Love and Death. Films reviewed: Riders of Justice, Trigger Point, Undine
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
This week I’m looking at three new movies — two action/thrillers, one from Canada and another from Denmark; and a love story from Germany. There’s death on a commuter train, shoot-outs in a small town, and eternal love… deep underwater.
Wri/Dir: Anders Thomas Jensen
Markus (Mads Mikkelsen) is a hard-ass officer in the Danish army, happily married with a teenaged daughter named Mathilde (Andrea Heick Gadeberg). But his job keeps him apart from his family for months at a time. So when he hears his wife has been killed in a rare commuter train accident, he rushes home. He has to take care of Mathilde now, but summarily refuses all offers of counsellors or psychologists — he doesn’t believe in that mumbo-jumbo. But he clearly has a lot of anger inside — he punches Mathilde’s blue-haired boyfriend, Sirius, in the face the first time he meets him. (He’s been away so long he doesn’t even know she has a boyfriend.)
But their lives are further disrupted by an unexpected knock on the door. Otto (Nikolaj Lie Kaas) is a number-crunching computer nerd. He was on the same train, and says it can’t be a coincidence that a key witness in an upcoming trial of a criminal biker gang — called Riders of Justice — was also killed in that explosion. And the police clearly don’t care. Can we punish them ourselves? Otto enlists his two frenemies: Emmenthaler, an enormous man with a man bun who is also a facial-recognition expert (he has a terrible temper from a lifetime of being bullied); and Lennaert, a hacker without any social skills whatsoever (he’s been in therapy for 25 years.) This motley crew sets up camp inside Markus’s barn to prove the biker gang is to to blame. And Markus, after a lifetime of military training, knows how to fight back. But is their conspiracy theory correct? Can they catch the villains and avenge the deaths? Can one soldier and three untrained, anti-social intellectuals beat a heavily-armed criminal gang? And can Markus ever learn to communicate with his only daughter?
Riders of Justice is a brilliantly funny, satirical look at self-proclaimed vigilantes. It deals with probability, death, and retribution all wrapped up in the language of psychology, technology, sexuality and social networks. It does have a Christmas theme — which is odd to watch in a late-spring movie – but that hardly detracts from the main story. It’s also quite violent, with a lot of blood, pain and death. What’s great about it is all the well-rounded portrayals of disparate, odd-ball characters who learn to live together in a make-shift, highly dysfunctional family.
This is a fantastic movie.
Dir: Brad Turner
Lewis (Barry Pepper) is a nice guy. Ask everyone in the small town where he lives. He found a kitten for Janice (Nazneen Contractor) a waitress at the local diner, and he fixed the electric tea kettle — no charge! — at Irene (Jayne Eastwood) ’s bookstore using just a paper clip. That guy can fix anything, he’s a regular MacGyver! He lives alone on the outskirts of town in a huge wooden farmhouse. But when outsiders with big city ways come to town snooping around, things start to change.
Dwight (Carlo Rota) says he wants to talk with him. Elias (Colm Feore), his former boss, has a job for him to do: track down and free Elias’ kidnapped daughter Monica (Eve Harlow). You see, Lewis used to be a top agent at The Corporation (aka the CIA), but went underground when a mysterious assassin — known only as “Quentin” — started knocking off everyone else on his team. And lots of people think Lewis is the actual killer. Now he has to follow the trail, question the suspects, and uncover the evidence before he becomes Quentin’s next target. But who can be trusted and who’s a turncoat?
Trigger Point is a good, traditional shoot-em-up action movie. It’s an apolitical look at the spy trade, concentrating instead on corruption and greed. Shot in small-town Ontario, it’s full of open fields, greenhouses and some stunning lakeshore landscapes, with lots of famous Canadian faces popping up. And it keeps up the pace. Sadly, it has a weird, unfinished quality to it, as if the final 30 pages of the script blew away, so they decided to end it early. What’s going on? Why did they introduce new characters in the last few minutes? Why don’t they bother capturing the villain? Is this actually just a pilot for an unproduced TV series?
Whatever. If you don’t mind turning off your brain, you’ll enjoy this fast-moving action/thriller.
Wri/Dir: Christian Petzold
Undine (Paula Beer) is a young woman in a Berlin cafe. She’s crushed because her true love Johannes has just revealed he’s married to another woman. She says, if you leave me, I will have to kill you! But their conversation is cut short because her unusual job at the museum across the street starts in five minutes. She works as a guide to an enormous 3-D physical model of the city’s map. When she returns to the cafe after her shift, Johannes is gone. But a strange voice calls to her, from behind a decorative fish tank. It’s Christoph (Franz Rogowski) a boyish and clumsy man. The two collide, breaking the tank, and sending shards of glass and a flood of water on top of the two of them. And as Christoph pulls broken glass from Undine’s body, it’s love at first accident. He works out of town in a scenic lake as an engineer, repairing broken machinery and welding it back together… underwater! Undine follows him to the lake and joins him in scuba gear. They spend all their time together, making love on land and in the water. But, although they share a psychic bond, the elements seem to pull them apart. And when Johannes reappears, Undine’s relationship with Christoph seems to be at risk.
Undine is an incredibly beautiful romance, wonderfully acted and elegantly shot. Like in all of Petzold’s films, while the story seems simple, its characters and ideas are intense. His style is spare. Every scene in the movie — a spilled glass of wine, a glance at a passerby — is there for a reason, essential to the story. Nothing wasted. I don’t want to spoil the plot, but Undine shares her name with a classical figure — a water nymph, from the Greek Myths — and leaves open the suggestion that this Undine is also supernatural. The film plays with the themes of eternal love, destiny, tragedy and life both underwater and on land, sort of an adult mermaid story. Paula Beer and Franz Rogowski also played star-crossed lovers in Petzold’s last movie, Transit, and they ‘re back again sharing the same tension and electricity.
I strongly recommend this amazing love story.
Trigger Point is now playing, Riders of Justice starts today, and don’t miss Undine opening in two weeks.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com
Unsung Heroes at Hot Docs 21! Films reviewed: The Face of Anonymous, It Is Not Over Yet, Mary Two-Axe Earley: I Am Indian Again
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
The 28th edition of Hot Docs — Canada’s International Documentary Festival — has begun, with features and shorts streaming from today until May 9th. It’s online-only this year, but with many live events, Q&As and workshops. As every year, a selection of tickets are offered free to students and Students and Seniors (over 60) with new titles released each day.
I’ve started to watch some the films but first let me tell you about a few that I haven’t seen yet but look good. Wuhan Wuhan, by Toronto’s own Yung Chang, goes to the city where the current pandemic was first discovered. Misha and the Wolves tells the extraordinary story of a young Belgian Holocaust survivor who sought refuge by living among the wolves… but was her story true? Sex, Revolution and Islam looks at the first female imams in Europe and how they’re radically changing their religion’s outlook. And We are as Gods looks at an environmental iconoclast wants to de-extinct animals using DNA… an eco-hero or shades of Jurassic Park? These are just a few of the docs playing at HotDocs.
This week I’m looking at three more docs about unsung heroes. There are Danish nurses changing how we deal with dementia, a hacktivist changing world events, and a Mohawk activist who changed history.
Dir: Gary Lang
It’s the 2000s. The US has invaded Iraq, killing hundreds of thousands and displacing millions, supposedly looking for “weapons of mass destruction” and someone to blame for 9/11, when a video started circulating. It is secretly released by Chelsea Manning and published by Julian Assange at Wikileaks, and it shows footage of a heinous war crime, the gunning down of unarmed journalists in Baghdad by the US military. This leads to a crackdown on the whistleblowers, with corporations like PayPal, Visa and MasterCard trying to choke Wikileaks.
This is when a new group appears in the mainstream media. It’s called Anonymous (previously known for fighting Scientology), and consists of hundreds or thousands of anonymous hackers working in tandem. Together they DDOS (directed denial of service) the corporations and government agencies blocking the truth. And they release scary-looking announcement videos. Their members wear Guy Fawkes masks in public to conceal their faces, and one of their public voices is an unknown person called CommanderX. Later the US government starts a nationwide attack on Anonymous members, arresting many people across the country.
But not Commander X.
The Face of Anonymous gives you this background, but then reveals some things you never knew about. Commander X is living on the streets of Toronto in the 2010s having snuck across the border. He continues to be an active presence, even while he’s sleeping outdoors in a park using his laptop as a pillow. Christopher Doyon. You know why they wore Guy Fawkes masks? Because after V is for Vendetta the masks were sitting on warehouse shelves across the continent at discount prices — so everyone in Anonymous could easily get a hold of one.
This fascinating film follows Commander X, how he travelled from Canada to. Mexico, and where he is now. It reveals he also played a role in the start of the Arab Spring in Tunisia. It also interviews other prominent former Anonymous activists. For me, this is especially interesting because I was talking about We Are Legion: The Story of the Hacktivists a doc that played at Hot Docs a decade ago, without knowing Commander X was here in Toronto at the same time viewing the same movie.
Dir: Louise Detlefsen
It’s a nursing home in rural Denmark. The residents come from a wide variety of backgrounds; one woman is a former social worker and sexologist. Another ran one of the country’s biggest pharmacies. But they share a common trait: they’re all suffering from dementia. What’s unusual about this place, though is its approach. It’s an open-style residence, located near a forest. They keep chickens I’m the yard, and they’re encouraged to take walks and hug trees. People sing songs, tell jokes, and are always treated with respect. One thing not present is medications. In Denmark the average patient is on 10 different meds. Here they react with horror when they see the medical record of a heavily-drugged newcomer, whom they determine doesn’t have Alzheimers at all. They all share meals and celebrations to mark the death of any residentn(when the flag outside flies at half mast, their birthdays, and other major events.
It Is Not Over Yet is a slow-paced but tender look at the final years of some elderly Danes. It’s told in a “fly on the wall” manner — so we get to see the nurses and attendants discussing their cases, their interaction with the residents, and among the elderly themselves; their friendships, loves, and quirks. It’s not so much about dementia or dying as it is about living life to the fullest.
Mary Two-Axe Earley: I Am Indian Again
Dir: Courtney Montour
It’s the 1960s. Mary Two-Axe Earley is a Mohawk woman from Kahnawa:ke who marries a non-indigenous man. She is immediately told that she is no longer an Indian and must leave her home and community. (This rule is part of the Indian Act). She is shocked and flabbergasted but refuses to follow orders. I am Mohawk, I am an Indian, despite what they say, and you can’t take that away from me. She starts up a group, Indian Rights for Indian Women, and takes it to Ottawa to testify before Parliament. The hypocrisy of it all: can you imagine a brother and sister, one considered indigenous, the other not? A woman marrying a non-native man, even if later divorced, lost her Indian status for life. Even after death, she can’t be buried in her ancestral land. (In contrast, a man who marries a non-native keeps his status).
Other women’s groups join in solidarity. Mary Two-Axe struggles for many years until she triumphs, changing the law. And she — and 100,000 others — are finally able to say they are Indians again.
This loving and brilliant short film uses decades-old recordings made by Alanis Obomsawin at the NFB, played publicly now for the first time. It’s illustrated by period footage — historic figures like Pierre Trudeau and Rene Levesque pop up frequently — as well as still photos and new interviews with others involved in the struggle. Mary Two-Axe Earley died in 1996, but her legacy lives on.
This is a hero everyone should know about.
Mary Two-Axe Earley: I am Indian Again, It is Not Over Yet and The Face of Anonymous,…are all playing at Hot Docs now through May. 9th.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com
Northern Europe. Films reviewed: The Good Traitor, Boys from County Hell, About Endlessness
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
I don’t care what they tell you, movies are not the same without the whole movie experience — going out, choosing a movie, standing in line, eating popcorn… and sitting in a large space beside a crowd of strangers laughing, booing or screaming to the same things you are. You can’t get that watching a laptop or a flat screen TV.
Remember TimePlay? That movie trivia game you used to play before the film starts? Well, they’re about to launch a TimePlay app, replicating the movie experience, where you get to compete against other movie buffs in real time (The winner gets Cineplex Scene card points). I tried it out this week in a trial run for media, and it’s goofy but a lot of fun.
This week I’m looking at three very different movies, all from northern Europe; an existential arthouse film, a comedy/ horror, and an existential arthouse film, and an historical drama. There’s a Swedish storyteller, a Celtic vampire, and a Danish diplomat.
Dir: Christina Rosendahl
It’s 1939 in Washington DC, on the brink of WWII. Henrik Kauffmann (Ulrich Thomsen) is the Danish Ambassador, who lives with his brilliant wife Charlotte (Denise Gough) and their two young daughters. It’s a pleasant life, drinking champagne by the swimming pool or mingling at a cocktail party… but beneath the surface, everyone knows Hitler is going to invade Denmark. Should they just let it happen? Or should they do what they can to stop it? The Nazis march in and the Danish government declares nothing bad is happening here. But Henrik and an earnest young Danish lawyer (Mikkel Boe Følsgaard) decide to do something drastic. They declare themselves representatives of the Free Danish Government in exile. And they’re joined by a dozen other Danish Embassies around the world. But can they do for money? And will they get US government support them. (The US stayed out of the war until Pearl Harbour in late 1941).
This is where the real power comes to play. It’s Charlotte, his brilliant wife. Her family has been friends with the Roosevelts since long before she met Henrik. But can she convince FDR to side with her husband? But there’s a twist; Henrik had a fling with Zilla, Charlotte’s vivacious younger sister (Zoë Tapper) a decade earlier in Beijing. And now she’s sure they’re sleeping together again in Washington. Will Charlotte and Henrik’s troubled relationship influence the geopolitical fate of the world?
The Good Traitor is a fascinating WWII drama viewed from afar, within the safe confines of Washington’s diplomatic corps. It gives hints at the importance of diplomacy and politics in world events, and how much of it takes place behind closed doors. And so do their personal relationships. This is a very tame retelling of true events, with no battles, no death, no violence, except for a shocking twist (no spoilers). But I liked it.
Dir: Chris Baugh
Eugene (Jack Rowan) is a youngish guy who lives in a small Irish town called Six Mile Hill. Its main claim to fame is its association with Dracula author Bram Stoker, and an ancient cairn (that’s a pile of stones) on a field. It’s said to be the burial place of a legendary vampire known as the Abhartach. When he’s not cleaning up an old house his mother left him, Eugene is probably hanging at the local pub with his best mates William (Fra Fee) his girl friend Claire (Louisa Harland) and SP (Michael Hough) the bearded maniac. They earn extra bucks as tour guides for gullible tourists. But one night, in the dark, William is brutally slaughtered near the cairn. Is there something to this vampire myth? Things are brought to a head when Eugene’s dad Francie, a hard-ass contractor, hires him to tear down the cairn, to make way for a development plan, damn the possible consequences. But someone, or something, doesn’t like that. Have they gone to far? And is the entire village in danger if the Abhartach returns?
Boys from County Hell is a horror comedy, with an emphasis on the horror, but told in a lighter style. That means lots of blood, in the most disgusting way possible (when a vampire gets close, blood starts to flow spontaneously from the eyes and noses of anyone nearby.) But there are also a lot of over-the-top violence of the dark humour type, and quite a few surprises — there’s a mystery element. This is a very Irish movie, meaning you may have to turn on the subtitles to understand what some of them are saying. I haven’t seen a good vampire movie in quite a while, and this one varies from a lot of the cliches. The cast is appealing and the pace never drags. I quite liked this one, too.
Wri/Dir: Roy Andersson
A middle-aged man and woman are sitting on a park bench on a hillside overlooking a vast grey city. They tell each other interlocking stories, about men or women they saw — either in a dream, in a fantasy or in reality (it’s never made clear) People like an awkward virginal young man staring longingly at a busty hairdresser watering a dying potted palm. Or a man who gets increasingly frustrated by a stranger who ignores him passing by on an outdoor staircase, who he recognizes as someone he had bullied years ago in public school. And a catholic priest having a nervous breakdown because he lost his faith while preparing the communion — with a psychiatrist who refuses to see him because he doesn’t want to miss the bus home. Add to this Hitler in his bunker, a father killing his daughter in an honour killing, prisoners in a Siberia trudging toward a gulag, and an ethereal couple in their nightgowns floating far above a city.
If you’ve ever seen a Roy Andersson movie, you’ll understand that there’s no linear narrative, no main characters, or plot, per se. Rather it’s a series of vignettes that together share a theme. In this one this Ione the theme seems to be about the unrelenting melancholy, frustration and futility, passing from generation to generation. Everything is ordinary, sepia toned and middling in its regularity. People wear plain, dumpy clothes, with average bodies and faces, People rarely speak and the camera hardly moves.
It sounds like I hated this movie, but I actually loved it. About Endlessness avoids prettiness like the plague, and is never twee. And it somehow manages to imbue common, depressing thoughts with an ethereal majesty.
The Good Traitor is now playing in VOD, Boys from County Hell starts streaming today on Shudder, and Beyond Endlessness opens next Friday at the Digital TIFF Bell Lightbox. And Timeplay is now running online every Sunday, Tuesday and Thursday at 8:30 pm ET.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com
Off. Films reviewed: Save Yourselves!, Max Cloud, Another Round
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
This week I’m looking at three indie comedies about characters who find themselves in odd situations. There’s middle aged school teachers going off the wagon, a Brooklyn couple going off-grid, and a teenage girl going off this planet.
Wri/Dir: Alex Huston Fischer, Eleanor Wilson
Su and Jack (Sunita Mani, John Reynolds) are a Brooklyn couple in their early 30s. They love each other but something seems to be missing. It could be because they spend their lives glued to smart phones for texting, social networks and search engines. They can’t answer a simple question without googling it first. So when a friend at a wedding party offers them the use of his grandparents’ cottage in the woods, they decide it’s now or never. They cut the cords and take a week off-grid. That means no schedule, no email, no listicles, and no phone. Their lives will be authentic and spontaneous. So they pack their bags – along with ample arugula and kale – and drive up north, At the cottage they notice new things. Meteors falling from the sky. And have frank conversations. Jack tries to become more manly by chopping wood while Su resists pulling out her phone. It’s difficult but they can manage. Until things start to get strange. Loud bangs n the background. And an auburn pouffe — sort of a fluffy Ottoman – they find in the cottage. Why does it keep moving… by itself. Are they crazy? Or is something going on.
Turns out these adorable tribbles are actually dangerous aliens taking over the world. They devour all ethanol, and send out smelly waves disabling their enemies. Su and Jack don’t know any of this because they’re offline. But they also unknowingly fled chaos in the cities just in time. Can they survive this alien invasion? Or will they just be its latest casualty?
Save Yourselves is a cute, satirical comedy about ineffectual millennials trying to make it in a post-apocalyptic world. It’s funny, goofy and silly. Reynolds does Jack as an insecure dude in a moustache while Mani is an alienated Su who misses her mom. They’re a good comedy duo who play off each other well.
I like this low-budget comedy.
Dir: Martin Owen
It’s Brooklyn in 1990.
Sara is a teenaged girl who loves video games – she’s glued to her TV set 24/7. And it looks like she’s about to reach the top level of her space exploring game where Max Cloud and his sidekicks fight off the bad guys invading his spaceship. But her dad Tony is worried about her — she’s not doing her homework. So he grounds her and takes away the joy stick. But that’s not fair! Sara wishes she could play this game all the time… Little does she know, her wish is someone else’s command, and she is magically transferred into the game itself. Only they’re real people now, not 16-bit game avatars.
There’s the hero, the devilishly-handsome chowderhead Max Cloud (Scott Adkins), the cynical Rexy (Sally Colett) and Jake, the wise-cracking young cook (Elliot James Langridge). And wouldn’t you know it, Sara takes the form of Jake not Max. They’ve crash-landed on the prison planet Heinous, and have to escape before the evil villains, Shee and Revengor, take over. Now it’s real life, not a game. How can Sara escape? Luckily her best friend, Cowboy (Franz Drameh) is in her bedroom holding the controls. If he can win the game, she can get back to the real world. But if not she’s trapped theer forever.
Ok, when I started watching Max Cloud, it felt weird. The game characters spoke larger than life, the sets looked tacky and cheap, and the whole concept felt too over-the-top to be taken seriously. Why are they talking so strangely? Then it hit me.
They’re all British actors, playing cartoonish Americans, using a high camp sensibility. Like a low-budget episode of Peewee’s Playhouse invaded by characters from Mystery Science Theatre 3000. When looked at that way, it’s actually quite cute and funny. The plot is basically non-existant, but the characters are enjoyable, and I really loved the 16-bit style computer animation, especially when used on live human actors in a jerky, 90’s-style Street-fighter battle scene. Very cool.
If you’re into mullets and vintage games you’ll love Max Cloud.
Dir: Thomas Vinterberg
Martin (Mads Miklelsen) is a history teacher at a Copenhagen highschool who feels like something is missing from his life. He used to be funny, handsome and vibrant – he was a ballet dancer doing a PhD for God’s sake! But now, his home life is dull, his job even worse. His wife works nights – he rarely sees her. Somewhere along the way, his get up and go got up and went. Even his students are revolting over his unimpressive classes. What can he do?
One night at a birthday dinner with his three best friends – Tommy the gym coach (Thomas Bo Larsen), Nikolaj the psychology teacher (Magnus Millang) and
Peter who heads the school choir (Lars Ranthe) – propose a scientific experiment to change their lives. Based on the writings of Norwegian psycholgist Finn Skårderud who says humans work best at an alcohol level of 0.05, they decide to maintain that level of drunkenness every day, except for nights and weekends. They carry personal breathalyzers to reach the exact level, and take careful notes of its effect. The initial results? Life is more fun, people laugh more, work seems easier, and their self-confidence is growing. It’s like wearing beer-goggles all the time. On the negative side there’s slurred speech, clumsiness and bad judgement. And when they raise the level to 0.1 things get really interesting. But other people are starting to notice with potentially terrible consequences. Have they taken their experiment too far?
Another Round is a very clever comedy about the good and bad points of alcohol. It’s all done tongue-in-cheek of course – Danish director Thomas Vinterberg loves poking at the bourgeoisie. Obviously, I’m not shouting three cheers for alcoholism, but after decades of Calvinistic Hollywood movies about the evils of hooch, reefer madness, and various other addictions, it’s refreshing to see something from the other side, taking the point of view of the guy with the lampshade on his head, rather than the finger-waving Mrs Grundys. Mads Mikkelsen is superb as a man whose life is reawakened by drinking, including an amazing dance sequence toward the end. This isn’t a light, easy movie – parts will definitely make you squirm – but Another Round is definitely something different, and something that you should see.
You can watch Save Yourselves beginning on Tuesday, while Another Round, and Max Cloud both open today digitally and VOD; check your local listings.
This is Daniel Garber at the Movies each Friday morning on CIUT 89.5 FM and on my website culturalmining.com.
Questioning Authority. Films reviewed: Beans, Quo Vadis Aïda?, Shorta, New Order, Night of the Kings at #TIFF20!
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
The Toronto International Film Festival has come to a close, and to tell you the truth – considering it was touch and go since the pandemic hit – I’m especiallly impressed by the 50 movies that made it into the festival. There’s a particular appropriateness to the movies they chose, films that capture the current feelings of uncertainty, impending doom, and a general mistrust of authority. So this week I’m, looking at five fantastic TIFF films about the current malaise. And so as not to end on too bleak a note, I’m throwing in a nicer story at the end.
There’s a blockade in Quebec genocide in Bosnia, police violence in Denmark, a class war in Mexico… and story-telling in a prison in Cote’d’Ivoire.
Beans
Dir: Tracey Deer
It’s 1990. Beans (Kiawentiio) is an innocent 12-year-old girl who lives in suburban Québec with her Dad, her ambitious mom, and her little sister. She’s into stuffed animals and hair ribbons – her biggest worry is getting into a posh private school. But when the town of Oka tries to grab Mohawk burial grounds to expand a golf course, protests erupt. Beans and her family leave their cushy life to join the Kanehsatà:ke and Kahnawá:ke community in the increasingly tense stand-off. They are blockaded and local stores refuse to sell them food, and police and military stand by when her family is attacked by racist locals throwing rocks and breaking windows. Beans, meanwhile feels rejected by the local kids as too soft, so she asks April (Paulina Alexis) an older girl to toughen her up. With the crisis raging all around her, Beans starts to change – but is it for the better?
Based on true events, Beans is a marvelous coming-of-age story of a girl learning about heritage, identity and sexuality, as she gradually gains self-confidence in a frightening time.
Quo Vadis, Aïda?
Wri/Dir: Jasmila Žbanic
It’s 1995 in Srebrenica, Bosnia.
The three-year Bosnian civil war is coming to an end, and Aida (Jasna Djuričić) a former high school teacher, is worried. Her former students are fighting on all sides. Ratko Mladić’s soldiers have surrounded the town and the locals have fled to a safety zone run by UN Peace Keepers. Aida is now the official translator, a conduit between the locals, the invaders and the ineffectual, Dutch Blue Helmets. Be calm, they promise, there’s nothing to worry about. But she knows they’re not safe at all. It falls on her shoulders to save them, or at least save her husband and two sons. But can Aida save anyone, even herself?
Quo Vadis, Aida? is a fast, tense and deeply moving depiction of the fear, confusion and helplessness of the days leading up to the genocidal Srebrenica Massacre where over eight thousand Bosnians were murdered in cold blood. Though it doesn’t explicitly show the violent acts themselves, it still leaves the viewer drained and shocked by its enormity.
Shorta
Wri/Dir: Frederik Louis Hviid, Anders Ølholm
Tension is mounting in Svalegården, a highrise housing project in Denmark, after police choke a teenager to death. Two cops are called in to keep the peace. Mike Andersen (Jacob Lohmann) is the bad cop – foul-mouthed, corrupt, out of shape and blatantly racist. Jens Høyer (Simon Sears) is the good cop, fit, clean-cut and by the book. They arrest a local teen, Amos (Tarek Zayat) for a minor infraction. Amos was a promising soccer star but has lost hope after being harassed too often by police. But the three of them are forced to work together – or choose sides – when violence erupts leaving them stranded in a dangerous zone, without a car, and no way out. Can Mike and Jens escape, and can Amos get safely home, before something really bad happens?
Shorta is an action/thriller set within a climate of police violence and corruption. Though at first it seems to be full of anti-immigrant stereotypes, it turns expectations on their head in a series of unexpected and shocking plot turns. An intense thriller.
New Order
Wri/Dir: Michel Franco
Marianne (Naian González Norvind) is a woman in a red dress at her own wedding party. They’re waiting for the judge to arrive to start the ceremony, but she’s tied up. Streets are blocked by demonstrators throwing bright green paint at rich people all across Mexico City, though this exclusive neighbourhood remains untouched. Their faithful servant Marta (Mónica Del Carmen) is working hard to make sure everything’s perfect for the wedding. But when Marianne’s family – who are spending lavishly on the wedding – refuse to help a longtime servant pay an emergency medical bill, Marianne is fed up. She says she’ll drive him to the hospital and pay for it herself. So she sets off in a car with Marta’s brother Cristian (Fernando Cuautle). But while she’s away, mayhem breaks loose. Thieves have infiltrated the wedding party and begin killing people. There’s a military coup and the city is under martial law, shooting civilians at random. And when Marianne is “rescued” by soldiers, she is shocked to discover she’s actually their vicim, a captive held for ransom. Can anyone be trusted?
New Order is an extremely violent, dystopian look at class inequality and the deep corruption permeating Mexican society and government. Be warned, this is not an easy movie to watch.
Night of the Kings
Wri/Dir: Philippe Lacôte
It’s a special day in the huge MACA prison in Abidjan, Cote d’Ivoire in west Africa. A red moon is expected to rise that night, and with it a change of prison government. Not the warden or guards but the real leadership within the prison walls. Barbe Noire/Black Beard (Steve Tientcheu) rules them all. But he’s dying and needs to appoint a successor. First a ritual storytelling must take place. He appoints a new arrival (Koné Bakary) a young newbie arrested that day to be Roman, the storyteller. Roman is baffled – why him? He’s dressed in a shining blue shirt, and given a special potion to drink and a wooden box to stand on. He must tell a constant story, one that never ends or he will be killed and the whole prison will collapse into mayhem. So the story begins.
Night of the Kings is a fantastical prison drama that portrays both the amazing people who live there, and the story he tells. People like a beautiful transwoman who’s also a secret assassin, and wise man with a chicken on his shoulder who poses as a half- wit. That’s within MACA.
Then there’s the story Roman tells. He serves as an impromptu griot, passing on an oral history of a slain local gang leader named Zama King and his ancestors stretching way back in time. There are elephants and armies, queens and magical powers, elaborate costumes and hair styles. And as he tells his story, he’s surrounded by a greek chorus who spontaneously sing, dance and pantomime all around him. Night of the Kings is a fantastic drama, and one of the best films at TIFF this year.
Watch out for it.
Night of the Kings, New Order, Shorta, Quo Vadis Aida?, and Beans all screened at TIFF. Go to tiff.net for more information.
This is Daniel Garber at the Movies each Friday morning on CIUT 89.5 FM and on my website culturalmining.com.
Runaways. Films reviewed: Across the Waters, Wonderstruck
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
Film Festival season continues in Toronto. Planet in Focus is an environmental film festival that bring eco heroes – like astronaut Roberta Bondar – to Toronto along with amazing documentaries from around the world. Everything from a grocery co-op in Brooklyn to a plastic recycling plant in Shandong, China to Genetically Modified Organisms, which are, well, everywhere. Go to Planetinfocus.org for more information.
ImagineNative is indigenous films and media arts, including an art crawl around the city, a wall is a screen, and many workshops, breakfasts and events. It has scary movies, westerns, docs, dramas, animation and so much more. Go to imaginenative.org for details.
This week I’m looking at two movies about people running away. One has a boy and a girl running away to New York City to find family. And the other has a father fleeing Copenhagen to save his family.
Dir: Nicolo Donato (Brotherhood)
It’s 1943, in German-occupied Copenhagen. It’s an uneasy peace, but because of an agreement the Germans leave the Danes alone. Arne (David Dencik) is a guitarist in a jazz band. He is passionately in love with his wife Miriam (Danica Curcic) and they spend all their free time having sex. But only after they put their 6 year old son to bed. Jacob (Anton Dalgård Guleryüz) likes listening to Danish poems and playing with his teddy bear. Everything is going fine – no need to worry about the Nazis; this is Denmark, not Poland. Until that knock on the door comes one night – the Germans are coming! Run! Now!
The family is Jewish and the Nazis are there to take them away.
There’s only one way to escape; and that’s by boat to neutral Sweden. But how? They make their way north to a small port called Gilleleje, where they hear the fisherman are helping people across the sea. But when they get there things aren’t as good as they hoped.
One fisherman named Kaj is demanding high fares. But Arne and Miriam are nearly broke. There are way too many refugees in the town to keep them a secret from the Nazis. While some of the locals – the police chief, the pastor – are risking their lives to save fellow Danes, others have questionable motives. Who can be trusted, and who is collaborating? And will the family escape to Sweden?
Across the Waters is a fictional retelling of a true story. The movie is Danish but it was shot in Ireland to give it that period, seaside look. I always like a good WWII drama, and there have been some great Danish films, like Flame and Citron and Land of Mine, that deal with the topic. This one is smaller and more of a family drama than an action thriller, but it does keep the tension and suspense at a high level. (Including a scene reminiscent of Melville’s Army of Shadows.)
Worth seeing.
Wonderstruck
Dir: Todd Haynes
It’s the late 1970s in Gunflint Lake, Minnesota. Ben (Oakes Fegley) is a 12 year old boy who lives with his aunt’s family. He suffers from strange dreams since his mom, a librarian, was killed in a car accident. Some nightmares involve being chased by wolves, but others are stranger still. They tell a continuous story, night after night, and they’re silent, and in black and white — just like an old movie.
These dreams tell a parallel story about Rose (Millicent Simmonds) a 12-year-old girl who lives in her father’s mansion in 1927 like a bird in a gilded cage. He’s a rich, divorced man in Hoboken, New Jersey. Rose’s head is in the stars – she spends most of her days reading title cards at silent movies or collecting photos she cuts from magazines. She’s obsessed with a certain pale-skinned movie actress named Lillian Mayhew (Julianne Moore).
Rose doesn’t go to school. But when she discovers her local theatre is switching to talkies she she knows it’s time for a change. She’s deaf and can only communicate by writing things down or reading words on a screen. So she bobs her hair and takes the ferry into Manhattan where she hopes to find the legendary actress.
Ben, meanwhile, is an orphan. His mom never told him who his birth father was. But looking through her things he finds an old bookmark with a message. It was tucked into a book about a museum collection, and the message was written by someone named Danny who visited their town before he was born. Could this be his dad?
But when he tries to call him up long distance, lightening strikes — literally. The electric shock travels through the phone line, leaving Ben deaf (just like Rose). But he catches a bus to New York City anyway, arriving at the Port Authority carrying just the name of a bookstore and a handful of cash. There he meets another 12-year-old named Jamie (Jaden Michael) who befriends him and says he’ll help him find his (possible) dad.
Jamie gives Ben a place to stay… a storage rooms at the Museum of Natural History (where Jamie’s father works). Will Ben find his dad? And will Rose find the movie star? Can two deaf 12-year-olds survive in a huge city? And what connects the two runaways?
Wonderstruck is a wonderful kids movie about seeking the unknown. It’s full of dreams, coincidences, and flashbacks, too many for it to be a real story. But it works great as a kids’ fantasy. It’s also beautifully made, using amazing animated paper models to tell part of the story. And through ingenious special effects, it incorporates the two main characters into what looks like period footage — of streetlife in New York in the gritty but colourful 70s, and the fuzzy black-and-white 20s.
Just wonderful.
Wonderstruck opens today in Toronto; check your local listings. Across the Waters is playing Sunday afternoon as part of the Chai Tea and Movies programme. Go to tjff.com for details.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.
Unusual relationships. Movies reviewed: Room 213, Your Name, Maudie
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.
April 19th is National Canadian Film Day, which bills itself as the world’s largest film festival. On that day — at theatres around Toronto, and across the country – you can see free screenings of Canadian movies, often with actors or directors in attendance. Comedies, kids’ movies, French, indigenous… and they’re all free. Check it out.
This week I’m looking at movies about unusual relationships. There’s a disabled woman who moves in with a recluse, a ghost who inhabits a young girl, and a teenage boy and girl who inhabit each other’s bodies.
Room 213
Dir: Emilie Lindblom
Elvira (Wilma Lundgrun) is a 12-year-old Danish girl heading to camp for the first time. Camp Bjorkuddens is a lot like a Canadian summer camp: it’s on a lake, they play games, roast weenies on sticks and tell scary stories by the campfire. The big difference is instead of tents or small, bare cabins they stay in a huge, elaborate building filled with dusty antiques. Elvira has two roommates, the blond and snobbish Meja (Ella Fogelström) and the darker, shy Bea (Elena Hovsepyan). And due to a plumbing problem they move to room 213, empty for many years.
That’s when weird things start to happen. The door creaks open in the middle of the night, and treasured items disappear (and the three girls suspect one another). A girl with red hair and bright green eyes named Mebel appears — is she a ghost? And when Elvira’s brown eyes start turning green, is it Mebel taking over?
Room 213 is a scary movie aimed at small children. It’s tame even by YTV standards — no violence at all, no slashers in hockey masks, just general spookiness. And it deals with problems like exclusion, bullying and young love in a multi-ethnic Denmark. But this is definitely a movie for little kids only.
Your Name (君の名は)
Dir: Makoto Shinkai
Taki is a high schooler in central Tokyo. He’s scrawny but quick to fight. He hangs out with his two best friends and has a crush on his sophisticated, female boss at his part-time restaurant job. Mitsuha is a teenaged girl in a remote Japanese village, known for its obscure shinto shrine and little else. She lives with her little sister Yotsuha and her traditional grandmother who knows about the old ways. Things like weaving colourful lanyards, and chewing up glutinous rice, spitting it back into a wooden box so it ferments into sake. Yum! And there’s a celestial comet that passes close to the town every 200 years (that day is approaching soon.)
Taki and Mitsuha are total strangers who live far away from each other. So what’s their connection? Some mornings, Taki is waking up with breasts, and Mitsuha with a penis. Well not exactly; they’re actually waking up inside each other’s bodies. They have to live those days at school, at work and with friends they’ve never met before. It’s not all bad. Mitsuha lands Taki a date with his boss, and Taki gains some insight into shinto rituals. He becomes more mature and she is more assertive. The two manage to communicate with each other using cryptic scrawls they leave in notebooks and diaries recorded on cel phones so they can know what happened during their switch-body days. Until something changes. The body switches suddeny stop and all the notes they left each other fade away. For Taki it’s as if Mitsuha never existed and it was all a dream. But it was real. He can’t remember her name, but he knows it all happened. Using a sketch of her town he drew from memory, he sets out to find her.
Your Name is deeply-moving romantic drama with a touch of the supernatural. It’s a beautifully- drawn, animated film from Japan with neat camera angles and lovely art. It’s also a record-breaking smash hit across East Asia that has finally reached these shores. It’s the only movie playing now to sell-out crowds, with huge lineups inside the theatre before each screening. And I understand why. No spoilers, but there’s a wrenching revelation in the middle that sent shivers down my spine, the sign of a really good story. Anime is a particular genre, and if you’re not familiar with it it might be hard to understand, but if you like anime, this one is a must-see.
Maudie
Dir: Aisling Walsh
Maud (Sally Hawkins) is a disabled woman who lives in post-war Digby, Nova Scotia with her controlling aunt. Every moment of her life is supervised and she’s treated like a simple-minded child. But on a visit to a local shop she finds a way to escape: a hand-written ad for a live in housekeeper. Everett Lewis (Ethan Hawke) wrote the note, though his house is barely a home. He lives in a rundown shack on a small plot of land, earning a meagre living as a fish monger. He’s unmarried, mainly because no woman can put up with his rudeness.
But Maudie can. After dogged persistence, she moves in with him and immediately starts to work. He is peculiar and abusive, but she sticks with it. In her free time she begins to decorate the walls with small paintings of flowers and animals. When her hand-painted postcards sell out at the local general store, she moves on to bigger paintings, selling them for $5 apiece. These catch the eye of a rich woman from N.Y. City who spreads the primitivist paintings among her friends back home. Meanwhile, Maud’s relationship with Everett gradually shifts from
boss/servant to bedmate to wife. But can a reclusive misanthrope handle living with a recognized artist and local celebrity?
Maudie is the true story of a self-taught painter whose works now hang in famous galleries and in the homes of collectors. It’s also an unusual romance about a pair of social outcasts hammering out an unusual relationship on their own. Sally Hawkins is outstanding as Maudie – you really believe she is who she is playing. Hawke, though capable in his portrayal of such an unsympathetic character, pales in comparison to his co-star. This is a good — though very dark — movie.
Your Name is now playing and Maudie opens today in Toronto; check your local listings. Room 213 is one of many films showing at the TIFF Kids Festival – go to tiff.net for details. And canadianfilmday.ca will tell you where to see free films on April 19th.
This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com
leave a comment