Questioning Authority. Films reviewed: Beans, Quo Vadis Aïda?, Shorta, New Order, Night of the Kings at #TIFF20!

Posted in Africa, Bosnia, Canada, Denmark, Indigenous, Mexico, Police, Protest, Quebec, Uncategorized, War by CulturalMining.com on September 18, 2020

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

The Toronto International Film Festival has come to a close, and to tell you the truth – considering it was touch and go since the pandemic hit – I’m especiallly impressed by the 50 movies that made it into the festival. There’s a particular appropriateness to the movies they chose, films that capture the current feelings of uncertainty, impending doom, and a general mistrust of authority. So this week I’m, looking at five fantastic TIFF films about the current malaise. And so as not to end on too bleak a note, I’m throwing in a nicer story at the end.

There’s a blockade in Quebec genocide in Bosnia, police violence in Denmark, a class war in Mexico… and story-telling in a prison in Cote’d’Ivoire.

Beans

Dir: Tracey Deer

 

It’s 1995. Beans (Kiawentiio) is an innocent 12-year-old girl who lives in suburban Québec with her Dad, her ambitious mom, and her little sister. She’s into stuffed animals and hair ribbons – her biggest worry is getting into a posh private school. But when the town of Oka tries to grab Mohawk burial grounds to expand a golf course, protests erupt. Beans and her family leave their cushy life to join the Kanehsatà:ke and Kahnawá:ke community in the increasingly tense stand-off. They are blockaded and local stores refuse to sell them food, and police and military stand by when her family is attacked by racist locals throwing rocks and breaking windows. Beans, meanwhile feels rejected by the local kids as too soft, so she asks April (Paulina Alexis) an older girl to toughen her up. With the crisis raging all around her, Beans starts to change – but is it for the better?

Based on true events, Beans is a marvelous coming-of-age story of a girl learning about heritage, identity and sexuality, as she gradually gains self-confidence in a frightening time.

Quo Vadis, Aïda?

Wri/Dir: Jasmila Žbanic

It’s 1995 in Srebrenica, Bosnia.

The three-year Bosnian civil war is coming to an end, and Aida (Jasna Djuričić) a former high school teacher, is worried. Her former students are fighting on all sides. Ratko Mladić’s soldiers have surrounded the town and the locals have fled to a safety zone run by UN Peace Keepers. Aida is now the official translator, a conduit between the locals, the invaders and the ineffectual, Dutch Blue Helmets. Be calm, they promise, there’s nothing to worry about. But she knows they’re not safe at all. It falls on her shoulders to save them, or at least save her husband and two sons. But can Aida save anyone, even herself?

Quo Vadis, Aida? is a fast, tense and deeply moving depiction of the fear, confusion and helplessness of the days leading up to the genocidal Srebrenica Massacre where over eight thousand Bosnians were murdered in cold blood. Though it doesn’t explicitly show the violent acts themselves, it still leaves the viewer drained and shocked by its enormity.

Shorta

Wri/Dir: Frederik Louis Hviid, Anders Ølholm

Tension is mounting in Svalegården, a highrise housing project in Denmark, after police choke a teenager to death. Two cops are called in to keep the peace. Mike Andersen (Jacob Lohmann) is the bad cop – foul-mouthed, corrupt, out of shape and blatantly racist. Jens Høyer (Simon Sears) is the good cop, fit, clean-cut and by the book. They arrest a local teen, Amos (Tarek Zayat) for a minor infraction. Amos was a promising soccer star but has lost hope after being harassed too often by police. But the three of them are forced to work together – or choose sides – when violence erupts leaving them stranded in a dangerous zone, without a car, and no way out. Can Mike and Jens escape, and can Amos get safely home, before something really bad happens?

Shorta is an action/thriller set within a climate of police violence and corruption. Though at first it seems to be full of anti-immigrant stereotypes, it turns expectations on their head in a series of unexpected and shocking plot turns. An intense thriller.

New Order

Wri/Dir: Michel Franco

Marianne (Naian González Norvind) is a woman in a red dress at her own wedding party. They’re waiting for the judge to arrive to start the ceremony, but she’s tied up. Streets are blocked by demonstrators throwing bright green paint at rich people all across Mexico City, though this exclusive neighbourhood remains untouched. Their faithful servant Marta (Mónica Del Carmen) is working hard to make sure everything’s perfect for the wedding. But when Marianne’s family – who are spending lavishly on the wedding – refuse to help a longtime servant pay an emergency medical bill, Marianne is fed up. She says she’ll drive him to the hospital and pay for it herself. So she sets off in a car with Marta’s brother Cristian (Fernando Cuautle). But while she’s away, mayhem breaks loose. Thieves have infiltrated the wedding party and begin killing people. There’s a military coup and the city is under martial law, shooting civilians at random. And when Marianne is “rescued” by soldiers, she is shocked to discover she’s actually their vicim, a captive held for ransom. Can anyone be trusted?

New Order is an extremely violent, dystopian look at class inequality and the deep corruption permeating Mexican society and government. Be warned, this is not an easy movie to watch.

Night of the Kings

Wri/Dir: Philippe Lacôte

It’s a special day in the huge MACA prison in Abidjan, Cote d’Ivoire in west Africa. A red moon is expected to rise that night, and with it a change of prison government. Not the warden or guards but the real leadership within the prison walls. Barbe Noire/Black Beard (Steve Tientcheu) rules them all. But he’s dying and needs to appoint a successor. First a ritual storytelling must take place. He appoints a new arrival (Koné Bakary) a young newbie arrested that day to be Roman, the storyteller. Roman is baffled – why him? He’s dressed in a shining blue shirt, and given a special potion to drink and a wooden box to stand on. He must tell a constant story, one that never ends or he will be killed and the whole prison will collapse into mayhem. So the story begins.

Night of the Kings is a fantastical prison drama that portrays both the amazing people who live there, and the story he tells. People like a beautiful transwoman who’s also a secret assassin, and wise man with a chicken on his shoulder who poses as a half- wit. That’s within MACA.

Then there’s the story Roman tells. He serves as an impromptu griot, passing on an oral history of a slain local gang leader named Zama King and his ancestors stretching way back in time. There are elephants and armies, queens and magical powers, elaborate costumes and hair styles. And as he tells his story, he’s surrounded by a greek chorus who spontaneously sing, dance and pantomime all around him. Night of the Kings is a fantastic drama, and one of the best films at TIFF this year.

Watch out for it.

Night of the Kings, New Order, Shorta, Quo Vadis Aida?, and Beans all screened at TIFF. Go to tiff.net for more information.

This is Daniel Garber at the Movies each Friday morning on CIUT 89.5 FM and on my website culturalmining.com.

Revision. Films reviewed: The Stone Speakers, Free Trip to Egypt, Once Upon a Time… in Hollywood

Posted in 1960s, Bosnia, Communism, documentary, Egypt, Hippies, Hollywood, Islam, L.A., Movies, War by CulturalMining.com on July 26, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

They say he who pays the piper calls the tune. This week I’m looking at two documentaries and a drama that retell history. There’s a doc about changing American minds in Egypt, another one about rewriting history in Bosnia, and a drama that rewrites the history of Hollywood.

The Stone Speakers

Wri/Dir: Igor Drljaca

It’s present-day Bosnia-Herzogovina. Since the end of the Bosnian war, the formerly multicultural country has been divided ethnically and religiously among Serbs, Croats and Bosniaks. As its factories close down and young people move away cities have turned to tourism for income… in some unusual ways, fiddling with history on the way. The film looks at four Bosnian cities.

In Medjugorje, millions of pilgrims visit a site where six children are said to have seen the Virgin Mary. Tuzla, once known for its ancient salt mines, has opened man-made salt springs lakes where the city had gradually been sinking. Visoko is dominated by a strange hill, once an Ottoman fortress, built over an unknown ancient pyramid. Tourists cluster in its tunnels to absorb its energy, even as Orthodox, Catholic and Muslim leaders all condemn it as heretical. And Višegrad, a crossroads city, once known for its Ottoman stone bridge, is now the site of a cultural centre built by Bosnian Serb director Emir Kusturica in honour of Nobel laureate Ivo Andric’s novel. (A museum about a movie about a book about a bridge…!)

The movie presents these oddball Bosnian towns at face value in a series of carefully composed shots, both portraits and landscapes, as panoramic long takes… almost like still photographs but ones that move. Voiceovers, by discontented residents of the cities, provide arms-length analysis, uncovering the absurdity and revisionist history of these places.

The Stone Speakers is a humorous and hauntingly beautiful look at what has become of the Toronto director’s homeland.

Much simpler is…

Free Trip to Egypt

Dir: Ingrid Serban

Tarek Mounib is a Halifax-born Canadian of Egyptian ancestry, who looks a bit like Jon Stewart. As a university student he was an activist but has mellowed in middle age. But he is dismayed at the explosion of Islamophobia and anti-Arab sentiment in the US today, especially since Trump’s election. So he sets out to remedy this by offering strangers an unusual proposition: free guided trips to Egypt! He recruits these adventurers in unusual places, both online and at Trump’s MAGA rallies.

There’s a policeman, two young evengelicals, a single woman, a war vet and an older couple, each with their own prejudices and expectations. In Egypt they are paired with local singles and families to show them how real Egyptians live, along with their religions, food, music, and culture as well as visiting the more famous tourist sites like the pyramids of Giza.

But can a group of Americans change their dead-set views about Arabs and Muslims?

Free Trip to Egypt is exactly what the title promises. Nothing surprising or unexpected in this film. It actually feels closer to reality TV than to a documentary – but it has a good heart.

Once Upon a Time… in Hollywood

Wri/Dir: Quentin Tarantino

It’s the late 1960s in LA.

Rick Dalton and Cliff Booth are good friends, both on and off screen, but they are not equals. Rick (Leonardo DiCaprio) is a movie star, best known for his TV series Bounty Law. He lives in a beautiful home in the Hollywood Hills, next door to Sharon Tate (Margot Robbie) and Roman Polanski. Cliff (Brad Pitt) is a stuntman, and Rick’s double. He lives in the valley with his dog in a rundown trailer behind a drive-in movie park in Van Nuys.

They’re both pushing forty and things aren’t looking good. Rick has shifted from white hat to black hat, playing the heavy on TV cop shows. A mover and shaker (played by Al Pacino) wants to restart his career, but Rick isn’t sure he can shift from star to actor. Cliff is still limber and seemingly indestructible, but hasn’t worked as a stuntman since he accidentally killed his wife. He has a bad rep, picking fights on set with a young Bruce Lee. Now he’s mainly just Rick’s driver and personal assistant, with too much free time on his hands.

Rick struggles through his latest role – as the villain in a True Grit-type western – and wonders if he has lost his mojo… while Cliff cruises around LA in his sports car, listening to AM radio and flirting with a nubile, hippy hitchhiker named Pussycat (Margaret Qualley). What he doesn’t realize is Pussycat – and her sketchy friends Squeaky (Dakota Fanning) and Tex (Austin Butler) – are members of the not-yet- notorious Charles Manson’s “Family”. And that they’re living on the Spahn ranch, a movie location where Rick and Cliff’s TV show was shot in the 1950s. Meanwhile, with Polanski out of the country, Sharon Tate is enjoying her newfound stardom. But what will happen when the players all meet?

Once Upon a Time… in Hollywood is Tarantino’s latest movie and one of his tamest. It’s an affectionate tribute to the movies of the 60s: its look, it’s stars, it’s pop music. Everything – from car models to movie trailers to neon lights and billboards – is painstakingly recreated, to give you the feel of the era. There are dozens of cameos played by long-forgotten hollywood favourites and former child stars. The story itself – that takes a leisurely two hours and forty minutes to tell – seems less important than the mood.

Tarantino is known for endless scenes that don’t seem to quit… even when they’re supposed to. In past films, it meant extended scenes of torture and endless violence. In this movie it’s more likely a very long, behind-the-scenes reenactment of shooting a movie. He’s one of few directors I can say I saw every one of his movies in theatres when they first came out. Once Upon a Time… in Hollywood while shallow, was very enjoyable: constant eye candy, a terrific soundtrack, and Pitt and DiCaprio are a lot of fun as buddies. And despite the Manson subplot, there is much less gratuitous violence than in most of his movies.

If you like movies about movies, this is the one to see.

The Stone Speakers opens today at the TIFF Bell Lightbox; Once Upon a Time… in Hollywood starts across North America today; and A Free Trip to Egypt starts next Friday (August 2) in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks to IGOR DRLJACA about his new film Krivina

Posted in Art, Bosnia, Canada, Clash of Cultures, Cultural Mining, Drama, Migrants, Refugees, TIFF, Uncategorized, War by CulturalMining.com on January 26, 2013

Hi, this is Daniel Garber at the Movies for
culturalmining.com and CIUT 89.5 FM.

Director_igor_DrljacaWars lead to dislocation, death, displacement. Refugees move to safe havens and leave people and places behind, but they live on in their minds.

A new experimental Canadian film called KRIVINA
looks at all of this, but reworks it into a new examination of art and emotions. It played TIFF, is opening soon at the Rotterdam International Film Festival and is playing now at the ROYAL CINEMA on College St in Toronto.

Krivina looks at traces of war remaining in the psyche of a Bosnian-Canadian named Miro. He lives in Toronto but feels compelled to return to his former land in search of a friend, Dado, from his childhood.

This movie is a stark example of cinema that combines
history with extreme realism, documentary, drama,
and magic realism. And I’m very pleased to have
this film’s director, IGOR DRLJACA here in studio
to tell us some more about his film.

Igor talks about war, remembrance, realism, improvisation, new cinema, Bosnia, Canada, his influences as a director… and more.

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