TV, smoking pot or going out for a drink. But when they go to pick-up bars, why is it that Adam always ends up the wingman for Chris’s attempts to meet women? The answer is simple but unexpected. He’s gay and his life-long best friends don’t know it.
So he decides enough is enough, it’s time to spill the beans. They can’t believe him at first (…but he 
eats steak!), but then a strange tone creeps into their friendship. It’s up to the four of them to smooth out the tension and restore the feeling they used to have. Can the four friends find a suitable boyfriend for the inexperienced Adam? Easier said than done. And can they help Chris get together with Tracy (Jennifer Damiano) a real girlfriend, instead of the casual pickups he usually ends with? And will they get it all done in time for the annual 4th of July barbecue?
Fourth Man Out is a cute, gentle buddy-comedy / male rom-com. Nothing too challenging or shocking in this mainstream movie, no gross-outs, no “weird” stuff, just likeable, white, working class guys adjusting to one of them coming out.
Survivor and Muddy Bottom open today, check your local listings; Fourth Man Out premiered at Inside-Out LGBT film fest. The festival continues through Sunday. Go to insideout.ca for times.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com
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