Big. Films reviewed: The Ballad of Wallis Island, Freaky Tales, The Friend

Posted in 1980s, Animals, comedy, Fantasy, Hiphop, Music, New York City, Punk, Skinhead by CulturalMining.com on April 5, 2025

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Holiday Creep. People have been complaining about it for decades: Christmas lights appearing in September, chocolate Easter Eggs on sale in January… but have you ever heard of ‘Halfway to Halloween’ ? Well that’s what they’re calling a new series of films streaming on Shudder in April, marking six months since the last creepy holiday. I haven’t seen them yet, but some of these look really good. Like the Irish folk-horror FRÉWAKA, and Shadow of God, a Vatican exorcism thriller described as a “cataclysm of biblical proportions”.  

But this week I’m looking at three new movies, two dramadies and one found-footage compilation. There are big egos on a remote island, big crime on the streets of Oakland, and a Great Dane in a tiny New York apartment.

 

The Ballad of Wallis Island 

Dir: James Griffiths

Herb McGwyer (Tom Basden) is an irritable English musician who has fallen on hard times. He once was half of McGwyer/Mortimer, a folk-rock duo that dominated the charts of the early 2010s. But they broke up when McGwyer went solo, dumping his partner and lover. While still a name, he has lost any credibility he once had. So he agrees to do a private concert before a small crowd on a remote island… for half a million pounds. He is greeted on the stony beach by an enthusiastic ginger-bearded fellow named Charles Heath (Tim Key).  Charles likes bad jokes, bulky sweaters and McGwyer/Mortimer. He’s a super fan, and talks non-stop.

McGuire wishes he’d shut up and leave him alone in his hotel room before the concert. What he doesn’t know is, there is no hotel, just Charles’s rustic stone cottage, the small audience will be just Charles… and it’s not a solo performance, but a double bill. Nell Mortimer (Carey Mulligan) his former partner is on her way from Oregon, and the two haven’t seen each other in more than a decade.  Will McGwyer/Mortimer get back together again? Will the two fall in love again? Or is McGwyer taking the next boat back to the mainland? And where did Charles get all his money?

The Ballad of Wallis Island is a poignant musical- comedy about the big plans of an ordinary fan. It’s done with a faux retro feel, as if the group split up 50 years ago, not 10. Somehow, all of McGwire/Mortimer’s music was released on vintage vinyl, with all their concerts on VHS. And they really do sing: Tom Basden is a actual musician and Carey Mulligan has a lovely voice. Basden wrote the screenplay with the comedic Tom Key, and they’re a hilarious odd couple. But it’s the tender humour of this story that leaves you feeling warm and fuzzy inside. 

I liked this movie a lot.

Freaky Tales

Wri/Dir: Anna Boden, Ryan Fleck

It’s 1987 in Oakland California, and trouble is brewing. A gang of neo-nazi skinheads is terrorizing punks (Jack Champion, Ji-young Yoo), by raiding their home base, 924 Gilman, to ruin a concert and smash up some heads. A debt collector (Pablo Pascal) is sent on his last job, to extort some money from a clandestine poker player. A corrupt kingpin (Ben Mendelssohn) is sponsoring a criminal raid on the home of a celebrated basketball player named Sleepy Floyd (Jay Ellis). And Danger Zone (Normani, Dominique Thorne), a pair of wannabe rappers who work at an ice cream parlour, find themselves in a rap battle against a noted  misogynist. All these events are happening simultaneously to people leaving the celebrated Grand Lake Cinema after a show. But who will triumph at these battles royales — the good guys or the nazis?

Freaky Tales is an entertaining slice of nostalgia from the 1980s, told in the form of four, vaguely-linked chapters. Apparently they’re based on events that actually happened in Oakland in the 1980s. I love the look of this movie; it’s littered with 80s colour combos like pale green with lavender. And it liberally plunders images from old films, including The Warriors and David Cronenberg’s Scanners. The soundtrack is terrific, featuring hardcore, metal and hiphop all in one movie. And it’s got big stars like Pedro Pascal, Ben Mendelssohn and even a cameo by Tom Hanks. What’s missing though, is a real story, not just a hodgepodge of battles, fights, and massacres. I get it, it’s a tribute to an era and the city of Oakland, but where are the surprises, twists or experimentation? Not here. 

Like I said, I enjoyed watching it, but there’s very little going on beneath its comic-book surface.

The Friend

Wri/Dir: Scott McGehee, David Siegel

Iris (Naomi Watts) is a writer and editor who lives in a sunny, rent controlled apartment in New York City. She teaches creative writing at a local college, but isn’t doing much writing herself. Instead she’s editing the work of her best friend Walter (Bill Murray), her mentor, one-time professor and even once a lover. Problem is, Walter’s dead and besides his unfinished manuscripts, he also left behind three former wives and an adult daughter Val (Sarah Pidgeon) he barely knew. 

Iris is dealing with writers’ block, and pressure from his publisher to finish editing his work (“dead Walter is much hotter than living Walter”). Most of all she’s coping with her unexpressed mourning over Walter’s unexpected death. And then, suddenly, she finds herself in charge of Apollo, an enormous and stately Great Dane. For some reason, Walter had decided that Iris, not any of his three widows, would be the one best suited to handle his other best friend. But Iris doesn’t like animals and doesn’t know how to treat them. And it’s not like Walter left her any instructions. Apollo is petulant and bossy, pushing her out of her bed and lording it over her home. He won’t eat his food, he won’t drink his water. Iris is at loose ends. But just as she starts learning how to co-exist with the dog, she faces a bigger dilemma. It would be devastating to the dog to be torn away from his home yet again. But to discretely keep a Great Dane in a pet-free, rent-controlled apartment is insane… and grounds for eviction. IS there anyway she can save them both? And will Iris and Apollo ever come to terms with Walter’s suicide?

The Friend is a touching comedy about friendship, loss and mourning. For Iris, the friend of the title is both Walter and Apollo. It’s based on a novel by Sigrid Nunez, and it’s told using a literary narrative voice. We listen to Iris the writer, as she deconstructs and rewrites parts of the story we’re watching, even as they happen, with input from the dead writer Walter. Sounds stuffy and academic, right? But although it exists in an world of writing and publishing, this film is funny, sad and deeply moving. Naomi Watts carries the show as the introverted but empathetic writer Iris. And the monumental Great Dane is presented with amazing dignity. Apollo is never comical, nor does he talk, but he manages to convey emotions as deep as any of the human characters.

A very touching film.

The Ballad of Wallis Island, Freaky Tales and The Friend all open this weekend in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Saturday morning, on CIUT 89.5 FM and on my website culturalmining.com.

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